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Politics & Social Issues - Fiction, Thrillers, Character Types - Fiction
The Last Boy by Robert H. Lieberman β€” book cover

The Last Boy

by Robert H. Lieberman
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Overview

Robert Lieberman, the bestselling author of Baby, as well as six other novels, has been called a "talented storyteller" by Kirkus Reviews. Now, Robert joins Sourcebooks Landmark with his stunning new novel, The Last Boy.

A spiritual thriller, this utterly compelling novel tells the story of Danny Driscoll, a huggable, enchanting five-year-old boy who one day disappears from his nursery school in Ithaca, New York. Molly, his distraught single mother, begins the feverish search for her missing son. She is aided by Lou Tripoli, a divorced, street-wise cop, with whom she begins to fall in love.

As the search stretches on for months, and hope begins to fade, a miracle occurs as little Danny Driscoll comes marching down the streets of his hometown. However, he comes back changed, mature and wise in a way that seems almost impossible for his young age. As Molly and Tripoli search for answers, the townspeople begin to notice a change in Danny, and soon discover that he returns with a message-one that offers a new hope for all of mankind.

Synopsis

Robert Lieberman, the bestselling author of Baby, as well as six other novels, has been called a "talented storyteller" by Kirkus Reviews. Now, Robert joins Sourcebooks Landmark with his stunning new novel, The Last Boy.

A spiritual thriller, this utterly compelling novel tells the story of Danny Driscoll, a huggable, enchanting five-year-old boy who one day disappears from his nursery school in Ithaca, New York. Molly, his distraught single mother, begins the feverish search for her missing son. She is aided by Lou Tripoli, a divorced, street-wise cop, with whom she begins to fall in love.

As the search stretches on for months, and hope begins to fade, a miracle occurs as little Danny Driscoll comes marching down the streets of his hometown. However, he comes back changed, mature and wise in a way that seems almost impossible for his young age. As Molly and Tripoli search for answers, the townspeople begin to notice a change in Danny, and soon discover that he returns with a message-one that offers a new hope for all of mankind.

Publishers Weekly

The first half of Lieberman's ecothriller is a taut police procedural. When single mother Molly Driscoll's five-year-old, Danny, goes missing apparently abducted from his day-care center streetwise investigator Lou Tripoli jumps on the case and, with Molly, exhausts every lead in the search for the boy. As the days stretch into weeks, and weeks into months, the detective eventually comes to occupy an important place in Molly's affections. So far, so good. But the second half of the book lurches toward the eco-weird: Danny miraculously returns, unharmed but utterly changed. In fact, he's become abrasive and all-too-wise for his years, preferring to wear his hair long, to eat vegetarian and to "listen to the firmament" which helps him predict weather on the measure of biblical prophesy. Ever so slowly, Danny emerges as a spiritual leader; meanwhile, Tripoli begins to understand that the boy is trying to deliver the simplistic (if not unconvincing) message that "[w]e were all too busy, life was too noisy for us to listen. To listen to each other, to the natural world around us... to listen to our own hearts." At 500 pages, some readers may find that the novel grows a bit tedious and not only because the narrative moves at a glacial pace and the conclusion is glowingly idealistic. But despite the heavy-handed message, and the unflinchingly straightforward voices Lieberman (Baby) gives his characters, the narrative remains interesting and readable due to the author's skill with language and his ability to engineer suspense and slow-release tension. Agent, Liza Dawson. (Mar.) Copyright 2001 Cahners Business Information.

About the Author, Robert H. Lieberman

Robert H. Lieberman is a long-time member of the Physics faculty at Cornell University. Initially, he came to Cornell to study to be a veterinarian, but ended up becoming an electrical engineer and doing research in neurophysiology. He has also been a professor of mathematics, engineering and the physical sciences.

In addition to writing novels, he makes movies. He directed and wrote the newly completed feature film Green Lights, and his documentaries have been shown nationally on PBS. He was awarded a Fulbright Fellowship to lecture at the Academy of Performing Arts and Film in Bratislava. Mr. Lieberman lives on a 120-acre farm in Ithaca, New York, on which he compulsively grows fruits and vegetables and raises fish in his five ponds. His Swedish-born wife is a classical ballet dancer and teacher. His two sons live in San Francisco. They neither farm nor make movies, but do make money, one as an entrepreneur and the other as a corporate counsel at least for the moment.

Mr. Lieberman is presently working on a new novel, creating the screenplay for the film adaptation of The Last Boy, as well as learning how to tap dance.

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Editorials

Publishers Weekly

The first half of Lieberman's ecothriller is a taut police procedural. When single mother Molly Driscoll's five-year-old, Danny, goes missing apparently abducted from his day-care center streetwise investigator Lou Tripoli jumps on the case and, with Molly, exhausts every lead in the search for the boy. As the days stretch into weeks, and weeks into months, the detective eventually comes to occupy an important place in Molly's affections. So far, so good. But the second half of the book lurches toward the eco-weird: Danny miraculously returns, unharmed but utterly changed. In fact, he's become abrasive and all-too-wise for his years, preferring to wear his hair long, to eat vegetarian and to "listen to the firmament" which helps him predict weather on the measure of biblical prophesy. Ever so slowly, Danny emerges as a spiritual leader; meanwhile, Tripoli begins to understand that the boy is trying to deliver the simplistic (if not unconvincing) message that "[w]e were all too busy, life was too noisy for us to listen. To listen to each other, to the natural world around us... to listen to our own hearts." At 500 pages, some readers may find that the novel grows a bit tedious and not only because the narrative moves at a glacial pace and the conclusion is glowingly idealistic. But despite the heavy-handed message, and the unflinchingly straightforward voices Lieberman (Baby) gives his characters, the narrative remains interesting and readable due to the author's skill with language and his ability to engineer suspense and slow-release tension. Agent, Liza Dawson. (Mar.) Copyright 2001 Cahners Business Information.

Kirkus Reviews

An empty-at-the-center ecothriller in which the disappearance, and then reappearance, of a boy in the town of Ithaca, New York, makes him a new messiah. Harried single mother Molly Driscoll comes to pick up her four-year-old son Danny from his daycare center only to find that the center has absolutely no idea where he's gone. Molly is at a loss, especially since Danny's father abandoned her the day Danny was born and never showed any interest in him. And although the daycare center is run-down, and unruly kids are locked in a basement, the workers hardly seem kidnapping suspects. Detective Lou Tripoli, assigned to the case, is quickly at a loss for leads, and hope for Danny fades-though not before a desperate romance blossoms between distraught Molly and gruff but caring Tripoli. Then seven months later, Danny walks back into his mother's trailer as coolly as he apparently walked out of the daycare center. He looks healthy and well, though refusing to say where he's been or with whom. And it isn't long before Molly notices great changes in him. He wants to be called "Daniel," is disgusted by meat, hates fishing-previously his favorite hobby-is remarkably attuned to weather cycles, is sickened by any type of chemical smell, and has preternatural reading and comprehension abilities. Bit by bit, Tripoli and Molly divine that he must have lived with some bearded hermit who taught him the ways of the land, and now, back in the industrialized world, he has the aura of some sort of eco-Christ with a message. Soon, news of Daniel spreads and penitents flock-even as the weather turns radically for the worse. Lieberman (Baby, 1981, etc.) hits all the right environmental notes here, and there's anample amount of mystery, but his characters are never developed much beyond their reactions to Daniel-himself a cipher given to pronouncements like "Now they're destroying our Earth." Intriguing, but more a mission statement than a novel.

Book Details

Published
February 1, 2002
Publisher
Sourcebooks, Incorporated
Pages
512
Format
Paperback
ISBN
9781402200571

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