Overview
In her enthralling novels of literary suspense, Carol Goodman writes stories that resonate with emotion set in lush landscapes that entice the senses. Now, with The Ghost Orchid, a narrative that seamlessly weaves together the past and the present, Goodman creates her most lyrical and haunting work to date.For more than one hundred years, creative souls have traveled to Upstate New York to work under the captivating spell of the Bosco estate. Cradled in silence, inspired by the rough beauty of overgrown gardens and crumbling statuary, these chosen few fashion masterworks–and have cemented Bosco’s reputation as a premier artists’ colony. This season, five talented artists-in-residence find themselves drawn to the history of Bosco, from the extensive network of fountains that were once its centerpiece but have long since run dry to the story of its enigmatic founder, Aurora Latham, and the series of tragic events that occurred more than a century ago.
Ellis Brooks, a first-time novelist, has come to Bosco to write a book based on Aurora and the infamous summer of 1893, when wealthy, powerful Milo Latham brought the notorious medium Corinth Blackwell to the estate to help his wife contact three of the couple’s children, lost the winter before in a diphtheria epidemic. But when a séance turned deadly, Corinth and her alleged accomplice, Tom Quinn, disappeared, taking with them the Lathams’ only surviving child.
The more time she spends at Bosco, the more Ellis becomes convinced that there is an even darker, more sinister end to the story. And she’s not alone: biographer Bethesda Graham uncovers stunning revelations about Milo and Corinth; landscape architect David Fox discovers a series of hidden tunnels underneath the gardens; poet Zalman Bronsky hears the long-dry fountain’s waters beckoning him; and novelist Nat Loomis feels something lingering just out of reach.
After a bizarre series of accidents befalls them, the group cannot deny the connections between the long ago and now, the living and the dead . . . as Ellis realizes that the tangled truth may ensnare them all in its cool embrace.
From the Hardcover edition.
Synopsis
In her enthralling novels of literary suspense, Carol Goodman writes stories that resonate with emotion set in lush landscapes that entice the senses. Now, with The Ghost Orchid, a narrative that seamlessly weaves together the past and the present, Goodman creates her most lyrical and haunting work to date.
For more than one hundred years, creative souls have traveled to Upstate New York to work under the captivating spell of the Bosco estate. Cradled in silence, inspired by the rough beauty of overgrown gardens and crumbling statuary, these chosen few fashion masterworks–and have cemented Bosco’s reputation as a premier artists’ colony. This season, five talented artists-in-residence find themselves drawn to the history of Bosco, from the extensive network of fountains that were once its centerpiece but have long since run dry to the story of its enigmatic founder, Aurora Latham, and the series of tragic events that occurred more than a century ago.
Ellis Brooks, a first-time novelist, has come to Bosco to write a book based on Aurora and the infamous summer of 1893, when wealthy, powerful Milo Latham brought the notorious medium Corinth Blackwell to the estate to help his wife contact three of the couple’s children, lost the winter before in a diphtheria epidemic. But when a séance turned deadly, Corinth and her alleged accomplice, Tom Quinn, disappeared, taking with them the Lathams’ only surviving child.
The more time she spends at Bosco, the more Ellis becomes convinced that there is an even darker, more sinister end to the story. And she’s not alone: biographer Bethesda Graham uncovers stunning revelations aboutMilo and Corinth; landscape architect David Fox discovers a series of hidden tunnels underneath the gardens; poet Zalman Bronsky hears the long-dry fountain’s waters beckoning him; and novelist Nat Loomis feels something lingering just out of reach.
After a bizarre series of accidents befalls them, the group cannot deny the connections between the long ago and now, the living and the dead . . . as Ellis realizes that the tangled truth may ensnare them all in its cool embrace.
From the Hardcover edition.
Publishers Weekly
An isolated Victorian mansion in upstate New York is the backdrop for Goodman's latest literary mystery (after The Drowning Tree), which stars a debut novelist and her fellow residents at the artists' retreat Bosco. Ellis Brooks has been accepted to Bosco primarily because her first novel is to be a fictional account of the mansion's mysterious past; while there will be no deaths during her stay, there's spookiness aplenty, as well as several 1893 murders still begging resolution. Goodman's narrative alternates between Ellis's first-person present and 1893. Coincidentally-or not-two of Bosco's other guests are also working on projects related to the mansion. But they turn out to be little more than convenient accessories as Ellis, the daughter of a psychic (and possessor of certain powers of her own), unlocks clue after mystical clue to secrets long buried by the mansion's original owners. As great a player as any is the mansion itself and its creepy (and possibly haunted) gardens. Is this an updated Victorian drawing room mystery or a romance novel/crime fiction-cum-ghost story? Never mind. Enjoy the atmosphere. And enjoy the ride; its twists and turns mesmerize, even if they don't surprise. Agent, Loretta Barrett. (Feb.) Copyright 2005 Reed Business Information.