Join Books.org — it's free

Fiction, World Literature, Fiction Subjects, Peoples & Cultures - Fiction
The Antelope Wife by Louise Erdrich — book cover

The Antelope Wife

by Louise Erdrich
Write a review
Log in to track your reading progress.

Overview

A new and radically revised version of the classic novel the New York Times called "a fiercely imagined tale of love and loss, a story that manages to transform tragedy into comic redemption, sorrow into heroic survival."

When Klaus Shawano abducts Sweetheart Calico and carries her far from her native Montana plains to his Minneapolis home, he cannot begin to imagine what the eventual consequences of his rash act will be. Shawano's mysterious Antelope Woman has stolen his heart—and soon proves to be a bewitching agent of chaos whose effect on others is disturbing and irresistible, as she alters the shape of things around her and the shape of things to come.

In this remarkable revised edition of her acclaimed novel, Louise Erdrich weaves an unforgettable tapestry of ancestry, fate, harrowing tragedy, and redemption that seems at once modern and eternal.

1999 World Fantasy Award winner.

About the Author, Louise Erdrich

Louise Erdrich lives with her family in Minnesota and is the owner of Birchbark Books, an independent bookstore. Ms. Erdrich is a member of the Turtle Mountain Band of Chippewa, and this story—which will, in the end, span one hundred years in the life of an Ojibwe woman—was inspired when Ms. Erdrich and her mother, Rita Gourneau Erdrich, were researching their own family history. Chickadee begins a new part of the story that started with The Birchbark House, a National Book Award finalist; The Game of Silence, winner of the Scott O'Dell Award for Historical Fiction; and the acclaimed The Porcupine Year.

Ms. Erdrich is also the bestselling author of many critically acclaimed novels for adults, including the Pulitzer Prize finalist The Plague of Doves and National Book Award finalist The Last Report on the Miracles at Little No Horse. She is also the author of the picture book Grandmother's Pigeon, illustrated by Jim LaMarche.

Biography

Award-winning novelist Louise Erdrich grew up in North Dakota, the oldest of seven children born to a Chippewa mother and a father of German-American descent. She graduated from Dartmouth College in 1976 and Johns Hopkins University in 1979, supporting herself with a variety of jobs, including lifeguard, waitress, teacher, and construction flag signaler. She began her literary career as a poet and short story writer and won awards in both fields.

In the late 1970s, Erdrich began a unique collaboration with Michael Dorris, a Native American writer and teacher she met at Dartmouth and married in 1981. In a creative partnership that endured throughout most of their 14-year marriage, each writer exerted a profound influence on the other's work. Although their names appear in tandem on the cover of only two books, Route Two (1990) and The Crown of Columbus (1991), literally everything either one produced during this time was a collaborative effort. In 1995, after a series of tragic setbacks, the couple separated; two years later, Dorris committed suicide.

From the beginning, Erdrich has translated her mixed blood ancestry into chronicles of astonishing power and range. Her bestselling debut novel, the 1984 National Book Critics Circle Award winner Love Medicine, is a series of interrelated stories about several generations of Chippewas living on or near a North Dakota reservation. Spanning most of the 20th century, the book dispenses with any sort of chronological time line and borrows narrative conventions from Native American oral tradition. Several subsequent novels pick up characters, incidents, and narrative threads from Love Medicine to form an interconnected story cycle.

In her novels, Erdrich explores complex issues of family, personal identity, and cultural survival among full- and mixed-blood Native Americans, delving into mythology and tradition to extract what is both specific and universal. She has been known to rework material, incorporating short stories into long fiction, rewriting, and revising constantly. She continues to write poetry and is the author of several children's books, as well as a memoir of early motherhood and a travel book. She is also a founder of Birchbark Books, a small independent bookstore in Minneapolis, where she now lives.

Reviews

There are no reviews yet. Log in to write one.

Editorials

Los Angeles Times

Richly cadenced, deeply textured, Erdrich's writing has the luster and sheen of poetry, each sentence circling deeper into emotion, motivation, and rationale, until love touches not eternity but death, transforming The Antelope Wife into a story of longing and of longing assuaged.

People

[A] beguiling family sags...A captivating jigsaw puzzle of longing and loss whose pieces form an unforgettable image of contemporary Native American life.

San Francisco Chronicle

[An] extraordinary new offering of history, lore, obsession, lose, and love. Beautifully, extravagantly, in narrative fragments that mix metaphor and story, Erdrich creates a seemingly haphazard, totally absorbing series of oblique snapshots of these characters.

Boston Globe Sunday Magazine

Spiritual yet pragmatic, Erdrich's deft lyricism affirms while it defies the usual lines separating the mythical from the daily.

Michiko Kakutani

A fiercely imagined tale of love and loss, a story that manages to transform tragedy into comic redemption, sorrow into heroic survival.—New York Times

New York Times

A fiercely imagined tale of love and loss, a story that manages to transform tragedy into comic redemption, sorrow into heroic survival.

Boston Globe Sunday Magazine

Spiritual yet pragmatic, Erdrich's deft lyricism affirms while it defies the usual lines separating the mythical from the daily. Erdrich leads every event in her book to its outer limits, so no detail is mundane. And each scene contains bits of hilarity, extravagance, of horror. Throughout, the author's ample afection for human nature finds expression in playful inventiveness. Erdrich's many readers will bend their ears to it, and like any worthy recipients of prayer will be moved as they are bewildered.

People Magazine

A beguiling family saga...The Antelope Wife is a captivating jigsaw puzzle of longing and loss whose pieces form an unforgettable image of contemporary Native American life.

Winnipeg Free Press

An extraordinarily powerful book. Beautifully rendered in her singular voice, it features characters as rich and complex as any in contemporary fiction.

Denver Post

Elegant and spare...In Erdrich's literary universe, the border between dream and reality is as sheer as the seventh veil. The Antelope Wife is exhilirating, so rich that you'll want to read it in small pieces, like savoring an exceptionally dense dessert. But it may be hard to pause between the lines.

Atlanta Journal Constitution

[An incredibly] rich novel. As always, Erdrich is the consummate spinner of tales, reeling out strands of beautiful stories whose interconnection becomes apparent on an almost unconscious level.

Los Angeles Times

Richly cadenced, deeply textured, Erdrich's writing has the luster and sheen of poetry, each sentence circling deeper into emotion, motivation, and rationale, until love touches not eternity but death, transforming The Antelope Wife into a story of longing and of longing assuaged.

San Francisco Chronicle

[An] extraordinary new offering of history, lore, obsession, lose, and love. Beautifully, extravagantly, in narrative fragments that mix metaphor and story, Erdrich creates a seemingly haphazard, totally absorbing series of oblique snapshots of these characters.

Boston Globe Sunday Magazine

Spiritual yet pragmatic, Erdrich's deft lyricism affirms while it defies the usual lines separating the mythical from the daily.

Elizabeth Judd

Are our lives woven from old scores and past betrayals, or are we "working out the minor details of a strictly random pattern?" This philosophical chestnut is at the heart of Louise Erdrich's latest novel, The Antelope Wife, a sprawling tale of two Native American Ojibwa families, the Roys and Shawanos. Although Erdrich clearly wants to create an overarching picture spanning several generations, she devotes the lion's share of her attention to the story of Rozin Roy. Rozin falls hopelessly in love with baker Frank Shawano, and the affair has tragic consequences for her husband and twin daughters.

What surprises, again and again, is how dead on Erdrich is when she seizes upon the right metaphor. One of those inspired metaphors is blitzkuchen -- "the cake of all cakes," which Shawano's father first tasted and became enthralled with during World War II. Frank's life quest is to perfect his blitzkuchen recipe, but the cake never lives up to that initial rapturous encounter. When Frank serves the German cake at his wedding to Rozin, Rozin's former husband maliciously suggests the dessert was poisoned. "The crowd began to taste the cake, exclaiming as they did, nervously, in trepidation, but unable to resist the next bite after the first, the next and ext delicate-yet-dense bite of blitzkuchen. And so it was, so the secret was discovered. The final and the missing ingredient -- fear."

Not all of Erdrich's scenes are so successful. It's perhaps too easy to fault writers who have as distinctive a style as Erdrich's for sometimes sounding like lousy imitations of themselves. Then again, when Erdrich's trademark prose disappoints, she's embarrassing -- silly and trite. Some of her phrases are lyrical but meaningless, like "earthen earth" or "Unmasked, the woman's tage glance broke across Roy's brow like fire." Still others are precious and New Agey: "Her daughters danced out of black mist in the shimmering caves of their hair." And here's how Erdrich describes a pregnancy: "the tiny knock of new life began in the cradle of her hipbones." Oh, please.

Clunkers notwithstanding, The Antelope Wife is a satisfying whole, with plenty of blitzkuchen moments and an intriguing exploration of continuity vs. chaos. Her tightly constructed scenes reflect patterns repeated with each generation of Roy and Shawano, subtly suggesting a grand design. And Erdrich delivers 10 or 12 images so fitting that they transform her carefully woven prose into something as mysterious and sublime as sugar with a hint of fear.
Salon

Publishers Weekly

"Family stories repeat themselves in patterns and waves, generation to generation, across blood and time." Erdrich (Love Medicine, etc.) embroiders this theme in a sensuous novel that brings her back to the material she knows best, the emotionally dislocated lives of Native Americans who try to adhere to the tribal ways while yielding to the lure of the general culture. In a beautifully articulated tale of intertwined relationships among succeeding generations, she tells the story of the Roy and the Shawano families and their "colliding histories and destinies." The narrative begins like a fever dream with a U.S. cavalry attack on an Ojibwa village, the death of an old woman who utters a fateful word, the inadvertent kidnapping of a baby and a mother's heartbreaking quest. The descendants of the white soldier who takes the baby and of the bereaved Ojibwa mother are connected by a potent mix of tragedy, farce and mystical revelation. As time passes, there is another kidnapping, the death of a child and a suicide. Fates are determined by a necklace of blue beads, a length of sweetheart calico and a recipe for blitzkuchen. Though the saga is animated by obsessional love, mysterious disappearances, mythic legends and personal frailties, Erdrich also works in a comic vein. There's a dog who tells dirty jokes and a naked wife whose anniversary surprise has an audience. Throughout, Erdrich emphasizes the paradoxes of everyday life: braided grandmas who follow traditional ways and speak the old language also wear eyeliner and sneakers. In each generation, men and women are bewitched by love, lust and longing; they are slaves to drink, to carefully guarded secrets or to the mesmerizing power of hope. Though the plot sometimes bogs down from an overload of emotional complications, the novel ultimately celebrates the courage of following one's ordained path in the universe and meeting the challenges of fate. It is an assured example of Erdrich's storytelling skills. (Apr.)

Library Journal

Erdrich suffuses Minneapolis with Native American spirit.

The New York Times

A fiercely imagined tale of love and loss, a story that manages to transform tragedy into comic redemption, sorrow into heroic survival.

San Francisco Chronicle

Extraordinary new offering of history, lore, obsession, loss, and love. Beautifully, extravagantly, in narrative fragments that mix metaphor and story, Erdrich creates a seemingly haphazard, totally absorbing series of oblique snapshots of "the colliding histories and destinies" of these characters. The writing is lyrical yet self-mocking, shifting from broad comedy to horror and back again. The operative metaphor is beading: small particles string together to create decorative designs the link generations, cultures, colors.

Los Angeles Times

Richly cadenced, deeply textured, Erdrich's writing has the luster and sheen of poetry, each sentence circling deeper into emotion, moivation, and rationale, until love touches not eternity but death, transforming The Antelope Wife into a story of longing and of longing assuaged.

New York Post

Erdrich manages to find a rich vein of unique and capivating images in the mostly stripped-out mine of magic realism.

The Denver Post

Elegant and spare...In Erdrich's literary universe, the border between dream and reality is as sheer as the seventh veil. The Antelope Wife is exhilirating, so rich that you'll want to read it in small pieces, like savoring an exceptionally dense dessert. But it may be hard to pause between the lines.

Diana Postlethwaite

There is light as well as darkness in this fictional universe, and encountering it offers pain and exhilaration in equal measure.
The New York Times Book Review

Kirkus Reviews

Erdrich's stunningly imagined sixth novel follows the trail blazed by such well-received predecessors as The Bingo Palace (1994). Over several generations, a strange symbiosis binds, as it divides, two families, the Roys and the Shawanos. Erdrich begins with a cryptic imageþof women sewing beads into an indiscernible patternþthen briefly tells the story of Scranton Roy, who is drawn westward by the vision of a mysteriously beckoning woman, but who, having failed to find her, goes into service with the US Cavalry. During a raid, Roy kills an old Indian woman and then rescues an infant girl whose cradle is strapped to the dog that carries her. He raises the girl as his own, until her mother, Blue Prairie Woman, comes for her. Shortly after, the newly motherless girl is sheltered by a herd of antelope, who somehow sense she's one of them. She'll return again to "civilization," to begin a cycle of restlessness and unbelonging that afflicts her descendants and the men who love them. From this haunting beginning, Erdrich fashions a powerful and dauntingly elliptical tale of obsession and separation that moves backward and forward through time from Northern Plains Indian settlements to present-day Minneapolis. Its preternaturally striking characters (whose tangled relationships will be understood best by those who know Erdrich's earlier fiction) include: Klaus Shawano, who acquires "the antelope woman," but canþt keep her; several sets of twin daughters, all frustratingly distant from the men who claim them; Richard Whiteheart Beads, who causes the deaths of those he loves and attempts to take his own life when his beleaguered ex-wife remarries; and—Erdrich'smost brilliant invention—the ghostly "windigo dog," a creature magically akin to the humans it patiently serves and protests. Too many explanations are hastily knotted together at the end, and a genealogy would have helped, but few readers will complain. This is realism at its most magical, in a novel as satisfying as any Erdrich has written.

From Barnes & Noble

The Antelope Wife reflects the irrevocable patterns set in motion by certain fateful acts. It is a story of connections in which history, lust, contemporary Native American life, hand-me-down names, and legends, as well as myth, combine. It extends the branches of the families who populate Louise Erdich's earlier, award-winning novels, and once again, her unsentimental, unsparing writing captures the Native American sense of despair, magic, and humor in an unforgettable story.

Book Details

Published
August 28, 2012
Publisher
HarperCollins Publishers
Pages
320
Format
Paperback
ISBN
9780061767968

More by Louise Erdrich

Similar books