Overview
It is the year 2007.The world has been wiped out by a deadly plague that killed all the adults. Without them, children perished of hunger and disease. No more people, no more electricity, no more civilization — just mildewed houses, overgrown yards, and abandoned cars. Yet on a highway strip outside a small town in Florida, the words "We're Still Here" are painted in letters big enough to be seen from an airplane — although no planes ever cross the empty sky.
Miraculously, seven children have survived among the ruins. They cannot remember their names, their families, or much else from the Before Time. But they have forged a new family, with new names: Mommy, Hunter, Teacher, Action Figure, Teddy Bear, Baby, and Doll.
They must face each day with enough hope to endure and the strength to realize that there may be nothing out there worth living for. Then one day, a new kid shows up on their doorstep and changes everything. He invites them to join him on a dangerous journey to Washington, to find a man called President if he's still alive — and seek the answers to the mystery at the heart of the Fire-us.
In this first book of the Fire-us Trilogy, Jennifer Armstrong and Nancy Butcher weave a compelling post-apocalyptic tale, luring readers into a world that is inventive enough to intrigue, yet true enough to believe.
About the Author
Jennifer Armstrong is an award-winning author, best known for her works of historical fiction, which include Steal Away, The Dreams od Mairhe Mehan, and Mary Mehan Awake.
In 2007, a small band of children have joined together in a Florida town, trying to survive in a world where it seems that all the adults have been killed off by a catastrophic virus.
Editorials
KLIATT
Almost five years ago, back in 2002, a terrible virus (Fire-us) swept through the population and swiftly killed almost everyone. The empty streets are now littered with abandoned cars and skeletons. In the midst of this devastation, a small group of teenagers and children have found each other and banded together in a Florida town to help each other survive. Mommy cares for the littlest ones, Teddy Bear, Baby, and Doll; Teacher tries to pass on what she remembers of the Before Time; and Hunter scavenges for food and supplies, assisted by his fierce younger brother, Action Figure. Alligators, panthers, and "horrocanes" all threaten the makeshift family, and they have just about picked the town clean. Then a stranger comes to the door: a teenager who calls himself Anchorman, prone to long, wild rants that refer to the apocalypse, whom they quickly term Angerman instead. Two needy feral children turn up, too. Angerman says that he intends to travel all the way to Washington, DC, to find the president, and the others decide to come too, even though Mommy must overcome her devastating agoraphobia. Danger lurks at every turn as they set off by bike and then by boat. This is a riveting, powerful tale, with underpinnings of religion (the town they're in is called Lazarus; Teacher circles the words "second" and "coming" in the book she keeps). The strange near-future post-apocalypse setting is well imagined, and the atmosphere of constant menace keeps the tension level high. Once readers get into this (it takes a little while to understand what the situation is) they won't want to put it down. A good choice for reluctant readers. It ends on a cliffhanger; I can't wait for the secondinstallment. (Fire-us Trilogy, Bk. 1) Category: Hardcover Fiction. KLIATT Codes: JS*—Exceptional book, recommended for junior and senior high school students. 2002, HarperCollins, 224p., $15.89. Ages 13 to 18. Reviewer: Paula Rohrlick; KLIATT SOURCE: KLIATT, March 2002 (Vol. 36, No. 2)VOYA
Five years ago, in 2002, most of the world's population died of a deadly virus. Mommy, Hunter, and Teacher, now in their mid-teens, were among the few survivors. Emotionally scarred and not quite sane, they have created a community of sorts in the small Florida town of Lazarus, devoting themselves to caring for the little ones, Teddy Bear, Baby, Action Figure, and Doll. They live frugally on a gradually depleted stock of canned goods, unable to leave because of Mommy's crippling agoraphobia and Hunter's poor eyesight. Then a new boy shows up in town. Apparently a victim of multiple personality disorder, he calls himself Anchorman or sometimes Angerman. He drags with him an old picture frame, from within which he periodically delivers the news, and a department store dummy, Bad Guy, into which he channels all of his hostilities. Angerman's appearance precipitates a crisis, and the children soon find themselves on the road, dodging alligators and panthers, searching for a dimly remembered leader named President in his distant home of Washington. This first volume of the Fire-us trilogy takes the young survivors across Florida to the ruins of Jacksonville. Whether they actually will reach Washington, D.C., is anyone's guess. Armstrong and Butcher's grim, well-written tale moves swiftly and packs an emotional wallop. The various manifestations of posttraumatic stress disorder and monomania that the youth exhibit are somewhat one-dimensional but nonetheless poignant. This powerful and quite successful post— Michael Levy
From The Critics
The authors imagine what life would be like in the adult-less environment of Lazarus, Florida, after the Fire-us virus has killed the adults in 2002. Set five years later, the book reveals how a group of young adults and children have survived. They have taken on new names because their memories of the before time no longer exist. Mommy, Hunter, Teacher, Action Figure, Teddy Bear, Baby, and Doll don't live "happily ever after," but in a Lord of the Flies setting, functioning with anxiety. Enter Anchorman, who becomes Angerman, and his mannequin Bad Guy, who intends to go to Washington to find the President. Two wild kids emerge, Kitty and Puppy. The group sets off with the goal of the Capitol. On page 223, "kindling is lit," and the book ends, as do many chapters, with a tease to read what follows. The story is drawn out and demands patience. Although the authors have enviable credentials, they seem to have designed a pattern that demands tighter control than they are willing to maintain in this book. The reading is an arduous path to discussing the possibilities the book presents. 2002, HarperCollins Children's Books, 224 pp.,— Len DeAngelis