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The Star of Algiers by Aziz Chouaki — book cover

The Star of Algiers

by Aziz Chouaki, Ros Schwartz (Translator), Lulu Norman
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Overview

“The Star of Algiers powerfully depicts youth in distress, caught between the lure of the West and the mosque." —BIBA

“We share his stage fright before each new gig. We are fired with his boundless energy. And once we’ve taken off, we come crashing down with him . . . Everything is human, alive and transparent.”Elle, France

Moussa Massy’s ambitions extend far beyond the three-room apartment he shares with the other thirteen members of his family in Algiers. A gifted performer of modern Kabyle song, he is as inspired by Prince and Michael Jackson as he is by Arab and Algerian traditional music. His first taste of fame, however, is brief, as the conflict between the fundamental Islamic group FIS and the more progressive FLN grows more violent and the city comes to a standstill amid corruption and scandal. As his music career begins to disintegrate, like the city itself, Massy’s driving passion for music turns to unforgiving rage.

In energetic, urgent prose, Aziz Chouaki vividly portrays the harsh realities of a country in constant turmoil and brilliantly shows the capacity for despair and hatred of those who have nothing left to lose. Available for the first time in English, The Star of Algiers, a novel of great passion and originality, touches on the most contentious issues of our time.

A Lannan Translation Series Selection

Synopsis

“The Star of Algiers powerfully depicts youth in distress, caught between the lure of the West and the mosque." —BIBA

“We share his stage fright before each new gig. We are fired with his boundless energy. And once we’ve taken off, we come crashing down with him . . . Everything is human, alive and transparent.” Elle, France

Moussa Massy’s ambitions extend far beyond the three-room apartment he shares with the other thirteen members of his family in Algiers. A gifted performer of modern Kabyle song, he is as inspired by Prince and Michael Jackson as he is by Arab and Algerian traditional music. His first taste of fame, however, is brief, as the conflict between the fundamental Islamic group FIS and the more progressive FLN grows more violent and the city comes to a standstill amid corruption and scandal. As his music career begins to disintegrate, like the city itself, Massy’s driving passion for music turns to unforgiving rage.

In energetic, urgent prose, Aziz Chouaki vividly portrays the harsh realities of a country in constant turmoil and brilliantly shows the capacity for despair and hatred of those who have nothing left to lose. Available for the first time in English, The Star of Algiers, a novel of great passion and originality, touches on the most contentious issues of our time.

A Lannan Translation Series Selection

Publishers Weekly

A young contemporary singer is caught in the political crossfire when a repressive Islamic regime seizes power in Algeria in Chouaki's first novel to be translated into English. Moussa Massy is the stage name of the talented first-person narrator, who dreams of stardom, his music a blend of Islamic melodies, African traditions and American pop influences. Moussa's dream comes true when his band begins climbing the local club ladder, and one of his songs hits the local charts and begins getting radio airplay. But darkly parallel to Moussa's rise is the ascent of the FIS, a Taliban-like Muslim party that uses brutality to enforce religious conformity. The effects are instantly deadly to Moussa's ambitions, as the thriving local club scene goes sour and the singer's creative friends scramble to get visas and leave the country. Chouaki's staccato, rapid-fire prose style works perfectly in the scenes designed to convey Moussa's frustration as his musical career stalls, his girlfriend leaves him for an arranged marriage and he struggles desperately to emigrate to France. But that same style seems too brisk in the final chapters as Chouaki sprints through Moussa's descent into drugs and alcohol and reveals his shocking final fate. Still, the novel's gripping narrative and political relevance make this a revelatory read. Agent, Cecile Dutheil de la Rochere at Editions Balland (France). (Jan.) Copyright 2004 Reed Business Information.

About the Author, Aziz Chouaki

Aziz Chouaki has written two other novels in French, Les Oranges and Aigle. He was born in Algiers in 1951, but has lived in France since 1991 for political reasons.

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Editorials

Publishers Weekly

A young contemporary singer is caught in the political crossfire when a repressive Islamic regime seizes power in Algeria in Chouaki's first novel to be translated into English. Moussa Massy is the stage name of the talented first-person narrator, who dreams of stardom, his music a blend of Islamic melodies, African traditions and American pop influences. Moussa's dream comes true when his band begins climbing the local club ladder, and one of his songs hits the local charts and begins getting radio airplay. But darkly parallel to Moussa's rise is the ascent of the FIS, a Taliban-like Muslim party that uses brutality to enforce religious conformity. The effects are instantly deadly to Moussa's ambitions, as the thriving local club scene goes sour and the singer's creative friends scramble to get visas and leave the country. Chouaki's staccato, rapid-fire prose style works perfectly in the scenes designed to convey Moussa's frustration as his musical career stalls, his girlfriend leaves him for an arranged marriage and he struggles desperately to emigrate to France. But that same style seems too brisk in the final chapters as Chouaki sprints through Moussa's descent into drugs and alcohol and reveals his shocking final fate. Still, the novel's gripping narrative and political relevance make this a revelatory read. Agent, Cecile Dutheil de la Rochere at Editions Balland (France). (Jan.) Copyright 2004 Reed Business Information.

Library Journal

More than anything else, Moussa Massy wants to escape his dysfunctional home life and putrid, depressing surroundings to become a Kabyle music rock star. Little by little, his career grows: posters pop up throughout Algiers, he is granted an exclusive interview in the city's most prestigious paper, he lands a big gig at the best showplace in town, and he caps off his meteoric rise with a sensational recording. Just as quickly, however, his fortunes change: he loses his girlfriend, he receives no profits from the recording (it turns out to be bootlegged), and his agent leaves; thereafter, he loses the nightclub job, his petition for an emigration visa is constantly denied, and he ends up in jail for murder. Set in the 1990s, when the fundamentalist FIS party came into power in Algeria, this story of Moussa's infernal descent parallels that of the country itself. In the brief epilog, we discover that Moussa has embraced militant Islam and after release from prison leads a horde of terrorists. Thus, what starts out as a novel about sex, drugs, and rock'n'roll ends up as a warning of how the most unlikely person can convert to religious fanaticism. Chouaki, exiled in France since 1991, writes in a vivacious, telegraphic style that clearly delineates both the Algerian entertainment underworld and the asphyxiating totalitarianism of fanaticism, which few Americans comprehend. This first English translation of his work (he's written two other novels in French) is recommended.-Lawrence Olszewski, OCLC Lib., Dublin, OH Copyright 2004 Reed Business Information.

Kirkus Reviews

An Algerian singer finds his star waning with the onslaught of the Islamic revolution-in musician-playwright Chouaki's politically trenchant third novel, his first to appear in English. It's 1990 when, in Algiers, the first rumblings by Islamist extremists are heeded by the disaffected and largely impoverished populace. Meziane Boudjiri, known as Moussa Massy on stage, is 36 and a singer of modern Kabyle (African Berber) music who lives in three rooms with fourteen of his family members in a soulless apartment block called Cite Mer et Soleil. Moussa is handsome, scornful of the "beards," and determined to make a name for himself and to quit the grinding despair of his country. Yet, despite his stint of well-paying gigs, Moussa's income goes to help support his family, and marriage to the lovely, sheltered Fatiha is out of the question without an apartment of his own. With a smooth, wealthy diplomat's son, Rachid, acting as his manager, Moussa gains a newspaper interview and is hired to play at upscale clubs frequented by the European-educated upper class; his name is well known and he even begins to record his music-before it's pirated and adulterated without his consent. Moussa's star seems to be inexorably tied to the fate of his country: with the takeover by the Islamists, his fellow musicians flee the country, his girlfriend's traditional family forces her to marry a more suitable cousin, and the fancy club Moussa works for becomes a den of thugs. "Day after day, Moussa deteriorates, at the same pace of Algeria, allegro," Chouaki writes in his dictation-like prose, switching briefly from third person to first and jotting off strings of graphic impressions. Chouaki's spurts of slangydialogue read a bit stilted in English, but the overall result is viscerally affecting. Descending into drug abuse, apathy, and violence, Moussa is eventually transformed into the same fanatic, cold-blooded Jihadist he once reviled. A chilling portrait of painful attempts to reconcile past colonial sins with crying present needs.

Book Details

Published
January 1, 2005
Publisher
Graywolf Press
Pages
304
Format
Paperback
ISBN
9781555974121

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