The Ayn Rand cult

Robert Fulford

An absorbing portrait of the still-thriving Rand movement. Walker provides some striking glimpses of the Randians [who] take themselves so seriously that they will never be in danger of understanding how amusing the rest of the world finds them.
— Globe and Mail

Publishers Weekly - Publisher's Weekly

According to this devastating and often heavy-handed critique, Ayn Rand, whose novels The Fountainhead and Atlas Shrugged exposed millions to her philosophy of virtuous self-centeredness and capitalist freedom, was an oppressive personality whose Objectivist movement demonstrated all the classic elements of a destructive cult (its messianic leader and its separation of group members from family and friends). Walker presents his subject as an arrogant, dogmatic bully who brooked no criticism and as a repressed narcissist who feared her own emotions and hid behind a glorification of reason. He concludes that Rand was no more than a third-rate pop-novelist of propaganda fiction and that her "vulgar Nietzschean" philosophy's obsessive concern with the overachiever--who requires protection via absolutized individual rights--contributed to the movement's cultish aspects. Walker also savages self-esteem guru Nathaniel Branden, who was Rand's protege and extramarital lover; their explosive breakup in 1968 pulverized the Objectivist movement, whose contemporary schisms and crosscurrents he ploddingly tracks. In a vitriolic chapter on Federal Reserve chairman Alan Greenspan--a one-time member of Rand's inner circle--Walker unpersuasively contends that this banker's "inflation-obsessed" policies grew out of Rand's theories. Those who find Rand's self-styled philosophy outre may not find much of interest in this scathing, albeit clumsy, expose. Others will find it a useful corrective to the Rand mystique. (Feb.) FYI: Branden's tell-all account of his affair with Rand and his role in the Objectivist movement is being reissued in a new edition in March as My Years with Ayn Rand: The Truth Behind the Myth (Jossey-Bass, $19 480p ISBN 0-7879-4513-7). While he does criticize Rand personally, his treatment differs from Walker's in that he still reveres her as a philosopher.

Library Journal

Ayn Rand's novels and philosophy have been the object of widespread popular interest since the 1950s. After her death in 1982, there was a spate of biographical and critical interest; her popularity continues with a U.S. postage stamp and a television documentary, both scheduled for this spring. These two books offer divergent perspectives on Rand, her followers, and the Objectivist movement. Branden (The Art of Living Consciously, LJ 3/1/97) offers a revised version of his 1989 memoir. A personal account of his intellectual and romantic relationship with Rand and their famous break, it is useful for its insider's view of the Objectivist movement and may appeal to those interested in gossipy details of the protagonists' lives. While objectivity isn't expected in an insider's account, this memoir nonetheless lacks critical distance--even after nearly 50 years--and is marred by plodding narrative and wooden dialog. Canadian journalist Walker makes a more valuable and original contribution to Rand studies. He analyzes the Objectivist movement, Rand's leadership role, and the politics of her inner circle in terms of the cult dynamic. This analytical perspective avoids the common extremes of hagiography and vilification that mark many accounts of Rand's schismatic movement. Walker also does a credible job of placing Rand's ideas in the context of philosophies that preceded and followed her, and it offers insightful chapters on three of her major followers: Branden, Leonard Peikoff, and Alan Greenspan. His account is well researched and clearly written, though it is sometimes weighed down by an unsynthesized accumulation of detail. A solid contribution to 20th-century intellectual history.--Julia Burch, MIT Media Lab, Cambridge, MA

Booknews

Toronto freelance writer Walker characterizes the Objectivist movement that grew up around the Russian emigre Rand (1905-85) and her novels The Fountainhead and Atlas Shrugged, as a classic cult. Though its emphasis on self-interest, rationality, and atheism are unusual, he says, it includes the familiar elements of guru worship, thought control, trial and excommunication and deviants, and hostility to the outside world. He includes no scandalous photographs. Annotation c. by Book News, Inc., Portland, Or.

Kirkus Reviews

Much adored and much reviled, Ayn Rand finds no sympathy at the hands of Canadian investigative journalist Walker. Like many others, he compares the Objectivist guru and Atlas Shrugged author to a cult leader, while attacking her claims of originality, consistency, literary talent, and morality. Rand's novels made free-marketeers out of almost as many 1950s and '60s teens as Kerouac's On the Road made restless beatniks. At least two generations have been influenced by her loyalty to a peculiarly stark form of individualism, the reification of rationality, and moral approbation of selfish profit-seeking. In the midst of the Cold War, Randian thinking struck a chord, and she, the former Russian Jew Alissa Rosenbaum, attracted a sizeable circle of devoted followers. Too devoted, says Walker, claiming that this philosophical success story tells less than half the tale. He argues that Objectivism garnered intelligent yet sadly impressionable youths, intimidating them into total emotional submission. Interviews with prominent former Objectivists reveal Rand's repulsively didactic character, her intolerance for criticism or disagreement of any kind, and her vindictiveness when spurned by a disciple. Walker does not stop at characterizing Rand as a cultist. He seeks to discredit her altogether by showing that, despite her brainwashed followers' claims that Rand was the greatest thinker since Aristotle, everything she wrote was either derivative (from a combination of Jewish tradition, laissez-faire manifestos, and mystery novels), devoid of literary value (he performs a painful count of monstrously overused words in Atlas), or both.