Overview
"A fresh and exciting new voice in Italian crime fiction. Keep the translations coming."-Booklist
It is 1946. De Luca suffers from insomnia and has lost his appetite. He's got problems with women and a case that he can't crack. In this second installment of the heralded De Luca trilogy, the Commissario is posing as a certain Giovanni Morandi to avoid reprisals for the role he played during the fascist dictatorship. Exposed by a member of the partisan police, De Luca is forced to investigate a series of brutal murders, becoming a reluctant player in Italy's postwar power struggle.
Synopsis
"A fresh and exciting new voice in Italian crime fiction. Keep the translations coming."-Booklist
It is 1946. De Luca suffers from insomnia and has lost his appetite. He's got problems with women and a case that he can't crack. In this second installment of the heralded De Luca trilogy, the Commissario is posing as a certain Giovanni Morandi to avoid reprisals for the role he played during the fascist dictatorship. Exposed by a member of the partisan police, De Luca is forced to investigate a series of brutal murders, becoming a reluctant player in Italy's postwar power struggle.
Publishers Weekly
Set in 1946, Lucarelli's taut middle volume of his De Luca trilogy (after Carte Blanche) finds Commissario De Luca, who was a police officer during the Mussolini regime, in a perilous position. Under an assumed name, De Luca is just trying to survive any way he can when a member of the Partisan Police catches him in the woods outside Ravenna and drags him into an investigation of a triple homicide. Despite his instincts for self-preservation, De Luca can't refrain from making observations that display his professional expertise. When he's seduced by the local strongman's girlfriend, De Luca finds himself further at risk. While many authors have written of the conflicts faced by honest police officers in Nazi Germany, few American readers will be familiar with the aftermath of WWII in Italy, and Lucarelli excels at portraying fear and suspicion in a country struggling to recover from its national trauma. (May)
Copyright 2007 Reed Business InformationEditorials
Publishers Weekly
Set in 1946, Lucarelli's taut middle volume of his De Luca trilogy (after Carte Blanche) finds Commissario De Luca, who was a police officer during the Mussolini regime, in a perilous position. Under an assumed name, De Luca is just trying to survive any way he can when a member of the Partisan Police catches him in the woods outside Ravenna and drags him into an investigation of a triple homicide. Despite his instincts for self-preservation, De Luca can't refrain from making observations that display his professional expertise. When he's seduced by the local strongman's girlfriend, De Luca finds himself further at risk. While many authors have written of the conflicts faced by honest police officers in Nazi Germany, few American readers will be familiar with the aftermath of WWII in Italy, and Lucarelli excels at portraying fear and suspicion in a country struggling to recover from its national trauma. (May)
Copyright 2007 Reed Business Information