The Leopard

Publishers Weekly

In Nesbø’s outstanding follow-up to The Snowman (May 2011), Insp. Harry Hole reluctantly agrees to return home from Hong Kong, where he’s been hiding out for months, after an Oslo Crime Squad colleague tells him his father is in the hospital. Considered an expert after catching the serial killer known as the Snowman, Harry is marginally intrigued by the possibility of another serial killer loose in Oslo. Back in Norway, little links two murdered women except the unusual stab wounds in their mouths. When a mid-level politician’s body is discovered in a possible suicide that’s soon dubbed murder, Hole realizes a single killer is at work and not yet done. Nesbø moves the action easily from Hong Kong to Norway, with side trips to the Democratic Republic of Congo, without ever losing the plot’s sense of urgency. Hole, put through the emotional wringer in The Snowman, doesn’t get much of a reprieve in this intense outing. By the end, he’s ready to concede that what he most wants is “an armored heart.” (Dec.)

From the Publisher

“Outstanding . . . Probably the best big crime novel you could lay your hands on this year.” —BBC Radio 4

“This one stands up to the ante one more time . . . Harry Hole [is] crime fiction’s most tortured and compelling hero.” —Booklist (starred)
 
“Intense . . . Nesbø moves the action easily from Hong Kong to Norway, with side trips to the Democratic Republic of Congo, without ever losing the plot’s sense of urgency.” —Publishers Weekly (starred)
 
“Nesbø knows exactly what he’s doing [in] this gripping, intricately plotted tale . . . Like all intelligent crime fiction, this book is not only about multiple murders by heinous means. It is also about legacies, most specifically about the good and evil, love and hate, passed from one generation to the next. This vivid, violent novel promises to speak on many levels to many readers.” —Library Journal

“In The Leopard, Nesbø deploys all the key ingredients of a cracking good thriller with expertise and verve. The ticking clock, the tension expertly ratcheted ever upwards, the changing scenery, the constantly shifting goalposts, and his effortless, triumphant outpacing of the reader’s ability to guess what’s going to happen will keep you gripped to the last page.” —The Guardian (U.K.)

Kirkus Reviews

Another spooky gothic by Norwegian gloomster Nesbø (The Snowman, 2011, etc.), the poet laureate of boreal psychopathy. If there were a dictionary-definition image for numbed world-weariness, Oslo detective Harry Hole would be it, in just the way that Edvard Munch's The Scream is the canonical image of terror. (When the film is made, only the Stellan Skarsgård of Insomnia will do.) As Nesbø's newest procedural opens, Hole has taken himself into a Hong Kong exile, where he ponders the smog that builds up thicker and thicker from mainland China and fills his own modest room with the smoke from his opium water pipe. Enter Kaja Solness, Oslo gumshoe extraordinaire, who needs to find him immediately. Naturally, something very ugly has happened back home; a murder bloody enough to make a Viking of yore lose his lunch has occurred, involving a cruel instrument of torture that shoots out metal spikes: "Two needles pierced the windpipe and one the right eye, one the left. Several needles penetrated the rear part of the palate and reached the brain." Yuck. Only Hole, it seems, can divine the mind of someone sick enough to pull off such a thing, and once Hole, plagued by the memories of earlier murders and a constant craving for drink and smoke, is pulled into the case early on in the novel, it's all a go-go-go rush across the continents: Europe, of course, and Asia, but also Africa, where an ugly war is raging off in some backwater of the Congo and where, it develops, a person of interest is conducting a nasty trade. It is vintage Nesbø to throw in red herrings and MacGuffins, but also to have Hole engage in a little John Woo–style dance, cop and suspect, in which the bad guy has a definite chance of taking out the good one. Nesbø's formula includes plenty of participation by Kaja, a very capable woman, and plenty of current geopolitical backdrop, making Nesbø a worthy mysterian-cum-social-critic in the Stieg Larsson tradition. But will good prevail? It's anything but a foregone conclusion. Good for a nightmare or three--a taut, fast-paced thriller with wrenching twists and turns.