Overview
Anti and Fabián are best friends and classmates at the Quito International School. Anti (short for Anthony) is the quiet, asthmatic English kid, and Fabián is the charismatic and flamboyant local. Anti lives in the dull ex-pat world inhabited by his parents, while Fabián lives with his cool, eccentric Uncle Suarez. Suarez, a storyteller par excellence, infects the boys with his passion for outlandish tales. Before long, the relationship between these two fifteen-year-olds becomes one conducted entirely through the medium of storytelling, and they lose sight of the boundaries between fact and fiction.
With confused emotions and a tenuous grip on reality, the boys embark on a quixotic voyage across Ecuador in search of an “Amnesia Clinic” that may or may not exist. A complex and beautifully crafted piece of storytelling about storytelling itself, The Amnesia Clinic explores how truth can be so very much more fanciful than fact, and how the collision between fantasy and reality can lead to harmful delusions.
Synopsis
Anti and Fabián are best friends and classmates at the Quito International School. Anti (short for Anthony) is the quiet, asthmatic English kid, and Fabián is the charismatic and flamboyant local. Anti lives in the dull ex-pat world inhabited by his parents, while Fabián lives with his cool, eccentric Uncle Suarez. Suarez, a storyteller par excellence, infects the boys with his passion for outlandish tales. Before long, the relationship between these two fifteen-year-olds becomes one conducted entirely through the medium of storytelling, and they lose sight of the boundaries between fact and fiction.
With confused emotions and a tenuous grip on reality, the boys embark on a quixotic voyage across Ecuador in search of an Amnesia Clinic” that may or may not exist. A complex and beautifully crafted piece of storytelling about storytelling itself, The Amnesia Clinic explores how truth can be so very much more fanciful than fact, and how the collision between fantasy and reality can lead to harmful delusions.
Publishers Weekly
This debut, set in Ecuador, mines the rich territory of the secret lives of teenage boys. Anti, an English expatriate, is a student at the Quito International School, where he meets Fabi n, a talented and attractive classmate. Fabi n takes a surprise liking to Anti, and the two soon develop a language and world of their own, in which the lines between reality and fiction blur. In the compelling stories within this story, Fabi n returns time and again to his parents' deaths, convinced his mother escaped the fiery car crash that also killed his father. Anti, seeking to calm his friend's increasingly wild speculations, produces a fake newspaper clipping about an amnesia clinic where victims of memory loss are cared for. The two go in search of the clinic, where they imagine, or pretend, they might find Fabi n's mother. Their trip, which begins as a promising and fun escape, eventually goes awry, leaving Anti to patch together a suitable story from the wreckage. Scudamore admirably portrays the braggadocio, sexual fantasies and obsessions of 15-year-old boys. Like his characters, he is a fast, funny, efficient storyteller; he appears more comfortable in the book's lighter first half than in its darker conclusion. Nonetheless, this story is tough to forget. (Jan.) Copyright 2006 Reed Business Information.
Editorials
Publishers Weekly
This debut, set in Ecuador, mines the rich territory of the secret lives of teenage boys. Anti, an English expatriate, is a student at the Quito International School, where he meets Fabi n, a talented and attractive classmate. Fabi n takes a surprise liking to Anti, and the two soon develop a language and world of their own, in which the lines between reality and fiction blur. In the compelling stories within this story, Fabi n returns time and again to his parents' deaths, convinced his mother escaped the fiery car crash that also killed his father. Anti, seeking to calm his friend's increasingly wild speculations, produces a fake newspaper clipping about an amnesia clinic where victims of memory loss are cared for. The two go in search of the clinic, where they imagine, or pretend, they might find Fabi n's mother. Their trip, which begins as a promising and fun escape, eventually goes awry, leaving Anti to patch together a suitable story from the wreckage. Scudamore admirably portrays the braggadocio, sexual fantasies and obsessions of 15-year-old boys. Like his characters, he is a fast, funny, efficient storyteller; he appears more comfortable in the book's lighter first half than in its darker conclusion. Nonetheless, this story is tough to forget. (Jan.) Copyright 2006 Reed Business Information.Library Journal
Fabián and Anti are unlikely friends. The 15-year-old Fabián is a native Ecuadorian orphan living with his exotic Uncle Saurez in Quito's Old Town, while pudgy, asthmatic Anti (short for Anthony) resides with his English parents in a modern international compound. What binds them together is a willingness to submerge themselves in storytelling. Aided and abetted by Suarez's own storytelling abilities, the teenagers augment their mundane lives with seemingly impossible possibilities. All is well until Anti's mother suddenly decides that he is losing his British identity and must return to England, and Anti, in a gesture intended to support Fabián, creates a fake newspaper account of an amnesia clinic in Peru. Wanting one more adventure together, the boys go in search of the clinic. No longer sure whether what either believes is real or fantasy, they alternate between pushing away and pulling together. Narrated by Anti, with constant revisions winding through the story, Scudamore's first novel is reminiscent of Yann Martel's Life of Pi, raising questions about truth, illusion, and the power of stories. Recommended for all fiction collections.—Jan Blodgett