Children - Fiction & Literature

The Day the Crayons Quit

Name: The Day the Crayons Quit
Author: Drew Daywalt
ISBN: 9780399255373

by Drew Daywalt, Oliver Jeffers (Illustrator)

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Overview

Crayons have feelings too, in this funny back-to-school story!

Poor Duncan just wants to color. But when he opens his box of crayons, he finds only letters, all saying the same thing: His crayons have had enough! They quit! Beige Crayon is tired of playing second fiddle to Brown Crayon. Black wants to be used for more than just outlining. Blue needs a break from coloring all those bodies of water. And Orange and Yellow are no longer speaking—each believes he is the true color of the sun.

What can Duncan possibly do to appease all of the crayons and get them back to doing what they do best?
Kids will be imagining their own humorous conversations with crayons and coloring a blue streak after sharing laughs with Drew Daywalt and New York Times bestseller Oliver Jeffers. This story is perfect as a back-to-school gift, for all budding artists, for fans of humorous books such as Don't Let the Pigeon Drive the Bus by Mo Willems and The True Story of the Three Little Pigs by Jon Sciezka and Lane Smith, and for fans of Oliver Jeffers' Stuck, The Incredibly Book Eating Boy, Lost and Found, and This Moose Belongs to Me.

About the Author, Drew Daywalt

Although Drew Daywalt grew up in a haunted house, he now lives in a Southern California home, haunted by only his wife, two kids, and five-month-old German Shepherd. His favorite crayon is Black.

Oliver Jeffers (www.oliverjeffersworld.com) makes art and tells stories. His books include How to Catch a Star; Lost and Found, which was the recipient of the prestigious Nestle Children’s Book Prize Gold Award in the U.K. and was later adapted into an award-winning animated film; The Way Back Home; The Incredible Book Eating Boy; The Great Paper Caper; The Heart and the Bottle, which was made into a highly acclaimed iPad application narrated by Helena Bonham Carter; Up and Down, the New York Times bestselling Stuck; The Hueys in the New Sweater, a New York Times Best Illustrated Book of the Year; and This Moose Belongs to Me, a New York Times bestseller. Originally from Belfast, Northern Ireland, Oliver now lives and works in Brooklyn, New York.

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Editorials

Publishers Weekly

Although the crayons in this inventive catalogue stop short of quitting, most feel disgruntled. The rank and file express their views in letters written to a boy, Duncan. Red complains of having to “work harder than any of your other crayons” on fire trucks and Santas; a beige crayon declares, “I’m tired of being called ‘light brown’ or ‘dark tan’ because I am neither.” White feels “empty” from Duncan’s white-on-white coloring, and a “naked” Peach wails, “Why did you peel off my paper wrapping?” Making a noteworthy debut, Daywalt composes droll missives that express aggravation and aim to persuade, while Jeffers’s (This Moose Belongs to Me) crayoned images underscore the waxy cylinders’ sentiments: each spread features a facsimile of a letter scrawled, naturally, in the crayon’s hue; a facing illustration evidences how Duncan uses the crayon, as in a picture of a giant elephant, rhino, and hippo (Gray laments, “That’s a lot of space to color in all by myself”). These memorable personalities will leave readers glancing apprehensively at their own crayon boxes. Ages 3–7. Author’s agent: Jeff Dwyer, Dwyer & O’Grady. (June)

Kirkus Reviews

Duncan wants to draw, but instead of crayons, he finds a stack of letters listing the crayons' demands in this humorous tale. Red is overworked, laboring even on holidays. Gray is exhausted from coloring expansive spaces (elephants, rhinos and whales). Black wants to be considered a color-in color, and Peach? He's naked without his wrapper! This anthropomorphized lot amicably requests workplace changes in hand-lettered writing, explaining their work stoppage to a surprised Duncan. Some are tired, others underutilized, while a few want official titles. With a little creativity and a lot of color, Duncan saves the day. Jeffers delivers energetic and playful illustrations, done in pencil, paint and crayon. The drawings are loose and lively, and with few lines, he makes his characters effectively emote. Clever spreads, such as Duncan's "white cat in the snow" perfectly capture the crayons' conundrum, and photographic representations of both the letters and coloring pages offer another layer of texture, lending to the tale's overall believability. A comical, fresh look at crayons and color. (Picture book. 3-7)