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Political Prisoners - Biography, Asian Fiction - General, Asian Literary Biography
The Mute'S Soliloquy by Pramoedya Toer — book cover

The Mute'S Soliloquy

by Pramoedya Toer, Willem Samuels
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Overview

From the author of the Buru Quartet and one of the greatest writers of our time comes a remarkable memoir of imprisonment and survival.

In 1965, Pramoedya Ananta Toer was detained by Indonesian authorities and eventually exiled to the penal island of Buru. Without a formal accusation or trial, the onetime national hero was imprisoned on Buru for eleven years. He survived under brutal conditions, somehow managing to produce his masterwork, the four novels of the Buru Quartet, as well as the remarkable journal entries, essays, and letters that comprise this moving memoir.

Reminiscent of the work of Aleksandr Solzhenitsyn, The Mute's Soliloquy is a harrowing portrait of a penal colony and a heartbreaking remembrance of life before it. With a resonance far beyond its particular time and place, it is Pramoedya's crowning achievement--a passionate tribute to the freedom of the mind and a celebration of the human spirit.

"A haunting record of a great writer's attempt to keep his imagination and his humanity alive."-- The New York Times Book Review

"A story too vast and serious to ignore."-- San Francisco Chronicle (front page review)

Synopsis

In 1965, Pramoedya Ananta Toer was a hero of the Indonesian revolution and widely regarded as one of the best writers the country had ever produced. That year, however, as Indonesia embarked on a period of intense social unrest, Pramoedya and tens of thousands of others were detained and eventually exiled to the remote island of Buru. Imprisoned on Buru for eleven years without trial or formal accusation, Pramoedya and his fellow prisoners were forced to clear dense tracts of jungle, build camps, and forage for food. They died by the hundreds of starvation, brutality, and disease. Whether he is narrating the story of a fellow prisoner, remembering the dead and the missing, discussing what is means to be a citizen, or giving advise to his children in letters he knew they would never receive, Pramoedya's courage, integrity, and commitment to social justice are in powerful evidence.

Jonathan Rosen

...[A] sprawling literary [mansion]....[It displays] the mysteries of a foreign culture while magically containing rooms that seem designed with you in mind....This is not a book from which to gain a clear picture of modern Indonesian history or of Pramaoedya's place in it....a haunting record of a great writer's attempt to keep his imagination and his humanity alive under terrible conditions. —The New York Times Book Review

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Editorials

Jonathan Rosen

...[A] sprawling literary [mansion]....[It displays] the mysteries of a foreign culture while magically containing rooms that seem designed with you in mind....This is not a book from which to gain a clear picture of modern Indonesian history or of Pramaoedya's place in it....a haunting record of a great writer's attempt to keep his imagination and his humanity alive under terrible conditions. —The New York Times Book Review

USA Today

Here is an author half a world away from us whose art and humanity are both so great that we instantly feel we've known him — and he us — all our lives.

Jonathan Rosen

...[A] sprawling literary [mansion]....[It displays] the mysteries of a foreign culture while magically containing rooms that seem designed with you in mind....This is not a book from which to gain a clear picture of modern Indonesian history or of Pramaoedya's place in it....a haunting record of a great writer's attempt to keep his imagination and his humanity alive under terrible conditions.br>— The New York Times Book Review

USA Today

Here is an author half a world away from us whose art and humanity are both so great that we instantly feel we've known him -- and he us -- all our lives.

Louis Francia

A piercingly vivid, extraordinarily eloquent work.
The Village Voice

Kirkus Reviews

A distinguished novelist's (The Buru Quartet: House of Glass, 1996, etc.) painful remembrances of the 14 years he spent in an Indonesian prison work camp. Toer acknowledges the somewhat fragmented nature of his memoir—much of it was pieced together from surviving notes that had been smuggled out of the labor camp at great personal risk. For four years, he was forbidden from writing at all, and even when permission was officially granted, the penalty for offending any prison official would certainly have been severe. Toer was arrested along with tens of thousands of other Indonesian citizens after the military takeover which ousted President Sukarno in 1965. As a category B political prisoner (too dangerous to be freed, but not threat enough for immediate execution), he was exiled to a prison work camp on Buru, an undeveloped island in the Moluccas. His story describes the difficulties faced by himself and his fellow prisoners: they were forced to clear roads to the interior of the island using only their hands, to till the hard-packed arid soil of the fields with hand hoes, to build rice paddies in sweltering swamps without proper clothing. Prisoners were punished frequently for unclear infractions—beaten with rifle butts and bamboo canes. They suffered starvation and malnutrition, and were reduced to eating snakes, rats, and lizards for survival. Corrupt guards and officials stole the prisoners' food or demanded tribute in the form of precious chickens and eggs. In addition to serving as witness to the fate of his fellow prisoners, Toer describes the process by which one writes oneself back from the incoherence of nearly total oppression. He describes his writing as away of using narrative to restore his integrity as a human being—he then attempts to extend this benefit to his fellow victims. The chilling true story behind much of the acclaimed fiction of Toer.

Book Details

Published
April 1, 1999
Publisher
Hyperion
Pages
400
Format
Hardcover
ISBN
9780786864164

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