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Overview
From international bestselling author Posie Graeme-Evans comes the passionate tale of a woman ahead of her time.
Ellen Gowan is the only surviving child of a scholarly village minister and a charming girl disowned by her family when she married for love. Growing up in rural Norfolk, Ellen’s childhood was poor but blessed with affection. Resilience, spirit, and one great talent will carry her far from such humble beginnings. In time, she will become the witty, celebrated, and very beautiful Madame Ellen, dressmaker to the nobility of England, the Great Six Hundred.
Yet Ellen has secrets. At fifteen she falls for Raoul de Valentin, the dangerous descendant of French aristocrats. Raoul marries Ellen for her brilliance as a designer but abandons his wife when she becomes pregnant. Determined that she and her daughter will survive, Ellen begins her long climb to success. Toiling first in a clothing sweat shop, she later opens her own salon in fashionable Berkeley Square though she tells the world – and her daughter - she’s a widow. One single dress, a ballgown created for the enigmatic Countess of Hawksmoor, the leader of London society, transforms Ellen’s fortunes, and as the years pass, business thrives. But then Raoul de Valentin returns and threatens to destroy all that Ellen has achieved.
In The Dressmaker, the romance of Jane Austen, the social commentary of Charles Dickens and the very contemporary voice of Posie Graeme-Evans combine to plunge the reader deep into the opulent, sinister world of teeming Victorian England. And if the beautiful Madame Ellen is not quite what she seems, the strength of her will sees her through to the truth, and love, at last.
Synopsis
From international bestselling author Posie Graeme-Evans comes the passionate tale of a woman ahead of her time.
Ellen Gowan is the only surviving child of a scholarly village minister and a charming girl disowned by her family when she married for love. Growing up in rural Norfolk, Ellen’s childhood was poor but blessed with affection. Resilience, spirit, and one great talent will carry her far from such humble beginnings. In time, she will become the witty, celebrated, and very beautiful Madame Ellen, dressmaker to the nobility of England, the Great Six Hundred.
Yet Ellen has secrets. At fifteen she falls for Raoul de Valentin, the dangerous descendant of French aristocrats. Raoul marries Ellen for her brilliance as a designer but abandons his wife when she becomes pregnant. Determined that she and her daughter will survive, Ellen begins her long climb to success. Toiling first in a clothing sweat shop, she later opens her own salon in fashionable Berkeley Square though she tells the world – and her daughter - she’s a widow. One single dress, a ballgown created for the enigmatic Countess of Hawksmoor, the leader of London society, transforms Ellen’s fortunes, and as the years pass, business thrives. But then Raoul de Valentin returns and threatens to destroy all that Ellen has achieved.
In The Dressmaker, the romance of Jane Austen, the social commentary of Charles Dickens and the very contemporary voice of Posie Graeme-Evans combine to plunge the reader deep into the opulent, sinister world of teeming Victorian England. And if the beautiful Madame Ellen is not quite what she seems, the strength of her will sees her through to the truth, and love, at last.
Publishers Weekly
Big girls in 19th-century England don't cry in Graeme-Evans's light tale about a plucky heroine who endures a series of harsh trials on her way to becoming London's leading dressmaker. Things start to go south for curate's daughter Ellen Gowan on her 13th birthday, when the dress Connie, her mother, makes her, entices one of her father's students to steal a kiss. Scandal and ruination seem imminent when her father dies, forcing mother and daughter to seek refuge with Connie's sister, who lives in terror of her baronet husband. There, Ellen's friendship with her cousin, Oriana, blossoms, until once again a young man stirs trouble, and Connie and Ellen land in London, where Connie succumbs to illness and Ellen marries a cad who leaves her pregnant and alone. But with a little help from friends, family, and unlikely sources, Ellen becomes the go-to creator of "all manner of finery" for England's most prominent families. Yes, it's formulaic, far-fetched, and soppy with sentiment, but it's also a lot of fun, and Graeme-Evans (The Innocent) is unapologetic in her celebration of the joys of pretty clothes and the thrills of overcoming adversity. (Oct.)
Editorials
Publishers Weekly
Big girls in 19th-century England don't cry in Graeme-Evans's light tale about a plucky heroine who endures a series of harsh trials on her way to becoming London's leading dressmaker. Things start to go south for curate's daughter Ellen Gowan on her 13th birthday, when the dress Connie, her mother, makes her, entices one of her father's students to steal a kiss. Scandal and ruination seem imminent when her father dies, forcing mother and daughter to seek refuge with Connie's sister, who lives in terror of her baronet husband. There, Ellen's friendship with her cousin, Oriana, blossoms, until once again a young man stirs trouble, and Connie and Ellen land in London, where Connie succumbs to illness and Ellen marries a cad who leaves her pregnant and alone. But with a little help from friends, family, and unlikely sources, Ellen becomes the go-to creator of "all manner of finery" for England's most prominent families. Yes, it's formulaic, far-fetched, and soppy with sentiment, but it's also a lot of fun, and Graeme-Evans (The Innocent) is unapologetic in her celebration of the joys of pretty clothes and the thrills of overcoming adversity. (Oct.)Kirkus Reviews
Rags-to-riches saga of a fashionable London couturière, from Tasmania resident Graeme-Evans (The Uncrowned Queen, 2006, etc.).
In 1843, cast adrift by widowhood, Constance Gowan, with daughter Ellen, 13, in tow, turns to the family that had disowned her after her elopement with Edwin, a penniless scholar. Her sister Daisy, unhappily married to cruel Sir Isidore, a prominent and much older barrister, welcomes Constance and Ellen to Isidore's mansion, Shene House. For a while, existence at Shene is almost pleasant—Ellen and her older cousin Oriana are like sisters, and Ellen enjoys having new gowns made for her by Madame de Valentin, an exiled French aristocrat turned dressmaker to the gentry. At a ball, the girls meet Connor, and Ellen is smitten but disappointed when Connor courts Oreana. After Isidore strikes Constance (he's been abusing Daisy for years), the Gowans flee to Angelique's atelier. Constance, a gifted seamstress and Ellen, talented at drawing and design, are earning their keep, but Constance, disturbed by the mutual attraction growing between Angelique's rakish son Raoul and Ellen, insists that they move to London to open a dress shop. After only a day in London, Constance, ailing from consumption, dies. Raoul inveigles Ellen, now 15, into marrying him, but deserts her when she becomes pregnant. She winds up at a clothing factory, but her skill quickly nets her a promotion. When daughter Connie is born (and, after foiling Raoul's scheme to sell the baby!), Ellen takes refuge at Clairmallon, the great house Oriana shares with her now husband Connor. Still intent on founding her own London fashion emporium, Ellen, staked by Connor, opens Chez Miss Constance. The enterprise struggles until Lady Hawksmoor is seen at a royal reception wearing one of Ellen's creations. Immediately a bevy of socialites is beating down her door. Raoul, whose gigolo appeal is waning, again sees potential profit in his marriage.
The book could serve as a costumer's reference for period fashion, but Ellen is simply too perfect to be the believable protagonist of an up-from-adversity story.