Join Books.org — it's free

Poetry - General & Miscellaneous, Eschatology, English Poetry, Epic Poetry, Irish Poetry, Scottish Poetry, 18th Century British Philosophy, General & Miscellaneous Ancient Poetry, Religion - General & Miscellaneous
The Marriage of Heaven and Hell by William Blake — book cover

The Marriage of Heaven and Hell

by William Blake, Geoffrey Keynes
Available on Bookshop Write a review

Books.org participates in affiliate programs including Bookshop.org and the Amazon Services LLC Associates Program. We may earn a commission from qualifying purchases made through links on this page, at no additional cost to you.

Log in to track your reading progress.

Overview

No work has challenged its readers like Blake’s The Marriage of Heaven and Hell. Blake’s “Proverbs of Hell”—by turns iconoclastic, bizarre, and unprecedented—have been employed as the slogans of student protest and become axioms of modern thought. Most extraordinary, though, is the revolutionary method Blake employed in making the physical book. The Bodleian Library holds one of the first copies that Blake printed using a technique he called "illuminated printing," and it is the only work in which he signifies its importance.

This new facsimile edition of The Marriage of Heaven and Hell includes a plate-by-plate guide to the texts, interlinear figures, and larger designs in a commentary accompanying the transcript of each reproduced plate. Drawings from Blake’s manuscript notebook, which were used as a basis for the designs, as well as working proof impressions, are also included, demonstrating the evolution of the work. This edition also reproduces a single plate from each of the other eight surviving copies, revealing how over a period of more than thirty years Blake altered the way he finished each copy. An introduction explores the book's literary and historical background, Blake’s printing process, and the book's anonymous initial publication.

This expertly edited work is available for students and scholars in paperback and for collectors in a special hardcover edition. Both versions allow Blake’s vision to reassert its breathtaking power.

The text of each poem is given in letterpress on the page facing the beautiful color reproductions of the plate. Printed on vellum.

Synopsis

These two collections of Blake's finest and best-loved poems—printed on vellum—offer the text of each poem in letterpress on the page facing a beautiful color reproduction of the design Blake created to illustrate the particular poem.

About the Author, William Blake

Michael Phillips is a part-time reader in the Department of English and Related Literature at the University of York. He is also the author of William Blake: The Creation of the Songs, from Manuscript to Illuminated Printing.

Reviews

There are no reviews yet. Log in to write one.

Editorials

Martin Butlin

“A leading American Blake scholar once described the prospect of editing The Marriage of Heaven and Hell as ‘a swamp filled with gators;’ Michael Phillips has navigated his way with great skill through the problems of chronology, textual unity, technique, contemporary context and significance of Blake's strikingly witty, sardonic, quirky, cryptic product of his unique combination of text and illustration in his illuminated books. As well as the facsimile of Copy B, one of the earliest of the nine known copies of the book, there are twenty-one valuable supplementary color plates of comparable pages from other copies, including a full run of Plate 14 as it occurs in the nine copies produced between 1793 to the year of his death, 1827. The detailed commentary discusses both text and illustrations, and in the case of the illustrations is most helpfully accompanied by appropriate details from Blake's designs.” — Martin Butlin, editor of The Complete Paintings and Drawings of William Blake

Tracy Chevalier

“This edition of one of Blake’s most potent and provocative books will give great pleasure both to Blake enthusiasts and to those new to his work.”

John Mee

“This is an excellent scholarly edition of one of Blake’s most fascinating works, likely to become the defining text for generations to come. No one knows as much about Blake’s work in this period as Michael Phillips and he uses his knowledge of the text, its context, and Blake’s printing techniques to open up the question of what Blake thought he was doing with The Marriage of Heaven and Hell.” —John Mee

Book Details

Published
October 1, 1975
Publisher
Oxford University Press, USA
Pages
82
Format
Paperback
ISBN
9780192811677

More by William Blake

Similar books