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Short Story Anthologies, Horror
The Best Horror of the Year, Volume 1 by Ellen Datlow — book cover

The Best Horror of the Year, Volume 1

by Ellen Datlow
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Overview

An air force Loadmaster is menaced by Strange Sounds within his cargo; a man is asked to track down a childhood friend...who died years earlier; doomed pioneers forge a path westward as a young mother discover her true nature; an alcoholic strikes a dangerous bargain with a gregarious stranger; urban explorers delve into a ruined book depository, finding more than they anticipated; residents of a rural Wisconsin town defend against a legendary monster; a woman wracked by survivor's guilt is haunted by the ghosts of tragic crash; a detective strives to solve the mystery of a dismembered girl; an orphan returns to a wicked witch's candy house; a group of smuggles find themselves buried to the necks in sand; an unanticipated guest brings doom to a high-class party; a teacher attempts to lead his students to safety as the world comes to an end around them...

What frightens us, what unnerves us? What causes that delicious shiver of fear to travel the lengths of our spines? It seems the answer changes every year. Every year the bar is raised; the screw is tightened. Ellen Datlow knows what scares us; the twenty-one stories and poems included in this anthology were chosen from magazines, webzines, anthologies, literary journals, and single author collections to represent the best horror of the year.

Synopsis

Legendary editor Ellen Datlow, winner of multiple Hugo, Bram Stoker, and World Fantasy awards, joins Night Shade Books in presenting the Best Horror of the Year.

Publishers Weekly

After 22 years of pulling the horror content for the now-discontinued Year's Best Fantasy and Horror series, Datlow (Lovecraft Unbound) goes solo with this stellar start to a new “best of” annual. As in the past, her picks confirm that “horror” is a storytelling approach with endlessly inventive possibilities. In E. Michael Lewis's “Cargo,” a haunting Twilight Zone–type tale, an airplane picks up something otherworldly as part of its latest transport. Euan Harvey's creepy “Harry and the Monkey” turns an urban legend into reality. R.B. Russell's “Loup-garou” is a highly original shape-shifter story with a subtle psychological twist, and Daniel LeMoal's “Beach Head” a bracing conte cruel with a Lord of the Flies cast. In addition to the richly varied stories, Datlow provides her usual comprehensive coverage of the year in horror in an introduction that's indispensable reading for horror aficionados. (Dec.)

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Editorials

Publishers Weekly

After 22 years of pulling the horror content for the now-discontinued Year's Best Fantasy and Horror series, Datlow (Lovecraft Unbound) goes solo with this stellar start to a new “best of” annual. As in the past, her picks confirm that “horror” is a storytelling approach with endlessly inventive possibilities. In E. Michael Lewis's “Cargo,” a haunting Twilight Zone–type tale, an airplane picks up something otherworldly as part of its latest transport. Euan Harvey's creepy “Harry and the Monkey” turns an urban legend into reality. R.B. Russell's “Loup-garou” is a highly original shape-shifter story with a subtle psychological twist, and Daniel LeMoal's “Beach Head” a bracing conte cruel with a Lord of the Flies cast. In addition to the richly varied stories, Datlow provides her usual comprehensive coverage of the year in horror in an introduction that's indispensable reading for horror aficionados. (Dec.)

School Library Journal

Adult/High School—This extraordinary compilation can be read as a coherent, unified text. Mainly composed of slow-burning tales with a deep sense of historical/political setting, the collection focuses on the horror to be found in the mundane facts of life, particularly family life: relatives who have died, broken homes, families struggling to hold together. The stories also challenge the traditional connection between horror and the supernatural. Many of them, such as Margo Lanagan's chilling "The Goosle," have no elements of the supernatural at all, and those that do, such as Steve Duffy's exquisite, heartbreaking "The Clay Party," often feature neutral or actively positive interactions with the Beyond. Instead, in almost every story, the horror comes directly from the evil or misguided intentions of humans. Inevitably, the pieces vary in quality, and one might have preferred a more critical introduction from Datlow, but this collection is not to be missed.—Mark Flowers, John F. Kennedy Library, Vallejo, CA

Book Details

Published
October 1, 2009
Publisher
Night Shade Books
Pages
350
Format
Paperback
ISBN
9781597801614

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