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The Painted Kiss by Elizabeth Hickey — book cover

The Painted Kiss

by Elizabeth Hickey
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Overview

In this passionate and atmospheric debut novel, Elizabeth Hickey reimagines the tumultuous relationship between the Viennese painter Gustav Klimt and Emilie Flöge, the woman who posed for Klimt's masterpiece The Kiss — and whose name he uttered with his dying breath.

Vienna in 1886 was a city of elegant cafés, grand opera houses, and a thriving and adventurous artistic community. It is here where the twelve-year-old Emilie meets the controversial libertine and painter. Hired by her bourgeois father for basic drawing lessons, Klimt introduces Emilie to a subculture of dissolute artists, wanton models, and decadent patrons that both terrifies and inspires her. The Painted Kiss follows Emilie as she blossoms from a naïve young girl to one of Europe's most exclusive couturiers — and Klimt's most beloved model and mistress. A provocative love story that brings to life Vienna's cultural milieu, The Painted Kiss is as compelling as a work by Klimt himself.

Synopsis

In this passionate and atmospheric debut novel, Elizabeth Hickey reimagines the tumultuous relationship between the Viennese painter Gustav Klimt and Emilie Flöge, the woman who posed for Klimt's masterpiece The Kiss -- and whose name he uttered with his dying breath.

Vienna in 1886 was a city of elegant cafés, grand opera houses, and a thriving and adventurous artistic community. It is here where the twelve-year-old Emilie meets the controversial libertine and painter. Hired by her bourgeois father for basic drawing lessons, Klimt introduces Emilie to a subculture of dissolute artists, wanton models, and decadent patrons that both terrifies and inspires her. The Painted Kiss follows Emilie as she blossoms from a naïve young girl to one of Europe's most exclusive couturiers -- and Klimt's most beloved model and mistress. A provocative love story that brings to life Vienna's cultural milieu, The Painted Kiss is as compelling as a work by Klimt himself.

Publishers Weekly

Hickey imagines the bonds between Gustav Klimt and his younger lover-whose name he pronounced with his dying breath-in her expressively written debut. Before Emilie Fl ge became the owner of a successful Viennese fashion house and Klimt became a famed, controversial painter, she was a privileged 12-year-old reluctantly taking drawing lessons and he was her starving artist teacher. From her WWII hideaway in the Austrian countryside in 1944, where she has transported Gustav's drawings ("all I could bring from Vienna... [perhaps] the only things of his to survive"), the aged Emilie flashes back to her fin-de-siecle hometown. Hickey traces the changing relationship between Klimt and his prot g from when she first became his art student as an adolescent through their on-again, off-again romance as she matures to their complicated relationship that culminates in the famed painting The Kiss. While the novel bears some obvious similarities to Girl with a Pearl Earring, it doesn't quite have that novel's power. But Hickey's language is sensual, lush and unhurried, and the prose wears its author's research gracefully. (Apr.) Copyright 2005 Reed Business Information.

About the Author, Elizabeth Hickey

Elizabeth Hickey's fascination with art history paints every page of her atmospheric, sensual debut novel The Painted Kiss -- in which she re-imagines a tempestuous relationship between painter Gustav Klimt and the daughter of a bourgeois businessman. "It was my thesis at Columbia, where it was referred to as 'fictionalized art history' -- not a compliment!" Hickey reveals in our interview.

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Editorials

From the Publisher

"In Elizabeth Hickey's compelling novel of tempestuous lives amid the tawdry bohemia of artists' studios and the glittering innuendo of Viennese café society, longing pulses from the page. The Painted Kiss is vivid, atmospheric, engaging, and very, very real."

— Susan Vreeland, author of Girl in Hyacinth Blue

"The Painted Kiss is richly atmospheric and haunting."

— Lauren Belfer, author of City of Light

Publishers Weekly

Hickey imagines the bonds between Gustav Klimt and his younger lover-whose name he pronounced with his dying breath-in her expressively written debut. Before Emilie Fl ge became the owner of a successful Viennese fashion house and Klimt became a famed, controversial painter, she was a privileged 12-year-old reluctantly taking drawing lessons and he was her starving artist teacher. From her WWII hideaway in the Austrian countryside in 1944, where she has transported Gustav's drawings ("all I could bring from Vienna... [perhaps] the only things of his to survive"), the aged Emilie flashes back to her fin-de-siecle hometown. Hickey traces the changing relationship between Klimt and his prot g from when she first became his art student as an adolescent through their on-again, off-again romance as she matures to their complicated relationship that culminates in the famed painting The Kiss. While the novel bears some obvious similarities to Girl with a Pearl Earring, it doesn't quite have that novel's power. But Hickey's language is sensual, lush and unhurried, and the prose wears its author's research gracefully. (Apr.) Copyright 2005 Reed Business Information.

Library Journal

First novelist Hickey uses her art history background to paint a fictionalized biography of Emilie Fl ge, a Viennese fashion designer and friend of painter Gustav Klimt. Though not much is known about Fl ge's life or the nature of her association with Klimt, Hickey portrays their relationship as a complicated friendship with an undercurrent of sexual tension. Emilie is 12 when she first meets Klimt, and he soon becomes her drawing teacher. Despite their conflicting feelings for each other, the two remain loyal companions through family tragedies and Klimt's numerous love affairs. Unfortunately, Hickey tries to cover too much in 250-plus pages: the secondary characters are merely sketched, sometimes inconsistently. Also, the abundant historical background, critical reaction to Klimt's work, and characters' thoughts and feelings could have been better integrated into the plot, characterization, and dialog. Though novels about real-life artists are often popular, this one is a marginal purchase.-Christine DeZelar-Tiedman, Univ. of Minnesota Libs., Minneapolis Copyright 2005 Reed Business Information.

Kirkus Reviews

A graceful imagining of the joined lives of a rising, soon-to-be-famous artist and a young woman in fin-de-siecle Vienna. At the beginning of art historian Hickey's evocative debut novel, an old woman reflects on the madeleines she has brought to the mountains of Austria ahead of the advancing Red Army: "This was all I could bring from Vienna, Gustav's drawings. He never thought much of them or took them seriously as art, they were preparatory, explanatory, they were plans, blueprints, mistakes." In the fire of WWII they may also be the only things to survive of Gustav Klimt's work, he himself having been dead and nearly forgotten for a generation. Hickey then turns the tale back to Emilie Floege's girlhood, as her bourgeois father hires Klimt to paint a portrait of his daughter. Fast forward a few years, and, shades of Girl with a Pearl Earring, artist takes an interest in model as more than a vehicle for art, whereupon, Emilie recalls, "Gently he prised my lips apart and put his tongue inside." By some accounts, the real Emilie was 12 when this happened, but Hickey wisely steers from treacherous shoals in this censorious time and assigns Emilie the age of 16 or 17. There's little of prurient interest in these pages, though; Hickey is instead concerned to show Klimt's influence on the young woman as a thinker and an artist, and soon Emilie has blossomed into a designer of local renown who is now a familiar in Viennese art circles, where much more scandalous things are always happening. Klimt's relationship with Emilie-which inspired his famed painting The Kiss-is of profound importance to both, and Hickey treats it with care: as she writes, borrowing a page from real life, Klimt's lastword was his lover's name, while years later, as Vienna burns, Emilie finds herself hoping against hope that some of the world she and Gustav knew will survive, though, she remarks, "I can realign myself to exist without certain works of art." Lovely, if a little ornate-rather like Klimt's work, in other words. Author tour

Book Details

Published
March 1, 2006
Publisher
Simon & Schuster Adult Publishing Group
Pages
288
Format
Paperback
ISBN
9780743492614

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