Tennessee Williams' Plays: Memory, Myth, and Symbol
Judith J. ThompsonOverview
This book identifies a recurrent structural pattern in Tennessee Williams' plays that lends organic integrity to their evocations of memory, myth, and symbol. Judith J. Thompson examines the evolution of a pattern of mythic recollection and existential reenactment in seventeen Williams plays - from its most successful realization in The Glass Menagerie through The Night of the Iguana to its parody in A Lovely Sunday for Creve Coeur - and explores the significance of the pattern to Williams' larger-than-life-size characters, his nostalgic ambience, and his tragicomic vision. By reference to Jungian psychology, existentialist philosophy, and Northrop Frye's schema of literary archetypes, this critical study demonstrates how Williams' drama imparts "mythic significance to modern secular experience."Synopsis
Thompson (former lecturer in English at the U. of Kansas) discusses a recurrent structural pattern in Tennessee Williams' plays that evoke memory, myth and symbol. Employing references to Jungian psychology, existentialist philosophy, and Northrop Frye's schema of literary archetypes, she studies the evolution of the pattern of mythic recollection and existential re-enactment in 17 plays and examines its significance to his characters, his nostalgic ambience, and his tragicomic vision. Annotation c. Book News, Inc., Portland, OR
Booknews
Thompson (former lecturer in English at the U. of Kansas) discusses a recurrent structural pattern in Tennessee Williams' plays that evoke memory, myth and symbol. Employing references to Jungian psychology, existentialist philosophy, and Northrop Frye's schema of literary archetypes, she studies the evolution of the pattern of mythic recollection and existential re-enactment in 17 plays and examines its significance to his characters, his nostalgic ambience, and his tragicomic vision. Annotation c. Book News, Inc., Portland, OR (booknews.com)