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American Fiction, African Americans - Fiction & Literature, Politics & Social Issues - Fiction, Family & Friendship - Fiction, Arts & Entertainment - Fiction

Taft

by Ann Patchett
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Overview

Best-selling novelist Ann Patchett’s second, "strikingly original"* novel tells the moving story of John Nickel, an ex–jazz musician who wanted nothing more than to be a good father. When his lover takes away his son, he’s left only with his Beale Street bar. He hires a young waitress named Fay Taft, who brings with her a desperate, dangerous brother, Carl, and the possibility of new intimacy. Nickel finds himself consumed with Fay and Carl’s dead father— Taft—obsessing over and reconstructing the life of a man he never met.

A stunning artistic achievement,

Taft confirms Ann Patchett’s standing as one of the most gifted writers of her generation and reminds us of our deepest instincts to protect the people we love.

*Kirkus Reviews

The eagerly awaited new novel from the author of The Patron Saint of Liars tells a simple story about a man's desire to be reunited with his son. And it is a complex story about the way the human imagination works and the universal, basic instincts of fatherhood.

Synopsis

Best-selling novelist Ann Patchett’s second, "strikingly original"* novel tells the moving story of John Nickel, an ex–jazz musician who wanted nothing more than to be a good father. When his lover takes away his son, he’s left only with his Beale Street bar. He hires a young waitress named Fay Taft, who brings with her a desperate, dangerous brother, Carl, and the possibility of new intimacy. Nickel finds himself consumed with Fay and Carl’s dead father— Taft—obsessing over and reconstructing the life of a man he never met.

A stunning artistic achievement, Taft confirms Ann Patchett’s standing as one of the most gifted writers of her generation and reminds us of our deepest instincts to protect the people we love.

*Kirkus Reviews

Publishers Weekly

Following her well-received debut, The Patron Saint of Liars , Patchett convincingly portrays a bar manager's conflicted feelings for a teenage waitress in this tale of fatherhood and unfulfilled dreams. Narrator John Nickel runs a bar called Muddy's on Memphis's Beale Street. He took the job to help provide for his lover, Marion, and their 10-year-old son, Franklin, who have since moved away, leaving him concerned that the boy lacks paternal guidance. When 17-year-old Fay Taft shows up at Muddy's, lies about her age and asks for a job, Nickel is touched by her neediness and hires her. But he doesn't bargain on her growing desire for him, or on her drug-dealer brother, who brings sleazy clients to the bar. Another complication is the issue of race--Fay is white, Nickel black--but the author concentrates on the color-blind moral problems that any family faces. As Nickel contemplates his own predicaments, he imagines scenes of the Tafts in a stable home before their father died. His sincere sense of responsibility--to his son, to Fay, even to Fay's no-good brother--is conveyed with visceral power, although the hard-boiled dialogue often resembles parody. Patchett's characters may include tough cookies with hearts of gold, but the novel is at its best when she mutes the melodrama and focuses on basic moral issues. (Oct.)

About the Author, Ann Patchett

After selling her first story to the Paris Review while still in college, Ann Patchett was steadily publishing her poignant, award-winning novels by her early 20s. In fact, her first novel sold 24 hours after it had been sent out. From the fantastical Bel Canto to the heartrending memoir Truth and Beauty, Patchett's precocious beginnings have blossomed into a major literary career.

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Editorials

Publishers Weekly - Publisher's Weekly

Following her well-received debut, The Patron Saint of Liars , Patchett convincingly portrays a bar manager's conflicted feelings for a teenage waitress in this tale of fatherhood and unfulfilled dreams. Narrator John Nickel runs a bar called Muddy's on Memphis's Beale Street. He took the job to help provide for his lover, Marion, and their 10-year-old son, Franklin, who have since moved away, leaving him concerned that the boy lacks paternal guidance. When 17-year-old Fay Taft shows up at Muddy's, lies about her age and asks for a job, Nickel is touched by her neediness and hires her. But he doesn't bargain on her growing desire for him, or on her drug-dealer brother, who brings sleazy clients to the bar. Another complication is the issue of race--Fay is white, Nickel black--but the author concentrates on the color-blind moral problems that any family faces. As Nickel contemplates his own predicaments, he imagines scenes of the Tafts in a stable home before their father died. His sincere sense of responsibility--to his son, to Fay, even to Fay's no-good brother--is conveyed with visceral power, although the hard-boiled dialogue often resembles parody. Patchett's characters may include tough cookies with hearts of gold, but the novel is at its best when she mutes the melodrama and focuses on basic moral issues. Oct.

Library Journal

This second novel from the author of the well-received The Patron Saint of Liars LJ 4/1/92 is narrated by John Nickel, an ex-drummer who manages a Memphis bar that is a sort of anti-Cheers. He is also African American, a fact you can soon forget. For one thing, in Patchett's Tennessee, everyone, regardless of age, race, sex, class, or locale, speaks nearly the same flat language. John is obsessed with his young son, who has moved to Miami with John's ex-girlfriend, and his longing for the child is the pivotal and most convincing aspect of the novel. In the meantime, 18-year-old Faye Taft enters the bar and John's life, with her drug-addicted brother in tow. They're running from a family destroyed by their father's sudden death. Strangely, John starts imagining the Taft family before the death in passages that are vividly realized yet so disassociated from the narrator that you begin to wonder if he is receiving ESP transmissions. Patchett is a fine writer, but here we are most aware of her ideas for the novel-the fiction itself rarely takes off. For large public library collections.-Brian Kenney, Brooklyn P.L.

Book Details

Published
March 1, 2011
Publisher
Houghton Mifflin Harcourt
Pages
288
Format
Paperback
ISBN
9780547521893

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