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The Debba by Avner Mandelman — book cover
Family & Friendship - Fiction, Jewish Fiction & Literature, Crimes - Fiction, Middle Eastern Peoples & Cultures - Fiction & Literature, Historical Fiction

The Debba

by Avner Mandelman
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Overview

Winner of the 2011 Arthur Ellis Award for Best First Crime Novel

In Middle East lore the Debba is a mythical Arab hyena that can turn into a man who lures Jewish children away from their families to teach them the language of the beasts. To the Arabs he is a heroic national symbol; to the Jews he is a terrorist. To David Starkman, “The Debba” is a controversial play, written by his father the war hero, and performed only once, in Haifa in 1946, causing a massive riot. By 1977, David is living in Canada, having renounced his Israeli citizenship and withdrawn from his family, haunted by persistent nightmares about his catastrophic turn as a military assassin for Israel. Upon learning of his father’s gruesome murder, he returns to his homeland for what he hopes will be the final time. Back in Israel, David discovers that his father's will demands he stage the play within forty-five days of his death, and though he is reluctant to comply, the authorities’ evident relief at his refusal convinces him he must persevere. With his father’s legacy on the line, David is forced to reimmerse himself in a life he thought he’d escaped for good.The heart-stopping climax shows that nothing in Israel is as it appears, and not only are the sins of the fathers revisited upon the sons, but so are their virtues—and the latter are more terrible still.  Disguised as a breathtaking thriller, Avner Mandelman’s novel reveals Israel’s double soul, its inherent paradoxes, and its taste for both art and violence. The riddle of the Debba—the myth, the play, and the novel— is nothing less than the tangled riddle of Israel itself.

Synopsis

In Middle East lore the Debba is a mythical Arab hyena that can turn into a man who lures Jewish children away from their families to teach them the language of the beasts. To the Arabs he is a heroic national symbol; to the Jews he is a terrorist. To David Starkman, “The Debba” is a controversial play, written by his father the war hero, and performed only once, in Haifa in 1946, causing a massive riot. By 1977, David is living in Canada, having renounced his Israeli citizenship and withdrawn from his family, haunted by persistent nightmares about his catastrophic turn as a military assassin for Israel. Upon learning of his father’s gruesome murder, he returns to his homeland for what he hopes will be the final time. Back in Israel, David discovers that his father's will demands he stage the play within forty-five days of his death, and though he is reluctant to comply, the authorities’ evident relief at his refusal convinces him he must persevere. With his father’s legacy on the line, David is forced to reimmerse himself in a life he thought he’d escaped for good.The heart-stopping climax shows that nothing in Israel is as it appears, and not only are the sins of the fathers revisited upon the sons, but so are their virtues—and the latter are more terrible still.  Disguised as a breathtaking thriller, Avner Mandelman’s novel reveals Israel’s double soul, its inherent paradoxes, and its taste for both art and violence. The riddle of the Debba—the myth, the play, and the novel— is nothing less than the tangled riddle of Israel itself.

Publishers Weekly

Sharp, biting prose distinguishes this first novel from Israeli author Mandelman (Talking to the Enemy, a story collection). In 1977, David Starkman returns from selfimposed exile in Canada to his native Israel after learning of the murder of his warhero father, Isser, the owner of a shoe shore. The killer stabbed Isser in the heart with one of Isser's own knives, then mutilated his body. Isser's will includes an unusual provision--that within 45 days, a controversial play he'd written, The Debba, whose title refers to "an enigmatic Arab hyena that can walk like a man" and which had only been performed once, three decades earlier, be staged. David, who once belonged to an elite Israeli army unit responsible for carrying out targeted assassinations in "times of non-war," decides to stick around to fulfill his father's request, despite opposition from those who believe the play is subversive. The author deftly blends a murder mystery with a nuanced examination of the intransigent Israeli-Arab conflict. (July)

About the Author, Avner Mandelman

Avner Mandelman was born in Israel and served in the Israeli Air Force during the Six-Day War. Two of his story collections have been published in Canada, and the story collection Talking to the Enemy was published in the U.S. and chosen by Kirkus as one of the twenty-five best books of 2005, and by the ALA as the first recipient of the Sophie Brody Medal for outstanding achievement in Jewish literature. Several of his stories have won awards in the U.S., Canada, and Israel, including being selected for the Pushcart Prize, and the Journey Prize. His short story, “Pity,” was selected for inclusion in The Best American Short Stories 1995. This is his first novel.

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Editorials

Publishers Weekly

Sharp, biting prose distinguishes this first novel from Israeli author Mandelman (Talking to the Enemy, a story collection). In 1977, David Starkman returns from selfimposed exile in Canada to his native Israel after learning of the murder of his warhero father, Isser, the owner of a shoe shore. The killer stabbed Isser in the heart with one of Isser's own knives, then mutilated his body. Isser's will includes an unusual provision--that within 45 days, a controversial play he'd written, The Debba, whose title refers to "an enigmatic Arab hyena that can walk like a man" and which had only been performed once, three decades earlier, be staged. David, who once belonged to an elite Israeli army unit responsible for carrying out targeted assassinations in "times of non-war," decides to stick around to fulfill his father's request, despite opposition from those who believe the play is subversive. The author deftly blends a murder mystery with a nuanced examination of the intransigent Israeli-Arab conflict. (July)

Library Journal

David Starkman, a disaffected Israeli expat, apprehensively returns from Canada in 1977 for the funeral of his father, a hero of the 1948 war who subsequently went back to shoemaking. His father has placed an unusual request in his will. In order to inherit the estate, David must stage a play his father wrote that was performed only once before in 1946. The play—based on Arab folklore about the Debba, a mythical hyena that can turn human and lure Jewish children from their families—caused a near-riot at the time and seems destined to do so again, with forces inside the government determined to stop the production at any cost. Carrying it through, David unearths many secrets regarding his birth and that of his native country.Verdict Mandelman, a veteran of the Six-Day War, has crafted a literary thriller that powerfully confronts uncomfortable paradoxes around the founding of Israel. The issues it raises are as near as the headlines, and the novel seems likely to be as controversial as the play that forms its centerpiece.—Lawrence Rungren, Merrimack Valley Lib. Consortium, North Andover, MA

Book Details

Published
July 1, 2010
Publisher
Other Press, LLC
Pages
368
Format
Paperback
ISBN
9781590513705

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