The Crooked Inheritance

An “exquisite . . . spot on” (The Hudson Review) collection of poems from one of our best-loved and best-selling poets that is both personal, with poetry about love, nature and reflections on the stages of life, and political, ranging from the war in Iraq and Katrina to concerns such as women’s rights and the poet’s childhood in Detroit.

In these powerful, often funny, sometimes lyrical, and down-to-earth poems, Marge Piercy writes of her “crooked inheritance”—physical and personality traits from wildly mismatched parents, and in a larger sense the marvelous half-broken world we inherit. Even her hometown Detroit provides a double legacy—a slum girlhood that breeds in her both wild ambition and, where you would least expect it, a love of nature, which she discovers in the city’s elms, “the thing of beauty on grimy smoke-bleared streets.”

Some of Piercy’s strongest poems have always been political, and here are important new verses raging against the war in Iraq, the abandonment of Katrina’s victims (“People penned to die in our instant / concentration camps, just add water”), and the ongoing attempts to suppress women—their rights, their bodies, their minds, their very being: “The CIA should hire as spies / only women over fifty, because we are the truly invisible.”

Other poems are about her life on Cape Cod, where she finds sanctuary in the long natural rhythms of the year’s cycle—gardening, making pesto, hearing coyotes in the winter “yelping in chorus after a kill,” a place where after weeks of rain and snow, the “sun gives birth to rosebushes,” and “everything revealed is magical, splendid in its ordinary shining.” Here, too, are wonderful love songs, about friends, lovers, a beautiful day, animals, making bread.

Deep connections to Jewish life and ritual reveal themselves in poems about her Lithuanian grandmother, about holidays, about the peace in a time of war that ceremony can bring, “an evening of honey on the tongue . . . a puddle of amber light . . . faces of friends . . . darkness walling off the room from what lies outside.”

These marvelous poems remind us anew of the breadth and strength of Marge Piercy’s poetic vision. A superb collection to read and treasure.

Publishers Weekly

Piercy's 16 books of accessible, sometimes outspokenly feminist poetry, along with her many novels and nonfiction books, have gained a wide and loyal following. This big collection of somewhat talky new poems may not disappoint her devotees, but seems unlikely to add to her reputation. Familiar subjects political injustice, familial inheritance, Jewish heritage, the pleasures of cooking and gardening, the troubles of later life get treated, mostly, in predictable, low-pressure ways. When Piercy (Colors Passing Through Us, 2003) takes clothes that don't fit from her "closet of doom," "The resale shop/ is already waiting.../ ...and I feel my own unplanned/ obsolescence creep into my flesh." Antiwar poems focus on an oblivious America, where "shopping is our favorite entertainment." As for Hurricane Katrina, "Baby is crying/ Grandma is dying/ and that dirty water is getting higher." Reminiscences of Detroit, where Piercy grew up, and a sequence of poems on Jewish liturgical occasions (meant, perhaps, for a congregation to use) stand out, and Piercy's honesty is always welcome. (Nov.) Copyright 2006 Reed Business Information.

Marge Piercy is the author of sixteen previous books of poetry. She has also written seventeen novels, including Woman on the Edge of Time; Gone to Soldiers; He, She and It; City of Darkness, City of Light; and Sex Wars, as well as a memoir entitled Sleeping with Cats. With Ira Wood, she is the coauthor of So You Want to Write: How to Master the Craft of Fiction and the Personal Narrative, now in its second edition. Her work has been translated into sixteen languages, and she has won many honors, including, in 1990, the Golden Rose, the oldest poetry award in the country. She lives on Cape Cod with her husband, Ira Wood, the novelist and publisher of Leapfrog Press.