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The Rainbow Stories by William T. Vollmann β€” book cover

The Rainbow Stories

by William T. Vollmann
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Overview

From a writer who has won comparison with Thomas Pynchon and William S. Burroughs comes thirteen unnerving and often breathtaking stories populated by punks and angels, skinheads and religious assassins, streetwalkers and fetishists--people who live outside the law and and the clear light of the every day. Set in landscapes as diverse as ancient Babylon, India, and the seamy underbelly of San Francisco, these daring and innovative tales are laced with Vollman's fertile imagination. The Rainbow Stories ushers us into a world that bears an awful yet hypnotic resemblance to that of our deepest nightmares, confirming Vollman's reputation as a dark visionary of contemporary fiction.

Here are 13 daring and innovative tales dealing with "skinheads, x-ray patients, whores, lovers, fetishists, and other lost souls" who populate landscapes as diverse as ancient Babylon, India, and contemporary San Francisco. Part fiction, part reportage, these narratives are laced with a bleak and bitter humor, and portray a dazzling array of characters.

Synopsis

Here are 13 daring and innovative tales dealing with "skinheads, x-ray patients, whores, lovers, fetishists, and other lost souls" who populate landscapes as diverse as ...

Publishers Weekly

This stunning collection consists of 13 knockout stories, ranging in length from a few pages to a short novel, corresponding idiosyncratically to the colors of the spectrum. With an intensity and dexterity previously evinced in You Bright and Risen Angels , Vollman shifts mood from the leisurely, almost-detached account of the brutal contemporary San Francisco streetlife of skinheads (``White Knights'') and prostitutes (``Ladies and Red Lights'') to the surreal ``Scintillant Orange,'' in which we meet three biblical martyrs to Babylonian Nabuchadnezzar's fiery furnace. ``Indigo Engineers'' juxtaposes mechanized objects of destruction, built for a sort of performance-art piece, with the just-following-orders mentality of Nazis. A serial killer with a dual personality murders winos with Drano in ``The Blue Yonder,'' which documents the lives of alcoholics living in shelters or parks. Whether recounting a tale of a band of Indian thugs a la Munchausen, laconically noting episodes in personal relationships or dealing with the relentless realism of skinheads and hookers, Vollman writes with deadpan humor, self-assurance and incredible ability. (July)

About the Author, William T. Vollmann

Known as a bit of a "dark horse" of contemporary literature, William T. Vollman has garnered acclaim from readers and critics alike for the boldness and raw originality of his works, which often combine fictional and journalistic techniques. "Whether Dostoyevskifying the detective novel or offering boundless books-of-Genesis, Vollmann has had an ability to conjure tomes in a range of genres that is increasingly Faustian," observes The Village Voice.

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Editorials

Publishers Weekly - Publisher's Weekly

This stunning collection consists of 13 knockout stories, ranging in length from a few pages to a short novel, corresponding idiosyncratically to the colors of the spectrum. With an intensity and dexterity previously evinced in You Bright and Risen Angels , Vollman shifts mood from the leisurely, almost-detached account of the brutal contemporary San Francisco streetlife of skinheads (``White Knights'') and prostitutes (``Ladies and Red Lights'') to the surreal ``Scintillant Orange,'' in which we meet three biblical martyrs to Babylonian Nabuchadnezzar's fiery furnace. ``Indigo Engineers'' juxtaposes mechanized objects of destruction, built for a sort of performance-art piece, with the just-following-orders mentality of Nazis. A serial killer with a dual personality murders winos with Drano in ``The Blue Yonder,'' which documents the lives of alcoholics living in shelters or parks. Whether recounting a tale of a band of Indian thugs a la Munchausen, laconically noting episodes in personal relationships or dealing with the relentless realism of skinheads and hookers, Vollman writes with deadpan humor, self-assurance and incredible ability. (July)

Library Journal

These long, interlocking short stories comprise an anthropological field report from San Francisco's Haight-Ashbury district, 20 years after the Summer of Love. The author's stated goal is simply to retell--``unaltered, unverified''--the stories told to him by down-and-out street people such as Brandi the prostitute, Marisa the neo-Nazi bootwoman, and Carolina the saintly wino. Much of the action takes place offstage, in trauma centers, detox wards, and autopsy labs, with extensive footnotes citing relevant textbooks of pathology and criminal justice. This is a far more coherent book than Vollmann's first novel, You Bright and Risen Angels ( LJ 5/15/87), and clearly places him in the front ranks of contemporary authors. Highly recommended, but definitely not for the squeamish.-- Edward B. St. John, Loyola Law Sch. Lib., Los Angeles

Book Details

Published
July 1, 1992
Publisher
Penguin Group (USA)
Pages
560
Format
Paperback
ISBN
9780140171549

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