The Magic Barrel
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Overview
Winner of the National Book Award for Fiction
Introduction by Jhumpa Lahiri
Bernard Malamud's first book of short stories, The Magic Barrel, has been recognized as a classic from the time it was published in 1959. The stories are set in New York and in Italy (where Malamud's alter ego, the struggleing New York Jewish Painter Arthur Fidelman, roams amid the ruins of old Europe in search of his artistic patrimony); they tell of egg candlers and shoemakers, matchmakers, and rabbis, in a voice that blends vigorous urban realism, Yiddish idiom, and a dash of artistic magic.
The Magic Barrel is a book about New York and about the immigrant experience, and it is high point in the modern American short story. Few books of any kind have managed to depict struggle and frustration and heartbreak with such delight, or such artistry.
Winner of the 1959 National Book Award
Synopsis
Winner of the National Book Award for Fiction
Introduction by Jhumpa Lahiri
Bernard Malamud's first book of short stories, The Magic Barrel, has been recognized as a classic from the time it was published in 1959. The stories are set in New York and in Italy (where Malamud's alter ego, the struggleing New York Jewish Painter Arthur Fidelman, roams amid the ruins of old Europe in search of his artistic patrimony); they tell of egg candlers and shoemakers, matchmakers, and rabbis, in a voice that blends vigorous urban realism, Yiddish idiom, and a dash of artistic magic.
The Magic Barrel is a book about New York and about the immigrant experience, and it is high point in the modern American short story. Few books of any kind have managed to depict struggle and frustration and heartbreak with such delight, or such artistry.
Partisan Review - Mark Shechner
In the short story, Malamud achieved an almost psalm-like compression. He has been called the Jewish Hawthorne, but he might just as well be thought a Jewish Chopin, a prose composer of preludes and nocturnes.
Editorials
From the Publisher
"In the short story, Malamud achieved an almost psalmlike compression. He has been called the Jewish Hawthorne, but he might just as well be thought a Jewish Chopin, a prose composer of preludes and noctures."—Mark Shechner, Partisan Review"There are thirteen stoires in The Magic Barrel and every one of them is a small, highly individualized work of art. This is the kind of book that calls for not admiration but gratitude."—Richard Sullivan, The Chicago Tribune
Mark Shechner
In the short story, Malamud achieved an almost psalm-like compression. He has been called the Jewish Hawthorne, but he might just as well be thought a Jewish Chopin, a prose composer of preludes and nocturnes.—Partisan Review
Richard Sullivan
There are thirteen stories in The Magic Barrel and every one of them is a small, highly individualized work of art. This is the kind of book that calls for not only admiration but gratitude.—The Chicago Tribune
Richard Stern
The stories Malamud wrote in the fifties and sixties will, I think, be treasured as long as people treasure the art of short story.—Chicago Tribune Books