The Bedside Book of Beasts: A Wildlife Miscellany
Graeme GibsonOverview
In a wonderfully diverse selection of writings and gorgeous illustrations, this stunning companion to The Bedside Book of Birds explores the relationship between predators and their prey.The intricate, complex connection between the hunter and the hunted has defined animal life on earth throughout time. In The Bedside Book of Beasts, Graeme Gibson gathers breathtaking works of art and literature that capture the power, grace, and inventiveness of both predators and their natural prey.
The Bedside Book of Beasts presents myths, fables, poetry, and excerpts from nature and travel writing, journals, sacred texts, and works of fiction. Within these pages we encounter big cats, bears, wolves, and the small but voracious praying mantis, as well as works that bring to life the experience of more vulnerable prey. Portraits of such legendary evil beasts as the Minotaur, Grendel, and the biblical Leviathan add to the depth and breadth of the collection. An impressive array of art, both traditional and contemporary, as well as scientific, religious, and mythological drawings, paintings, and woodcuts make this volume an utterly unique gift for the holidays or any occasion.
A fascinating exploration of the chain of life, of survival and mortality, The Bedside Book of Beasts evokes a profound sense of the eternal connection between humans and the creatures they endeavor to tame.
Synopsis
In a wonderfully diverse selection of writings and gorgeous illustrations, this stunning companion to The Bedside Book of Birds explores the relationship between predators and their prey.
The intricate, complex connection between the hunter and the hunted has defined animal life on earth throughout time. In The Bedside Book of Beasts, Graeme Gibson gathers breathtaking works of art and literature that capture the power, grace, and inventiveness of both predators and their natural prey.
The Bedside Book of Beasts presents myths, fables, poetry, and excerpts from nature and travel writing, journals, sacred texts, and works of fiction. Within these pages we encounter big cats, bears, wolves, and the small but voracious praying mantis, as well as works that bring to life the experience of more vulnerable prey. Portraits of such legendary evil beasts as the Minotaur, Grendel, and the biblical Leviathan add to the depth and breadth of the collection. An impressive array of art, both traditional and contemporary, as well as scientific, religious, and mythological drawings, paintings, and woodcuts make this volume an utterly unique gift for the holidays or any occasion.
A fascinating exploration of the chain of life, of survival and mortality, The Bedside Book of Beasts evokes a profound sense of the eternal connection between humans and the creatures they endeavor to tame.
The New York Times - Jennifer B. McDonald
As he did four years ago in The Bedside Book of Birds, Gibson…has compiled poetry and myth, fairy tale and folklore, sacred texts and travelogues in an enchantingly illustrated volume that will awaken something primal in any human who dips into its pages. But this is far from a merely pretty survey of the animal kingdom. It is a book of raw spirit, a polemic against cold industrialization buttressed by Darwin, Forster, Murakami and Neruda, Audubon, Rubens and Leonardo, among many others…Thankfully, Gibson favors awe over stuffy moralizing, leaving it to the muscular words and images of his miscellany to reveal human evolution as a beautiful and a terrible thing: it has given us the poetry gathered here, even as it threatens to make the subjects of this poetry familiar to future generations only as pictures in a book.
Editorials
Jennifer B. McDonald
As he did four years ago in The Bedside Book of Birds, Gibson…has compiled poetry and myth, fairy tale and folklore, sacred texts and travelogues in an enchantingly illustrated volume that will awaken something primal in any human who dips into its pages. But this is far from a merely pretty survey of the animal kingdom. It is a book of raw spirit, a polemic against cold industrialization buttressed by Darwin, Forster, Murakami and Neruda, Audubon, Rubens and Leonardo, among many others…Thankfully, Gibson favors awe over stuffy moralizing, leaving it to the muscular words and images of his miscellany to reveal human evolution as a beautiful and a terrible thing: it has given us the poetry gathered here, even as it threatens to make the subjects of this poetry familiar to future generations only as pictures in a book.—The New York Times