The Three Pigs
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Overview
This Caldecott Medal-winning picture book begins placidly (and familiarly) enough, with three pigs collecting materials and going off to build houses of straw, sticks, and bricks. But the wolf’s huffing and puffing blows the first pig right out of the story . . . and into the realm of pure imagination. The transition signals the start of a freewheeling adventure with characteristic David Wiesner effects—cinematic flow, astonishing shifts of perspective, and sly humor, as well as episodes of flight.
Satisfying both as a story and as an exploration of the nature of story, The Three Pigs takes visual narrative to a new level. Dialogue balloons, text excerpts, and a wide variety of illustration styles guide the reader through a dazzling fantasy universe to the surprising and happy ending. Fans of Tuesday’s frogs and Sector 7’s clouds will be captivated by old friends—the Three Pigs of nursery fame and their companions—in a new guise.
The three pigs escape the wolf by going into another world where they meet the cat and the fiddle, the cow that jumped over the moon, and a dragon.
Synopsis
Three pigs... Straw, sticks, bricks... Huffs and puffs... You probably know the rest. It's an old story, And every time someone tells it The same thing happens.
But who says it's suposed to? Who's in charge of this story? Who gets to decide? Has anyone asked the pigs? No? Well, it's about time someone did. Here, Thanks to David Wiesner, Is the answer.
New York Times Review of Books
Wiesner's dialogue and illustrations are clever, whimsical and sophisticated.
Editorials
From Barnes & Noble
The Barnes & Noble ReviewNever doubt the power of a pig. We suspect this was David Wiesner's mantra when creating this brilliantly innovative fractured fairy tale.
What begins as a the classic tale of "The Three Pigs" evolves into a free-for-all when the Big Bad Wolf's efforts to blow down the straw house of Pig No. 1 have unexpected consequences -- Pig is blown right of the story! He ends up on the pages of the book, falling out of the frame and transformed into a three-dimensional character. This leaves Wolf completely bewildered. As he approaches Pig No. 2 and his house of twigs, he tries again. But Pig's brother arrives just in time, with news that there is safety outside the confines of the storybook pages. The brothers exit, and Wolf is once again befuddled. When the pigs reach their other brother in the brick house, the three of them decide it's time to get away from Wolf for good. They pummel the storybook frames until they are completely flat -- and then they make an airplane! After a bit of soaring, they crash-land. Finally, they realize that they're being watched. Readers will squeal with delight as one of the pigs peers into the audience, his face filling the entire page. The Three Pigs then jump into the pages of other rhymes, meeting up with a very friendly dragon and a sweet cat. At this point, the entire crew join forces and decide to teach Wolf a lesson. They reconstruct the story frames, and when Wolf begins to blow a pig's house down, Dragon jumps in and gives him the scare of his life. The gang have created a home of their own and a new beginning. And as in any other fairy tale, they live happily ever after.
Wiesner uses a combination of watercolor, gouache, colored inks, and pencils to achieve his varied perspectives. This sophisticated style and humor will not escape young readers. His creative chaos is fresh and rejuvenating, adding wit and style to typical fairy-tale fare. Particularily stunning is Wiesner's use of white space, which evokes the many possibilities these clever pigs possess. We give Wiesner's awesome creation...two snouts up. (Amy Barkat)
From the Publisher
Wiesner has created a funny, wildly imaginative tale that encourages readers to leap beyond the familiar; to think critically about conventional stories and illustration, and perhaps, to flex their imaginations and create wonderfully subversive versions of their own stories.Booklist, ALA, Starred Review
"Children will delight in the changing perspectives...and the whole notion of the interrupted narrative...fresh and funny...Witty dialogue and physical comedy abound in this inspired retelling of a familiar favorite.
School Library Journal, Starred
As readers have come to expect from the inventive works of Wiesner, nothing is ever quite as it seems in his picture books. This version of the pigs' tale starts off traditionally enough—warm, inviting watercolor panels show in succession the tiny houses, their owner-builders and their toothy visitor. But when the wolf begins to huff and puff, he blows the pigs right out of the illustrations. Though Wiesner briefly touched on this theme in his Free Fall (fans may note a strong resemblence between the dragon in that volume and the one featured in these pages), he takes the idea of 3-D characters operating independently of their storybooks to a new level here. The three pigs land in the margins, which open out onto a postmodern landscape hung with reams of pages made for climbing on, crawling under and folding up for paper airplane travel. Together the pigs visit a book of nursery rhymes and save the aforementioned dragon from death at the hands of the knight. When they get the dragon home, he returns their kindness by scaring the wolf off permenantly.
Even the book's younger readers will understand the distinctive visual code. As the pigs enter the confines of a storybook page, they conform to that book's illustrative style, appearing as nursery-rhyme friezes or comic-book line drawings. When the pigs emerge from the storybook pages into the meta-landscape they appear photographically clear and crisp, with shadows and three dimensions. Wiesner's (Tuesday) brillant use of white space and perspective (as the pigs fly to the upper right-hand corner of a spread on their makeshift plane, or as one pig's snout dominates a full page) evokes a feeling that the characters can navigate endless possibilities—and that the range of story itself is limitless.
Publishers Weekly, Starred
With this inventive retelling, Caldecott Medalist Wiesner (Tuesday, 1991) plays with literary conventions in a manner not seen since Scieszka's The Stinky Cheese Man and Other Fairly Stupid Tales (1993). The story begins with a traditional approach in both language and illustrations, but when the wolf huffs and puffs, he not only blows down the pigs' wood and straw houses, but also blows the pigs right out of the story and into a parallel story structure. The three pigs (illustrated in their new world in a more three-dimensional style and with speech balloons) take off on a postmodern adventure via a paper airplane folded from the discarded pages of the traditional tale. They sail through several spreads of white space and crash-land in a surreal world of picture-book pages, where they befriend the cat from "Hey Diddle Diddle" and a charming dragon that needs to escape with his cherished golden rose from a pursuing prince. The pigs, car and dragon pick up the pages of the original story and return to that flat, conventional world, concluding with a satisfying bowl of dragon-breath-broiled soup in their safe, sturdy brick house. The pigs have braved the new world and returned with their treasure: the cat for company and fiddle music, the dragon's golden rose for beauty, and the dragon himself for warmth and protection from the wolf, who is glimpsed through the window, sitting powerlessly in the distance. On the last few pages, the final wqords of the text break apart, sending letters drifting down into the illustrations to show us that once we have ventured out into the wider worl, out stories never stay the same.
Kirkus Reviews with Pointers
David Wiesner's postmodern interpretation of this tale plays imaginatively with traditional picture book and story conventions and with readers' expectations of both. . . .Wiesner explores the possibilty of different realities within a book's pages. . . . Wiesner may not be the first to thumb his nose at picture-book design rules and storytelling techniques, but he puts his own distinct print on this ambitious endeavor. There are lots of teaching opportunities to be mined here—or you can just dig into the creative possibilities of unconventionality.
Horn Book
null Children's Books: 100 Titles NYPL
Artwork explodes off the page and the layout pushes bookmaking convention as the porcine siblings and their pals explore new literary territory.
SLJ Best Books of the Year
null Best Books for Children Cahners