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Book cover of The Birth-Mark
U.S. & Canadian Poetry - 19th Century - Literary Criticism, Literary Theory - General & Miscellaneous, Literary Criticism - U.S. Fiction & Prose Literature - General & Miscellaneous

The Birth-Mark

by Susan Howe
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Overview

Susan Howe approaches early American literature as pet and critic, blending scholarship with passionate commitment and unique view of her subject. The Birth-mark traces the collusive relationships among tradition, the constitution of critical editions, literary history and criticism, the institutionalized roles of poetry and prose, and the status of gender. Through an examination of the texts and editorial histories of Thomas Shepard's conversion narratives, the captivity narrative of Mary Rowlandson, and the poetry of Emily Dickinson, Howe reads our intellectual inheritance as a series of civil wars, where each text is a wilderness in which a strange and lawless author confronts interpreters and editors eager for settlement. In a concluding interview, Howe comments on her approach and recounts some the crucial biographical events that sparked her interest in early American literature.

Synopsis

A stimulating examination of early American literature

The fabled violence of American patrimony is here tracked and qualified by brilliantly perceptive readings of initial texts of that common inheritance. Susan Howe, herself "a library-cormorant" in Coleridge's phrase, brings to her task the powers of a major poet and the adamant measure of the "Other" she, as all women, have been forced to be. This remarkable book is vivid testimony of that voice we can no longer silence.

About the Author, Susan Howe

SUSAN HOWE is a poet and Professor of English at the State University of New York- Buffalo. She is also the author of numerous critical essays including My Emily Dickinson (1985), and most recently "Sorting Facts; or, Nineteen Ways of Looking at Marker" in Beyond Document: Essays on Nonfiction Film (Wesleyan, 1996), edited by Charles Watten. Her books of poetry include Singularities (1990), The Europe of Trusts: Selected Poems (1989), Articulation of Sound Forms in Time (1987), and most recently, Frame Structures: Early poems, 1974-1979 (1995).

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Editorials

From The Critics

The fabled violence of American patrimony is here tracked and qualified by brilliantly perceptive readings of initial texts of that common inheritance. Susan Howe, herself "a library-cormorant" in Coleridge's phrase, brings to her task the powers of a major poet and the adamant measure of the "Other" she, as all women, have been forced to be. This remarkable book is vivid testimony of that voice we can no longer silence.

Book Details

Published
April 1, 1993
Publisher
Wesleyan University Press
Pages
212
Format
Paperback
ISBN
9780819562630

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