The Complete Poems

‘O pure of heart! thou need’st not ask of me What this strong music in the soul may be!’

One of the major figures of English Romanticism, Samuel Taylor Coleridge (1772–1834) created works of remarkable diversity and imaginative genius. The period of his creative friendship with William Wordsworth inspired some of Coleridge’s best-known poems, from the nightmarish vision of the "Rime of the Ancient Mariner" and the opium-inspired "Kubla Khan" to the sombre passion of "Dejection: An Ode" and the medieval ballad "Christabel." His meditative ‘conversation’ poems, such as "Frost at Midnight" and "This Lime-Tree Bower Mr Prison," reflect on remembrance and solitude, while late works, such as "Youth and Age" and "Constancy to an Ideal Object," are haunting meditations on mortality and lost love.

This volume contains the final texts of all the poems published during Coleridge’s lifetime and a substantial selection from those still in manuscript at his death, arranged in chronological order of composition to show his development as a poet. Also included are an introduction, table of dates, further reading, extensive notes, and indexes of titles and first lines.

@RamblinMan But then a storm. Yes, a storm. Struck by a storm. A perfect storm. The Weather Channel said it would be sunny. Assholes!

Can you guess where we ended up? Yeah, the worst place ever. Antarctica. So, so cold. We should have shopped at North Face first.

How cold? Have you been to Chicago? Imagine that, but 100x worse. And with only an all-male crew don’t ask how we stay warm at sea.

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This Penguin English Poets edition of the poetry of Coleridge (1772-1834) contains the final texts of all the poems published in the poet's lifetime, together with a substantial selection from the verse still in manuscript on his death. William Keach's notes draw attention to significant variants, and important earlier versions of "Monody on the Death of Chatterton", "The Eolian Harp", "The Rime of the Ancient Mariner" and "Dejection: An Ode" are included in full. The poems are arranged in chronological order of composition, the best way of presenting a poet's work in Coleridge's view, as it preserves "the interest which arises from watching the progress, maturity and even the decay of genius".