The Firekeeper's Son
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Overview
In Korea in the early 1800s, news from the countryside reached the king by means of signal fires. On one mountaintop after another, a fire was lit when all was well. If the king did not see a fire, that meant trouble, and he would send out his army. Linda Sue Park's first picture book for Clarion is about Sang-hee, son of the village firekeeper. When his father is unable to light the fire one night, young Sang-hee must take his place. Sang-hee knows how important it is for the fire to be lit-but he wishes that he could see soldiers . . . just once. Mountains, firelight and shadow, and Sunhee's struggle with a hard choice are rendered in radiant paintings, which tell their own story of a turning point in a child's life.
In eighteenth-century Korea, after Sang-hee's father injures his ankle, Sang-hee attempts to take over the task of lighting the evening fire which signals to the palace that all is well. Includes historical notes.
Synopsis
In Korea in the early 1800s, news from the countryside reached the king by means of signal fires. On one mountaintop after another, a fire was lit when all was well. If the king did not see a fire, that meant trouble, and he would send out his army. Linda Sue Park's first picture book for Clarion is about Sang-hee, son of the village firekeeper. When his father is unable to light the fire one night, young Sang-hee must take his place. Sang-hee knows how important it is for the fire to be lit-but he wishes that he could see soldiers . . . just once. Mountains, firelight and shadow, and Sunhee's struggle with a hard choice are rendered in radiant paintings, which tell their own story of a turning point in a child's life.
Publishers Weekly
Newbery Medalist Park (A Single Shard) brings an accomplished novelist's sensibility to this suspenseful picture book set in 19th-century Korea, fully developing her characters despite the abbreviated format. Every night, Sang-hee's father climbs the mountain in their seaside village and lights a fire, to signal that no enemies have landed. Firekeepers on adjacent mountains pass on the message, which eventually reaches the king's palace. Sang-hee pines for a little excitement and wishes that even one of the king's soldiers would ride out ("I could show him the beach. Where to catch the best fish.... After that he might teach me a little about sword-fighting"). One evening, when his father is injured, Sang-hee takes over his task. Tempted to draw the soldiers, and then almost unable to carry out his mission because he drops a coal and another burns out, Sang-hee kindles the fire at last, and takes pride in being, as his father says, "part of the king's guard just as the soldiers are." Assured, empathetic storytelling involves readers in Sang-hee's inner conflict. Downing (Mozart, Tonight) amplifies the tension with dramatically composed watercolor-and-pastel illustrations. While Sang-hee debates lighting the fire, his eyes nearly fill the spread, transfixed on the coal he holds and reflecting its hot orange glow. Elsewhere, sparks fly off the coal, metamorphosing into bright metal points on the armor of the soldiers he imagines. The notion of duty to others versus personal longing adds depth to an already fascinating snippet of history. Ages 5-8. (Mar.) Copyright 2004 Reed Business Information.