The Intellectuals and the Flag:

In these wide-ranging essays, Todd Gitlin calls upon intellectuals on the left to once again engage American public life and resist the trappings of knee-jerk negativism, intellectual fads, and political orthodoxy. He argues for a renewed sense of patriotism based on the ideals of shared sacrifice, tough-minded criticism, and a willingness to look anew at the global role of the United States after 9/11. Gitlin's blunt, frank analysis of the current state of the left and his willingness to challenge orthodoxies pave the way for a revival in leftist thought and a new liberal patriotism.

Kirkus Reviews

Gitlin (Journalism and Sociology/Columbia Univ.) discusses modern politics, the media and activist intellectuals in seven disjointed essays. Besides two brief introductory chapters, there are few clues about how these pieces, all previously published in some form, fit together. Gitlin (Letters to a Young Activist, 2003, etc.) pines for a lost American era in which books guided the national dialogue and the media strived to report serious, objective news. That environment supported three of his intellectual heroes-David Riesman, C. Wright Mills and Irving Howe-and Gitlin argues that their insights improved American discourse in real time. He marvels at the popularity of The Lonely Crowd, Riesman's book about how America's obsession with consumption spawned a more selfish national character. Mills is portrayed as a pioneering and thoughtful leader of American radicalism, and Gitlin thinks the sociologist would be disappointed with the emotionalized and choreographed discourse in contemporary America. Gitlin sometimes offers opaque, grand declarations with little support. While arguing that stable politics can be boring, he declares that when politics respects limits, "it slides towards the tedious-which is why, by way of compensation, we require art." Later he announces, "The media have been in the habit of smuggling the habit of living with the media." The author concludes with the title essay, about patriotism and sacrifice after 9/11. Gitlin shares his feelings as a New Yorker and a liberal intellectual who dutifully hung his American flag, but who also recalled the anger he felt towards the same symbol during Vietnam. He criticizes "cowed" Democrats, the "fundamentalist left" andPresident Bush's "smug" ineptitude, and he calls for a new liberal approach to patriotism, marked by national sacrifice. But he gives far less attention to addressing this than he does to offering criticisms of existing methods. Spotty and derivative.

Todd Gitlin, Professor of Journalism and Sociology at Columbia University, B.A., Harvard; M.A., Michigan; Ph.D., Berkeley. Former professor, Culture, Journalism and Sociology, New York University; professor, Sociology and Director of Mass Communications, University of California, Berkeley; lecturer, Board of Community Studies, Santa Cruz; lecturer, New College, San Jose State; visiting professor, Yale, Ecole Des Hautes Etudes En Sciences Sociales (Paris), Iowa, Oslo (Norway), Wesleyan. Author, Uptown: Poor Whites in Chicago (1970); Busy Being Born (1974); The Whole World is Watching: Mass Media in the Making and Unmaking of the Left (1981); Inside Prime Time (1983); The Sixties: Years of Hope, Days of Rage (1987); Watching Television, editor (1987); The Murder of Albert Einstein (1992); The Twilight of Common Dreams: Why America is Wracked by Culture Wars (1995); Sacrifice (1999); Media Unlimited: How the Torrent of Images and Sounds Overwhelms Our Lives (2002); Letters To a Young Activist (2003). Recipient, Harold U. Ribalow Prize, 2000; Bay Area Book Reviewers Association Nonfiction Award. Research grants: MacArthur Foundation, Institute for Global Conflict and Cooperation, University of California, National Endowment for the Humanities, Rockefeller Foundation Humanities Fellowship. Contributing writer, Mother Jones. Member editorial board, Dissent and The American Scholar.