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The Edwardians by Roy Hattersley — book cover

The Edwardians

by Roy Hattersley
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Overview

Edwardian Britain has often been described as a golden sunlit afternoon—-personified by its genial and self-indulgent King. In fact, modern Britain was born during the reign of Edward VII, when politics, science, literature, and the arts were turned upside down.

In Parliament, the peers were crushed for the first time since Magna Carta. Irish nationalists and suffragettes took politics out on to the streets. Home Rule and Votes for Women were delayed, not precipitated, by the First World War.

Great parliamentary stars such as Lloyd George and Winston Churchill typified an era in which personalities dominated the headlines of the new tabloid newspapers. It was the age of Rolls and Royce, Scott and Shackleton, Edward Elgar, Shaw, the Pankhursts, and Mrs. Alice Keppel, whose social life was reported without mention of her relationship with the King.

The theater of ideas superseded drawing room dramas. Novelists of genius—-from Henry James to D. H. Lawrence—-produced a masterpiece each year. A London gallery caused a sensation with an exhibition of "Postimpressionists." Edward Elgar was the first English composer for two hundred years to stand comparison with the continental European masters. In sport, Victorian chivalry was replaced with unashamed professionalism.

Man flew for the first time and the motorcar became a common sight on city streets. Physicists examined the structure of the atom and philosophers disputed the traditional definition of virtue. The churches tried, without success, to confront and confound a new skepticism. Explorers sought to prove that men could live, and die, like gods.

Drawing on previously unpublished diaries and letters, Roy Hattersley's The Edwardians is a beguiling account of a turbulent and frequently misunderstood period. It is a full and often humorous portrait of an era that he elevates to its rightful place in British history.

Synopsis

Edwardian Britain has often been described as a golden sunlit afternoon---personified by its genial and self-indulgent King. In fact, modern Britain was born during the reign of Edward VII, when politics, science, literature, and the arts were turned upside down.

In Parliament, the peers were crushed for the first time since Magna Carta. Irish nationalists and suffragettes took politics out on to the streets. Home Rule and Votes for Women were delayed, not precipitated, by the First World War.

Great parliamentary stars such as Lloyd George and Winston Churchill typified an era in which personalities dominated the headlines of the new tabloid newspapers. It was the age of Rolls and Royce, Scott and Shackleton, Edward Elgar, Shaw, the Pankhursts, and Mrs. Alice Keppel, whose social life was reported without mention of her relationship with the King.

The theater of ideas superseded drawing room dramas. Novelists of genius---from Henry James to D. H. Lawrence---produced a masterpiece each year. A London gallery caused a sensation with an exhibition of "Postimpressionists." Edward Elgar was the first English composer for two hundred years to stand comparison with the continental European masters. In sport, Victorian chivalry was replaced with unashamed professionalism.

Man flew for the first time and the motorcar became a common sight on city streets. Physicists examined the structure of the atom and philosophers disputed the traditional definition of virtue. The churches tried, without success, to confront and confound a new skepticism. Explorers sought to prove that men could live, and die, like gods.

Drawing on previously unpublished diaries and letters, Roy Hattersley's The Edwardians is a beguiling account of a turbulent and frequently misunderstood period. It is a full and often humorous portrait of an era that he elevates to its rightful place in British history.

About the Author, Roy Hattersley

Roy Hattersley is a former deputy leader of the Labour Party and former Cabinet minister. He stood down as a Member of Parliament in 1997 and has been a member of the House of Lords. He has written biographies of Nelson, William and Catherine Booth, John Wesley, and a history of Britain since the First World War. He has also written three novels.

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Editorials

Publishers Weekly

In this intricate, self-assured and insightfully anecdotal account of British social and political history from 1901 to 1914, Hattersley (Nelson, etc.), a former Labour MP and cabinet minister, challenges the notion of the Edwardian age as "a long and sunlit afternoon," instead presenting it as a time of massive upheaval. After dissecting the louche temperament of King Edward VII, Hattersley profiles the period's leading political protagonists, including the "young turks" A.J. Balfour and Joseph Chamberlain (each "handicapped by character weaknesses") and analyzes the politically efficacious if "unlikely partnership" of soldier Winston Churchill and Welsh solicitor David Lloyd George. Pithy chapters delineate the raging issues that fatally divided the Liberal Party: empire and the Boer War, Irish nationalism, women's suffrage, the trade union movement and the rise of the Labour Party. Throughout Hattersley emphasizes the House of Commons' transformation in this period from a "gentleman's Parliament" into a professional legislature. He also summarizes cultural and social highlights, such as the professionalization of sports; new movements in the arts; intellectual life and church politics; and of course the advent of WWI. Illuminating the motivations of individuals and the age-old tensions between prominent elite families, Hattersley also challenges the traditional leftist view of Churchill. A convincing account of a watershed epoch, Hattersley's concise yet comprehensive history casts new light on a much-misunderstood era. 16 pages of b&w photos not seen by PW. Agent, Maggie Pearlstine, U.K. (June) Copyright 2005 Reed Business Information.

Library Journal

Hattersley, a former Labour MP and cabinet minister as well as a historian (The Life of John Wesley), peels back the layers of a half-forgotten era: the brief Edwardian age, sandwiched between the mammoth Victorian era and the modern menace of World War I. Too often, political movements and scientific advances of this era are swallowed by the history on either side. Hattersley brings them forth, showing how they informed the rest of the century and how the era's modern sensibilities and deeply felt ideals would carry over to postwar British society. Issues such as women's suffrage, Irish independence, the end of the colonial period (in the shape of the Boer War), and even the coming of the automobile were all Edwardian concerns. Hattersley's style of history is deep but never didactic, and the individual sections never lose their collective momentum or cohesiveness. Altogether, he gives a clear sense of the exhilarating, momentous decade and a half and rescues the era from its musty image. Recommended for public and academic libraries.-Elizabeth Morris, Illinois Fire Service Inst. Lib., Champaign Copyright 2005 Reed Business Information.

Kirkus Reviews

Serviceable account of England's tumultuous years between Queen Victoria's death in 1901 and the outbreak of WWI. "The persistent myth depicts the Edwardian era as a long and leisurely afternoon," writes Hattersley (The Life of John Wesley, 2003, etc.); in fact it was "the time when a modern nation was born." The "myth" he aims to dispel is largely confined to coffee-table books and pop biographies: it's not news to historians or even well-informed general readers that the idle ways of Edward VII and the Marlborough House Set were less representative of Edwardian Britain than the radical challenges to the established order posed by the nascent Labour Party, the suffragettes, Bloomsbury's novelists and artists or the playwrights of ideas led by George Bernard Shaw. But those not familiar with The Strange Death of Liberal England (1935) and other scholarly classics on which Hattersley freely draws may be startled by his portrait of a society finally liberated from 64 years of tranquil but stifling Victorian prosperity into the alluring, uncertain 20th century. Perhaps because the author was for many years a Labour MP, the book contains some tediously detailed chapters about parliamentary wrangling over free trade, colonial wars, organized labor, Ireland, public education and social welfare legislation-big subjects still fiercely debated today that deserve more engaging treatment than they receive here. Hattersley does better on Edwardian culture, painting with broad but vivid strokes the flowering of naturalistic, socially conscious fiction, post-Impressionist painting, Ibsenite drama and the increasingly professionalized sports (most notably football and cricket) that resulted from aworking class with leisure time and spare cash. He does not neglect such communications and transportation innovations as tabloid newspapers, polar exploration and automobiles; scientific and religious developments get big-picture treatment as well. What his text lacks in a strong point of view, it mostly makes up for in entertaining anecdotes and readable prose. Little more than a smoothly written rehash of the current academic consensus on the Edwardians, but perfectly satisfactory on those terms.

Book Details

Published
May 24, 2005
Publisher
St. Martin's Press
Pages
528
Format
Hardcover
ISBN
9780312340124

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