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The James Dickey Reader by James Dickey β€” book cover
American Fiction, American Essays, American Poetry

The James Dickey Reader

by James Dickey, Henry Hart
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Overview

This collection of James Dickey's poems and prose includes choice selections of the author's poetry, fiction, and essays, as well as some early unpublished poetry and excerpts from his unfinished novel Crux. Organized chronologically by genre, this is the definitive collection of works by one of the twentieth century's most important talents.

Synopsis

This collection of James Dickey's poems and prose includes choice selections of the author's poetry, fiction, and essays, as well as some early unpublished poetry and excerpts from his unfinished novel Crux. Organized chronologically by genre, this is the definitive collection of works by one of the twentieth century's most important talents.

Publishers Weekly

Brassy, raw and, at times, enduringly powerful, the poetry of James Dickey (1923-1997) made big waves in the 1960s and '70s; he's now best known for his first novel, Deliverance (1970), a tale of male trauma and violence in the Georgia wilderness and the source of John Boorman's 1972 film. Dickey's other productions include the mammoth novel Alnilam (1987) and several books of criticism. Hart, a professor at the College of William and Mary, has assembled excerpts from all of Dickey's novels, along with his yearning, provocative essays and 116 pages of Dickey's poems--early, Roethkeish apprentice stanzas; disturbing, prizewinning '60s poems like "Buckdancer's Choice" and "Power and Light"; and the all-but-unreadable long-lined narratives of Dickey's final phase. Dickey's anguished celebrations of destructive extremes, hard men and hard drinking can make his work seem dated, even embarrassing ("God man hunter artist father/ Be with me.... Give me my spear"). But Dickey's best poems make his frustrations, and his mythographic ambitions, sources of memorably tormented potency. No one else could have created "The Sheep-Child," whose speaker--the impossible offspring of farm boys' bestiality--"saw for a blazing moment/ The great grassy world from both sides... My hoof and my hand clasped each other,/ I ate my one meal/ Of milk, and died/ Staring." Dickey's essays, reflections on the lives and goals of modern American poets, stand up surprisingly well. After Dickey's son's memoir, Summer of Deliverance, has darkened the South Carolina poet's image, this generous compilation does much to bolster his literary prominence. (Aug.) Copyright 1999 Cahners Business Information.

About the Author, James Dickey

James Dickey published fifteen books of poetry, four collections of essays, four coffee-table books, three novels, and one screenplay. His book of poetry Buckdancer's Choice received the National Book Award, the Poetry Society of America's Melville Cane Award, and an award from the National Institute of Arts and Letters. His bestselling first novel, Deliverance, was made into a movie. He was a member of the National Institute of Arts and Letters and the American Academy and Institute of Arts and Letters, and was Poet-in-Residence and First Carolina Professor of English at the University of South Carolina from 1969 until his death in 1997.

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Editorials

From the Publisher

Pat Conroy Who wrote better than James Dickey in this century? I think he was in a league of his own. His poems are simply better than anyone else's poetry. His criticism cuts to the bone. His novels sizzle when they hit the fire. This book captures the untellable genius of James Dickey. Pick it up and on any page you get perfection and the most breathlessly fully alive writing ever done by an American.

Gordon Lish Only death could exhibit the cheek to think it had the reach to get a grip all the way around James Dickey. Life gave up, reckoning it would never have the arms for it. In any event, James Dickey is not dead, and shall not be, as this book notifies us, sampling by sampling. Indeed, the thing that beats in him β€” the heart of none other than the unrepeatable man β€” must make the gods puny and afraid.

Publishers Weekly - Publisher's Weekly

Brassy, raw and, at times, enduringly powerful, the poetry of James Dickey (1923-1997) made big waves in the 1960s and '70s; he's now best known for his first novel, Deliverance (1970), a tale of male trauma and violence in the Georgia wilderness and the source of John Boorman's 1972 film. Dickey's other productions include the mammoth novel Alnilam (1987) and several books of criticism. Hart, a professor at the College of William and Mary, has assembled excerpts from all of Dickey's novels, along with his yearning, provocative essays and 116 pages of Dickey's poems--early, Roethkeish apprentice stanzas; disturbing, prizewinning '60s poems like "Buckdancer's Choice" and "Power and Light"; and the all-but-unreadable long-lined narratives of Dickey's final phase. Dickey's anguished celebrations of destructive extremes, hard men and hard drinking can make his work seem dated, even embarrassing ("God man hunter artist father/ Be with me.... Give me my spear"). But Dickey's best poems make his frustrations, and his mythographic ambitions, sources of memorably tormented potency. No one else could have created "The Sheep-Child," whose speaker--the impossible offspring of farm boys' bestiality--"saw for a blazing moment/ The great grassy world from both sides... My hoof and my hand clasped each other,/ I ate my one meal/ Of milk, and died/ Staring." Dickey's essays, reflections on the lives and goals of modern American poets, stand up surprisingly well. After Dickey's son's memoir, Summer of Deliverance, has darkened the South Carolina poet's image, this generous compilation does much to bolster his literary prominence. (Aug.) Copyright 1999 Cahners Business Information.

Book Details

Published
August 1, 1999
Publisher
Simon & Schuster Adult Publishing Group
Pages
352
Format
Paperback
ISBN
9780684864358

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