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Overview
When New Orleans District Attorney Kirsten Lord and her nine-year-old daughter are imperiled by a chillingly believeable death threat, Lord has no other choice but to accept the Witness Portection Program's offer to hide them in Boulder, Colorado. There, they meet program beteran Carl Luppo, a solitary mob hit man who is tormented by his former life and has nothing but time for regret. Sensing that Lord and her daughter's safety has been compromised, Luppo takes on the role of sentinel, fully realizing this might be his last shot at redemption. While Lord suspects that Luppo's warnings about the program's dark side are for her own protection and that she should believe the former assasssin's instincts, the only person she can really trust is nine years old.
Synopsis
When New Orleans District Attorney Kirsten Lord and her nine-year-old daughter are imperiled by a chillingly believeable death threat, Lord has no other choice but to accept the Witness Portection Program's offer to hide them in Boulder, Colorado. There, they meet program beteran Carl Luppo, a solitary mob hit man who is tormented by his former life and has nothing but time for regret. Sensing that Lord and her daughter's safety has been compromised, Luppo takes on the role of sentinel, fully realizing this might be his last shot at redemption. While Lord suspects that Luppo's warnings about the program's dark side are for her own protection and that she should believe the former assasssin's instincts, the only person she can really trust is nine years old.
Publishers Weekly
Once it recovers from a wobbly beginning, this ninth thriller in the bestselling series featuring Boulder, Colo., clinical psychologist Alan Gregory sprints competently along. Peyton Francis, aka Kirsten Lord, was once a New Orleans district attorney. Now she and her nine-year-old daughter are enrolled in the witness protection program, in hiding from Peyton's husband's assassin, who was most likely hired by a Colombian drug lord Peyton put away for life. Given a new ID and moved to Boulder, Peyton is befriended by another witness protection participant, a former mob hitman who, like herself, is referred by the Feds to Dr. Gregory for counseling. Plagued by doubts about the federal marshal entrusted with her safety and tortured by second thoughts about the impending execution of a black man she may have mistakenly sent to death row in Florida, Peyton races against time to stay the Florida execution, and is forced to go into hiding from the very witness protection forces assigned to protect her. The usually sure-handed White is guilty of some artless writing at the novel's start, creating a veritable obstacle course of meandering points of view, including an obscure long-running metaphoric thread linking repressed memories to images of a pod of whales. However, once the narrative drive settles mainly into Peyton's first-person voice, the story comes handily together. Featuring an interesting cast, including a young Texas schoolmarm turned professional hit person, a sinister cabal of federal marshals with hidden agendas and an entrepreneurial assassination broker in Atlanta, the narrative drives to an edge-of-your-seat denouement. Author tour. (Apr.) Forecast: This is not White's best effort, but fans of the series will check in to catch up on Alan Gregory's adventures his wife is pregnant with their first child in this installment. Copyright 2001 Cahners Business Information.
Editorials
From Barnes & Noble
Our ReviewTrauma Within the Witness "Destruction" Program
The Program is Stephen White's ninth novel, and it offers a slight but effective departure from the main line of his career. Like his previous eight novels, The Program features White's recurring protagonist, clinical psychologist Alan Gregory. Unlike those earlier books, this one casts Gregory as a supporting player in a larger drama, a drama involving a woman on the run, an assortment of professional hit men, and the unnatural pressures of day-to-day life in the Witness Protection Program.
The woman on the run is Kirsten Lord, a New Orleans-based D.A. who successfully prosecutes a local drug dealer for a series of rapes, then finds herself threatened with violent reprisals. "Remember this," the dealer tells her on the day of his conviction. "Every precious thing I lose, you will lose two." Several weeks later, that grim prophecy begins to come true, as Kirsten's husband is shot to death. Shortly afterward, when an unknown woman nearly succeeds in abducting her daughter, Kirsten enters the Witness Security Program (WITSEC) and attempts to establish a new, anonymous existence in Boulder, Colorado.
White excels at conveying the tension, trauma, and sense of dislocation inherent in shedding the remnants of an old life and beginning a new one. Kirsten Lord (now Peyton Francis) finds herself facing a particularly complex set of circumstances. To begin with, her previous history as an outspoken critic of WITSEC's policies has earned her a number of enemies within the program itself. In addition, her belated efforts to halt the execution of an innocent man -- a man she helped convict -- make her the target of a vicious killer with an undisclosed agenda of his own. Throughout all this, the initial threat that drove her into hiding remains in force, looming relentlessly over the narrative.
The Program recounts, with considerable authority, one woman's struggle to make her way through this minefield of possibilities to a place of potential safety. Along the way, she finds a number of unexpected allies, including Alan Gregory, her program-appointed therapist; Lauren Crowder, Alan's very pregnant wife; and Carl Luppo, a retired Mafia hit man who takes Kirsten under his wing and saves her life on more than one occasion. White handles these various elements with an easy, understated mastery and treats his heroine's dilemma with intelligence, humor, and sympathy. The result is an incisive, psychologically acute thriller that successfully illuminates a little-known corner of the criminal justice system. It clearly represents a large step forward for a gifted, underrated writer.
--Bill Sheehan
Bill Sheehan reviews horror, suspense, and science fiction for Cemetery Dance, The New York Review of Science Fiction, and other publications. His book-length critical study of the fiction of Peter Straub, At the Foot of the Story Tree, has recently been published by Subterranean Press .