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English Fiction & Prose Literature - General & Miscellaneous - Literary Criticism, Literary Criticism - General & Miscellaneous, General & Miscellaneous European Literature - Literary Criticism, Literary Theory - General & Miscellaneous, Literary Referenc
The Practice of Reading by Denis Donoghue β€” book cover

The Practice of Reading

by Denis Donoghue
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Overview

This lucid and elegantly written book is a sustained conversation about the nature and importance of literary interpretation. Distinguished critic Denis Donoghue argues that we must read texts closely and imaginatively, as opposed to merely or mistakenly theorizing about them. He shows what serious reading entails by discussing texts that range from Shakespeare's plays to a novel by Cormac McCarthy.

Donoghue begins with a personal chapter about his own early experiences reading literature while he was living and teaching in Ireland. He then deals with issues of theory, focusing on the validity of different literary theories, on words and their performances, on the impingement of oral and written conditions of reading, and on such current forces as technology and computers that impinge on the very idea of reading. Finally he examines certain works of literature: Shakespeare's Othello and Macbeth, Swift's Gulliver's Travels, a passage from Wordsworth's The Prelude, a chapter of Joyce's Ulysses, Yeats's "Leda and the Swan" and "Coole and Ballylee, 1931," and Cormac McCarthy's Blood Meridian demonstrating what these texts have in common and how they must be differentiated through a sympathetic, imaginative, and informed reading.

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Editorials

Peter Brooks

[Donoghue's] book never really gets to the business of telling us how and why the practices of reading he approves are the right and powerful ones.
β€” The New York Times Book Review

Peter Brooks

[Donoghue's] book never really gets to the business of telling us how and why the practices of reading he approves are the right and powerful ones. -- The New York Times Book Review

Kirkus Reviews

A prolific exegete ruminates on the practice of interpreting literature. New York University's Donoghue (Walter Pater; Warrenpoint) refers to the practice simply as 'reading,' since any reading of a poem or story entails interpretive understanding. After an essay on his Irish origins, the next seven of the book's 15 chapters somewhat haphazardly explore academic controversies of the last 30 years. They come a bit late in the day, mostly rehashing the controversies fomented in American universities by the theories of Jacques Derrida, Paul de Man, Stanley Fish, and a few others. Readers already familiar (or fed up) with the topic of literary deconstruction are likely to feel put upon by these unnecessary forays onto well-trampled turf. What saves the book, though, are Donoghue's, richly satisfying reflections on particular works. By nowβ€”this is his 23rd bookβ€”it is plain that Donoghue is one of our foremost practical critics, writing in the tradition of T.S. Eliot and R.P. Blackmur. Interpretation is what Donoghue does best. In the second half he concentrates his attentions above all on the Irish, reading for us Swift's Gulliver's Travels, the 'Nausicaa' chapter of Joyce's Ulysses, Yeats' poems 'Leda and the Swan' and 'Coole and Ballylee, 1931.' He also offers essays on Macbeth and Othello, on Wordsworth's 'The Prelude,' and on 'Walter Pater.' But the outstanding 'reading' that he offers, one which takes pride of place as the volume's concluding piece, deals with Cormac McCarthy's novel of 1985, Blood Meridian. McCarthy is a novelist more praised than understood. Donoghue's exemplary essay on him is certain to become a classic. Donoghue is anurbane reader and elegant stylist. His interpretations will challenge and even entertain serious readers of all stripes.

Book Details

Published
May 12, 2000
Publisher
New Haven : Yale University Press, c1998.
Pages
320
Format
Paperback
ISBN
9780300082647

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