Overview
Astronomy professor Aurora ‘Rory’ Bell gets a message from space that seems to portend the arrival of extraterrestrial visitors. According to her calculations, whoever is coming will arrive in three months— on New Year’s Day, to be exact.
A crowded and poisoned Earth is moving toward the brink of the last world war—and is certainly unprepared to face invasion of any kind. Rory’s continuing investigation leads her to wonder if it could be some kind of hoax, but the impending ‘visit’ takes on a media life of its own. And so the world waits. But the question still remains as to what, exactly, everyone is waiting for…
Synopsis
Astronomy professor Aurora "Rory" Bell gets a message from space that seems to portend the arrival of extraterrestrial visitors. According to her calculations, whoever is coming will arrive in three months - on New Year's Day, to be exact..." "A crowded and poisoned Earth is moving toward the brink of the last world war - and is certainly unprepared to face invasion of any kind. But the more Rory investigates, the more she doubts the authenticity of the transmission. If the message is an elaborate hoax, who's behind it, and why? Now that the impending "visit" has taken on a media life of its own, no one cares anymore what Dr. Bell has to say about it. And so the world waits. But the questions remains as to what, exactly, everyone is waiting for.
Publishers Weekly
Acclaimed Nebula and Hugo award-winner Haldeman delivers a disappointingly weak tale of the turmoil wrought by a message from outer space. Thin on plot, character and suspense, very little about this novel convinces, except details such as the prevalence of Spanish phrases in casual conversation and some techno gizmos. Clear as astronomy Prof. Rory Bell's name, the message "We're coming" is broadcast from only a 10th of a light-year away to mid-21st-century Earth. The message senders will arrive in three short months and will tolerate no attempt to block their "peaceful" landing. While Rory engages in political battles within her university and against the U.S. president's hawkish reaction to possible alien invasion, another, wider-scale battle among the European nations seems destined to launch WWIII. Meanwhile, a local mobster threatens to expose Rory's husband's illegal homosexuality, which would destroy both his and Rory's credibility. Unfortunately, relating the narrative by more than 20 different characters drains any tension from the story and results in disjointed, stalled storytelling. The concluding revelation about the aliens' nature and intentions, threadbare from overuse by other writers, arrives mercifully quickly. (Dec. 11) Forecast: Haldeman's widespread and well-deserved reputation for exciting and thoughtful work plus marketing to his core SF audience will put lots of books on shelves, but fans of the author and newcomers to his work will withhold the positive word of mouth that can help propel titles to major success. Copyright 2000 Cahners Business Information.
Editorials
From Barnes & Noble
Our ReviewThe Arrival Is Imminent
Joe Haldeman's latest novel, a tightly constructed near future thriller called The Coming, begins by recapitulating a classic science fictional motif: the moment of first contact with an alien intelligence.
The story begins on October 1, 2054. Aurora (Rory) Bell, a professor of astrophysics at the University of Florida, has just made the discovery of the century. A sophisticated sensing device called a gamma ray burst detector has picked up a message from somewhere beyond the solar system. The easily decrypted message contains two unambiguous words: We're coming. Subsequent analysis reveals that the source of the message is heading directly toward Earth and is scheduled to arrive on the first day of January 2055. A media circus inevitably ensues, as the citizens of Earth attempt to prepare for a wholly unprecedented event.
From this point forward, Haldeman focuses not on the alien spaceship but on the social, political, and environmental conditions of a rapidly deteriorating planet. He envisions a 21st century marked by unpredictable weather patterns and geopolitical chaos, a world in which corruption is an endemic element both of private enterprises and governmental institutions. Controversial -- i.e., gay -- sexual practices have been outlawed. The electoral process has become a joke, ushering in a new generation of leaders who are incompetent and uninformed but intensely photogenic. Most significantly, the nations of Europe are flexing their muscles once again, marshaling their forces for an inevitable -- and catastrophic -- global conflict.
Haldeman's portrait of the century to come is at once familiar and strange, enlivened by a steady flow of imaginative details: automated traffic control systems, virtual reality pornography, designer drugs tailored to the individual DNA. Haldeman shows us this world from the constantly shifting perspective of a variety of characters. Included among them are Rory Bell, whose initial discovery jump-starts the narrative; Norman Bell, a middle-aged composer with a history of "illegal" sexual behavior; Willie Joe Capra, a sadistic bagman with delusions of grandeur; and a nameless "historian," whose ruminations illuminate the cyclical patterns of violence present throughout recorded history.
As always, Haldeman writes with clarity, economy, and wit, skillfully moving his extensive cast toward a climactic moment of revelation in which "hope and caution" predominate. The Coming is both a provocative, cleverly conceived entertainment and a compelling meditation on the eternal human propensity for violent solutions. It is speculative fiction of the highest order and reaffirms its author's position as a modern master of the form.
--Bill Sheehan
Bill Sheehan reviews horror, suspense, and science fiction for Cemetery Dance, The New York Review of Science Fiction, and other publications. His book-length critical study of the fiction of Peter Straub, At the Foot of the Story Tree, has just been published by Subterranean Press (www.subterraneanpress.com).