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Book cover of The Satanic Verses
Fiction, World Literature, Fiction Subjects

The Satanic Verses

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Overview

One of the most controversial and acclaimed novels ever written, The Satanic Verses is Salman Rushdie’s best-known and most galvanizing book. Set in a modern world filled with both mayhem and miracles, the story begins with a bang: the terrorist bombing of a London-bound jet in midflight. Two Indian actors of opposing sensibilities fall to earth, transformed into living symbols of what is angelic and evil. This is just the initial act in a magnificent odyssey that seamlessly merges the actual with the imagined. A book whose importance is eclipsed only by its quality, The Satanic Verses is a key work of our times.

Just before dawn one winter's morning, a hijacked jumbo jet blows apart high above the English Channel. Two figures fall to the sea, later washing up, alive, on a beach. It was an ambiguous miracle, for both seem to have acquired curious changes. Both have been chosen as opponents in the eternal wrestling match between Good and Evil.

Synopsis

Just before dawn one winter's morning, a hijacked jetliner explodes above the English Channel. Through the falling debris, two figures, Gibreel Farishta, the biggest star in India, and Saladin Chamcha, an expatriate returning from his first visit to Bombay in fifteen years, plummet from the sky, washing up on the snow-covered sands of an English beach, and proceed through a series of metamorphoses, dreams, and revelations.

Michiko Katukani

The Satanic Verses is less concerned with history than with the broader questions of good and evil, identity and metamorphosis, race and culture. . . .There is a fine story somewhere in this volume — that of Saladin and his attempts to define a self that might embrace both the present and the past — but it doesn't take 500-plus pages to tell. — The New York Times

About the Author, Salman Rushdie

One of the most celebrated writers of our time, SALMAN RUSHDIE is the author of ten previous novels— Grimus, Midnight's Children (for which he won the Booker Prize in 1981, the Booker of Bookers in 1993, and, in 2008, the Best of the Booker), Shame, The Satanic Verses, Haroun and the Sea of Stories, The Moor's Last Sigh, The Ground Beneath Her Feet, Fury, Shalimar the Clown, and The Enchantress of Florence. He has also published four works of non-fiction, a collection of short stories, and edited two fiction anthologies. In June 2007, Rushdie was appointed a Knight Bachelor by Queen Elizabeth II for services to literature. He holds the rank Commandeur in the Ordre des Arts et des Lettres of France and began a five-year term as Distinguished Writer in Residence at Emory University in 2007. In May 2008, he was elected to the American Academy of Arts and Letters, and also in 2008, the London Times ranked Rushdie thirteenth on their list of "The 50 greatest British writers since 1945". For two years he served as president of The PEN American Center, the world's oldest human rights organization, and is the chair of PEN's World Voices Festival of International Literature, an annual literary festival he began in New York in 2001. Rushdie is currently working on the film version of Midnight's Children.

Reviews

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Editorials

Michiko Katukani

The Satanic Verses is less concerned with history than with the broader questions of good and evil, identity and metamorphosis, race and culture. . . .There is a fine story somewhere in this volume — that of Saladin and his attempts to define a self that might embrace both the present and the past — but it doesn't take 500-plus pages to tell. — The New York Times

Publishers Weekly - Publisher's Weekly

Banned in India before publication, this immense novel by Booker Prize-winner Rushdie (Midnight's Children) pits Good against Evil in a whimsical and fantastic tale. Two actors from India, ``prancing'' Gibreel Farishta and ``buttony, pursed'' Saladin Chamcha, are flying across the English Channel when the first of many implausible events occurs: the jet explodes. As the two men plummet to the earth, ``like titbits of tobacco from a broken old cigar,'' they argue, sing and are transformed. When they are found on an English beach, the only survivors of the blast, Gibreel has sprouted a halo while Saladin has developed hooves, hairy legs and the beginnings of what seem like horns. What follows is a series of allegorical tales that challenges assumptions about both human and divine nature. Rushdie's fanciful language is as concentrated and overwhelming as a paisley pattern. Angels are demonic and demons are angelic as we are propelled through one illuminating episode after another.

Library Journal

When a terrorist's bomb destroys a jumbo jet high above the English Channel, two passengers fall safely to earth: Gibreel, an Indian movie actor, and Saladin, star of the controversial British television program, 'The Alien Show.' The near-death experience changes them into living symbols of good and evil -- Saladin grows horns, Gibreel a halo. From this fantastic premise Rushdie spins a huge collection of loosely related subplots that combine mythology, folklore, and TV trivia in a tour de force of magic realism that investigates the postmodern immigrant experience. (Why does an Indian expatriate feel homesick watching reruns of 'Dallas'?) Like Rushdie's award-winning novel Midnight's Children, this invites comparison with the miracle-laden narratives of Gabriel Garcia Marquez. -- Edward B. St. John, Loyola Law Sch. Lib., Los Angeles

Michiko Katukani

The Satanic Verses is less concerned with history than with the broader questions of good and evil, identity and metamorphosis, race and culture. . . .There is a fine story somewhere in this volume -- that of Saladin and his attempts to define a self that might embrace both the present and the past -- but it doesn't take 500-plus pages to tell. -- The New York Times

Book Details

Published
Publisher
Random House Publishing Group
Pages
561
Format
Paperback
ISBN
9780812976717

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