Overview
BY 2035 THE RICH have gotten richer, the poor have gotten poorer, and kidnapping has become a major growth industry in the United States. The children of privilege live in secure, gated communities and are escorted to and from school by armed guards.
But the security around Charity Meyers has broken down. On New Year's morning, she wakes and finds herself alone, strapped to a stretcher, in an ambulance that's not moving. She is amazingly calm - kids in her neighborhood have been well trained in kidnapping protocol. If this were a normal kidnapping, Charity would be fine. But as the hours of her imprisonment tick by, Charity realizes there is nothing normal about what's going on here. No training could prepare her for what her kidnappers really want . . . and worse, for who they turn out to be.
Synopsis
Charity Meyers has only 12 hours to live.
By 2035 the rich have gotten richer, the poor have gotten poorer, and kidnapping has become a major growth industry in the United States. The children of privilege live in secure, gated communities and are escorted to and from school by armed guards.
But the security around Charity Meyers has broken down. On New Year’s morning she wakes and finds herself alone, strapped to a stretcher, in an ambulance that’s not moving. If this were a normal kidnapping, Charity would be fine. But as the hours of her imprisonment tick by, Charity realizes there is nothing normal about what’s going on. No training could prepare her for what her kidnappers really want . . . and worse, for who they turn out to be.
Publishers Weekly
Bloor (Tangerine) shows top form with a gripping novel, set 30 years in the future, that works as both a thriller and a commentary on the dangerously growing gap between America's rich and poor. Thirteen-year-old Charity Meyers lives with her father, a dermatologist whose wealth has survived the World Credit Crash, and her stepmother, a noxious "vidscreen" personality. Despite all the precautions within the Meyers' high-security housing development, Charity is kidnapped on New Year's Day 2036-the "taken" of the title, also a chess allusion to a didn't-see-it-coming plot twist. Because child-snatching is a major growth industry in South Florida, Charity has been trained to handle the stress and she knows what should happen. Within 24 hours, her parents will empty their home vault of its currency, and she will be freed. Pacing the narrative so readers can feel the clock ticking, the author fills in Charity's back story-the ironic death of her mother to skin cancer, her days at "satschool," where education comes beamed in from an elite Manhattan academy, her home run by Albert and Victoria, the butler and maid whose very names are regulated by Royal Domestic Services. Bloor, whose gimlet-eyed view of modern society has occasionally pushed his narratives to extremes, reigns in the satire to concoct a plausible-enough scenario of the not-too-distant future, adding just the right measure of consciousness-raising in the dialogue between Charity and a teenage abductor. Deftly constructed, this is as riveting as it is thought-provoking. Ages 12-up. (Oct.)
Copyright 2007 Reed Business InformationEditorials
Publishers Weekly
Bloor (Tangerine) shows top form with a gripping novel, set 30 years in the future, that works as both a thriller and a commentary on the dangerously growing gap between America's rich and poor. Thirteen-year-old Charity Meyers lives with her father, a dermatologist whose wealth has survived the World Credit Crash, and her stepmother, a noxious "vidscreen" personality. Despite all the precautions within the Meyers' high-security housing development, Charity is kidnapped on New Year's Day 2036-the "taken" of the title, also a chess allusion to a didn't-see-it-coming plot twist. Because child-snatching is a major growth industry in South Florida, Charity has been trained to handle the stress and she knows what should happen. Within 24 hours, her parents will empty their home vault of its currency, and she will be freed. Pacing the narrative so readers can feel the clock ticking, the author fills in Charity's back story-the ironic death of her mother to skin cancer, her days at "satschool," where education comes beamed in from an elite Manhattan academy, her home run by Albert and Victoria, the butler and maid whose very names are regulated by Royal Domestic Services. Bloor, whose gimlet-eyed view of modern society has occasionally pushed his narratives to extremes, reigns in the satire to concoct a plausible-enough scenario of the not-too-distant future, adding just the right measure of consciousness-raising in the dialogue between Charity and a teenage abductor. Deftly constructed, this is as riveting as it is thought-provoking. Ages 12-up. (Oct.)
Copyright 2007 Reed Business InformationChildren's Literature
Imagine the insular, privileged, suburban subdivision of Bloor’s masterpiece Tangerine fast-forwarded to 2035. Thirteen-year-old Charity Meyers lives in a Florida gated community where she attends an elite “satschool” through a “vidscreen” satellite connection; at home she is waited on by a maid and butler/ bodyguard provided by the pseudo-British “Royal Domestic Service.” All these layers of protection are supposed to prevent Charity from becoming the latest wealthy kidnapping victim, but on New Year’s Day, they fail. Charity is “taken,” and the clock begins ticking until her father and estranged stepmother can provide the ransom payment that will save her life. The novel alternates between Charity’s interactions with her young, revolutionary kidnapper and her reminiscences of the days preceding her kidnapping, in which she enjoyed the class-based pampering that Dessi and his co-conspirators are now rudely and violently threatening. This succeeds both as a riveting, fast-paced, page-turning thriller and as a scathing piece of thought-provoking social commentary, for the creepy, futuristic world Bloor depicts here is, alarmingly, not that distant from our own. Reviewer: Claudia Mills, Ph.D.VOYA -
In the near future, the children of the rich and powerful live in constant danger of being kidnapped. They are trained in proper protocol for dealing with kidnappers-do not antagonize, do not cause trouble-so that they will know what to do while their ransom is being negotiated. Charity Meyers has done everything she can think of to be a good hostage, but her kidnappers might be after something more than mere ransom. Bloor often focuses on the disparity between rich and poor, white and nonwhite in the United States, and his newest book is his least subtle at spreading that message. The rich, mostly white youth in Charity's neighborhood are spoiled and unmotivated, whereas those in the nonwhite, poorer neighborhood are interesting and colorful. Some mention is made that "poor does not equal good," but that statement is not followed through in the plot. Characterization is minimal and often stereotypical, although Charity is an interesting main character. She is clueless about the realities of the world outside her enclave, and savvy readers will realize that she is wrong in many of her assumptions. It is a fast read, even with multiple flashbacks, and there are some real surprises that will keep teens reading. The violence is not graphic, and there is little coarse language, making a good fit for middle school readers. But the effect for which Bloor seems to be striving-opening readers' eyes to the divisions in society-is muted by a heavy-handed tone.School Library Journal
Gr 8 Up
Bloor has written another dark thriller, this one set in the year 2036, when kidnapping is an industry in the United States. When Charity Meyers wakes up in the back of an ambulance, all strapped in, she realizes that she's been taken and that she has only about 12 hours left to live if things don't go according to plan. As the hours go by and the kidnappers' Plan A turns into tragedy, the teen discovers that she can't always count on her instincts about whom to trust. Fast paced and suspenseful, and alternating back and forth between a particular day that Charity chooses to focus on instead of what's happening and the present, the story will keep readers totally involved. However, Charity is the only developed character; most of the others are explored only peripherally through her eyes, leaving readers wanting more and not quite understanding all of their connections. A satisfying conclusion and a good story arc make this a quick read. Although it has elements of dystopian science fiction, it is more of a suspense novel than anything else.
—Sharon Senser McKellarCopyright 2006 Reed Business Information.