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The Blind Man's Garden by Nadeem Aslam — book cover

The Blind Man's Garden

by Nadeem Aslam
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Overview

The acclaimed author of The Wasted Vigil now gives us a searing, exquisitely written novel set in Pakistan and Afghanistan in the months following 9/11: a story of war, of one family’s losses, and of the simplest, most enduring human impulses.

Jeo and Mikal are foster brothers from a small town in Pakistan. Though they were inseparable as children, their adult lives have diverged: Jeo is a dedicated medical student, married a year; Mikal has been a vagabond since he was fifteen, in love with a woman he can’t have. But when Jeo decides to sneak across the border into Afghanistan—not to fight with the Taliban against the Americans, rather to help care for wounded civilians—Mikal determines to go with him, to protect him.

Yet Jeo’s and Mikal’s good intentions cannot keep them out of harm’s way. As the narrative takes us from the wilds of Afghanistan to the heart of the family left behind—their blind father, haunted by the death of his wife and by the mistakes he may have made in the name of Islam and nationhood; Mikal’s beloved brother and sister-in-law; Jeo’s wife, whose increasing resolve helps keep the household running, and her superstitious mother—we see all of these lives upended by the turmoil of war.

In language as lyrical as it is piercing, in scenes at once beautiful and harrowing, The Blind Man’s Garden unflinchingly describes a crucially contemporary yet timeless world in which the line between enemy and ally is indistinct, and where the desire to return home burns brightest of all.

About the Author, Nadeem Aslam

Nadeem Aslam is the author of three highly acclaimed novels: Season of the Rainbirds, which won a Betty Trask Award and was long-listed for the Man Booker Prize; Maps for Lost Lovers, winner of the Kiriyama Prize, short-listed for the International IMPAC Dublin Literary Award, long-listed for the Man Booker Prize, and named a New York Times Notable Book; and, most recently, The Wasted Vigil, short-listed for the Prix Femina Étranger and the Prix Médicis Étranger. He is also the recipient of a Lannan Literary Fellowship. In 2012 he was made a Fellow of the Royal Society of Literature.

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Editorials

From the Publisher

Praise from the UK and abroad for The Blind Man’s Garden
 
“A gripping and moving piece of storytelling that gets the calamitous first act in the ‘War on Terror’ on to the page with grace, intelligence, and rare authenticity.” The Guardian
 
“Once or twice a year, a book stuns me. The Blind Man’s Garden has done just that . . . Rich imagery, sage reflections, and immaculate prose are evident on every page . . . This book glows with a radiant beauty . . . The poignancy is gut-wrenching.” The Independent on Sunday
 
“A gripping work that goes to the heart of Muslim fanaticism and Pentagon intransigence alike. Aslam is a wonderful talent, and we are lucky to have him.” The Telegraph
 
“Aslam has established a reputation for two rare abilities: to write rich, lyrical prose; and to examine Islam in a heartfelt yet clear-eyed way. In both cases, that reputation looks certain to be boosted by The Blind Man’s Garden . . . Aslam never forgets his duty to make all of these [characters] entirely convincing or to serve up page after page of compelling story-telling.” Daily Mail
 
“A monumental novel of love and conflict . . . Aslam has proven himself adept at showing the struggles within Islam, particularly the tension between extremist Islam and its counterpoint, and he does so most powerfully here . . . Breathtaking.” The Independent
 
 “Powerful and quite astounding . . . The Blind Man’s Garden could be Nadeem Aslam’s masterpiece.” —The National (UAE)
 
“A brave, passionate narrative that is rich in symbolism and hard truths . . . Aslam is a gifted writer, an honest witness with the eye of a poet . . . There is no disputing the passion and urgency of Aslam’s work. Its elegantly raw humanity appeals to the soul.” Irish Times
 
“A wonderful book—as propulsive as any thriller yet leavened with the subtlety of a writer who can inhabit the febrile mind of a jihadist just as intuitively as he can the weeping soul of a country drowning in religious extremism.” Metro 
 

Library Journal

Snares set in the silk-cotton tree in Rohan's lush garden will capture birds that, when freed, will say a prayer for whomever released them. So says the bird pardoner, but as evidenced by this follow-up to Aslam's almost unnervingly beautiful The Wasted Vigil, it's not so easy for humans to win forgiveness or freedom, as "we are entangled in all the past of mankind." The garden stands behind a house belonging to a school called the Ardent Spirit that Rohan, both a humanist and a believer, once ran. But his wife has died, his sight is failing, the school has passed to a more militant headmaster, and now Rohan's son, Jeo, and foster son, Mikal, have left their Pakistani town for Afghanistan. Fighting has come post-9/11, and Jeo, who's training to be a doctor, wants to minister to the wounded. The moody Mikal acts as his protector, but neither has anticipated what happens when they cross the border. VERDICT While Vigil sparkled like sharp-cut jewels, this new work has a garden's shaded quiet yet just as effectively conveys the entanglements of history in the Middle East and the awful human price. [See Prepub Alert, 10/8/12.]—Barbara Hoffert, Library Journal

Kirkus Reviews

The war in Afghanistan, as seen from the other side--or, better, another side. "[H]ave you ever heard a story in which the evil person triumphs at the end?" So, three paragraphs into Pakistani-born, British author Aslam's (The Wasted Vigil, 2008, etc.) latest, a father, Rohan, asks his son, Jeo. Always careful, Jeo thinks for a moment before replying that the trouble is that on the way to defeat, evil people "harm the good people." Good and evil are porous categories: Jeo is a medical student, while his brother Mikal works at a gun shop, but both rise to the cause when American troops invade neighboring Afghanistan, joining the jihad against them. Jeo volunteers at a hospital in Peshawar, while Mikal crosses the border to fight alongside the Taliban; for his trouble, he is captured by American soldiers and subjected to interrogation that promises to become torture ("Mikal refuses to speak and they take him to a bare windowless room, attach a chain to his wrists, and...fasten the chain to a ring on the ceiling"). Suffice it to say that the tables turn. The saga of war and sacrifice stretches across the centuries--midway through the story, Rohan, benevolent but given to despair, finds himself wondering whether he has not been cursed in some way because his great-grandfather had sided with the British during the mutiny of 1857. Aslam finds poetry in scenes both ordinary and dreamlike ("the moonlight pale as watered ink"; "Rohan dreams of an American soldier and a jihadi warrior digging the same grave"). At times, the images he conjures seem improbable, as with an American commando who carries a snow leopard cub inside his shirt, but the writing is so assured and the story so urgent that it's easy to suspend disbelief. Aslam sympathizes not with causes, but with people, and this is a memorable portrait of a people torn apart by war.

Book Details

Published
April 30, 2013
Publisher
Knopf Doubleday Publishing Group
Pages
384
Format
Hardcover
ISBN
9780307961716

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