The Rose Fancier : Stories

Publishers Weekly - Publisher's Weekly

Eight of the 17 stories in this generally insightful and satisfying collection from Australian author Masters ( The Home Girl ; Amy's Children ) were in final drafts at the time of her death in 1986. The remaining stories, plus a fragment, were still in rough form, and have been finished by her editors. Some little more than sketches, others more fully developed, all of the tales deal with the domestic intimacy of ordinary people whose emotions resonate in simple acts, e.g., a widower studies the ``silly-looking'' curtains put up by his late wife (``Brown and Green Giraffes''). The excellent title story introduces aged cranky spinsters Pet and Vi, then flashes back to their girlhood and the baleful family dynamics involving their father's lush rose garden and Vi's wooer, who seemed to prefer their mother. Single motherhood is a theme: unwed Pauline (``Inseparable'') fears her daughter's flirtatious precocity; ``Whatever Pa Says'' poignantly traces the career of Julia, 16, whose father drives her from their home along with the brown aboriginal hired boy who gets her pregnant; in ``Snow White and Rose Red'' a white mother nonchalantly bears a dark-skinned baby. Beneath the surface of homely chores--prams pushed, meals cooked, brooms brandished--lurk strife, envy, sexuality and love. Both the stories completed by Masters and many of the sketches offer rich slices of family drama. (Sept.)

Library Journal

This is the last collection of short stories written by the late Masters, an acclaimed writer of modern Australian fiction. The stories cover almost a century, beginning with the hard-scrabble existence of a large family in the outback in the 1880s and continuing on to urban/suburban life in Australia in the 1980s. Masters is most interested in the interior landscapes of her characters, concentrating on the subtle, unarticulated tension between parent and child. The stories are deeply felt and deftly written; in the space of a short paragraph Masters captures the irony in the misperception of both parent and child. The poignant title story begins with a portrait of the two ancient spinster sisters and goes on to reveal the long-ago events that hold them captive in their childhood home. Masters leads the reader through various family photo albums, pointing out one interesting character or another, and with acute insight she reveals the telling detail that makes each family come alive. Recommended for public libraries.-- Marcia Tager, Tenafly, N.J.