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The Unswept Room by Sharon Olds — book cover

The Unswept Room

by Sharon Olds
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Overview

From Sharon Olds—a stunning new collection of poems that project a fresh spirit, a startling energy of language and counterpoint, and a moving, elegiac tone shot through with humor.

From poems that erupt out of history and childhood to those that embody the nurturing of a new generation of children and the transformative power of marital love, Sharon Olds takes risks, writing boldly of physical, emotional, and spiritual sensations that are seldom the stuff of poetry.

These are poems that strike for the heart, as Sharon Olds captures our imagination with unexpected wordplay, sprung rhythms, and the disquieting revelations of ordinary life. Writing at the peak of her powers, this greatly admired poet gives us her finest collection.

Synopsis

From Sharon Olds—a stunning new collection of poems that project a fresh spirit, a startling energy of language and counterpoint, and a moving, elegiac tone shot through with humor.

From poems that erupt out of history and childhood to those that embody the nurturing of a new generation of children and the transformative power of marital love, Sharon Olds takes risks, writing boldly of physical, emotional, and spiritual sensations that are seldom the stuff of poetry.

These are poems that strike for the heart, as Sharon Olds captures our imagination with unexpected wordplay, sprung rhythms, and the disquieting revelations of ordinary life. Writing at the peak of her powers, this greatly admired poet gives us her finest collection.

Book Magazine

You don't have to attend one of Olds' readings to appreciate these poems, but it is astonishing to compare how well the distinctive poetic voice echoes the author's own. Book after book, in perfectly tuned four-stress laments, Olds captivates readers with impressions of daily life. Often self-deprecating and humorous, she records the so-called "best hours of our lives," including infancy and first kisses. For Olds, looking back is never gratuitous, and while there is much darkness in the author's own childhood, many of her poems demonstrate the ways an attentive adult life can rectify a troubled youth. Poets often negotiate their past in verse, but no one serves up the humor and grace of common domesticity like Olds.

About the Author, Sharon Olds

Sharon Olds was born in 1942 in San Francisco and educated at Stanford University and Columbia University. Her previous books are Satan Says, The Dead and the Living, The Gold Cell, The Wellspring, The Father, and Blood, Tin, Straw. She was the New York State Poet Laureate from 1998 to 2000. She teaches poetry workshops in the Graduate Creative Writing Program at New York University and was one of the founders of the NYU workshop program at Goldwater Hospital on Roosevelt Island in New York. Her work has received the Harriet Monroe Prize, the National Book Critics Circle Award, the Lamont Selection of the Academy of American Poets, and the San Francisco Poetry Center Award. She lives in New York City.

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Editorials


You don't have to attend one of Olds' readings to appreciate these poems, but it is astonishing to compare how well the distinctive poetic voice echoes the author's own. Book after book, in perfectly tuned four-stress laments, Olds captivates readers with impressions of daily life. Often self-deprecating and humorous, she records the so-called "best hours of our lives," including infancy and first kisses. For Olds, looking back is never gratuitous, and while there is much darkness in the author's own childhood, many of her poems demonstrate the ways an attentive adult life can rectify a troubled youth. Poets often negotiate their past in verse, but no one serves up the humor and grace of common domesticity like Olds. Author—Stephen Whited

Stephen Whited

You don't have to attend one of Olds' readings to appreciate these poems, but it is astonishing to compare how well the distinctive poetic voice echoes the author's own. Book after book, in perfectly tuned four-stress laments, Olds captivates readers with impressions of daily life. Often self-deprecating and humorous, she records the so-called "best hours of our lives," including infancy and first kisses. For Olds, looking back is never gratuitous, and while there is much darkness in the author's own childhood, many of her poems demonstrate the ways an attentive adult life can rectify a troubled youth. Poets often negotiate their past in verse, but no one serves up the humor and grace of common domesticity like Olds.

Publishers Weekly

From her debut Satan Says (1980) through Blood, Tin, Straw (1999), Olds has tackled child sexual abuse and grownup women's sexuality on a post-Freudian (some said post-feminist) canvas of love, hate, revenge. This seventh volume of verse offers Olds's regulars all they have come to expect: "blood skin and tongue," "glass, bone metal, flesh, and the family." Olds describes "the day my folks/ sashed me to a chair"; the day her speaker "slowly cut off [her] eyelashes"; her desire "to work off/ my father's and my sins"; a father's cross-dressing; the Virgin Mary's vulva ("the beauty of her lily"); birth-control practices and pro-choice politics; menopause (at 491/2); and memories of parturition: "there came that faint, almost sexual wail, and her/ whole body flushed rose." All these moments appear, as usual, in confidently effective free verse that leaves no reader behind. Olds's followers may be delighted, or simply surprised, as they find, midway through the volume, an increasing focus on happiness: poems such as "The Hour After" and "If, Someday" portray the great sex and the commitment the speaker shares with her male partner: "I love/ to not know/ what is my beloved/ and what is I." Another group of moving poems consider her pleasures as an empty-nest parent, sharing space or conversation with "nearly-grown children." Olds has never been thought technically innovative, and this collection will not convert detractors. It will, however, offer her many fans new work to chew on, presented with her usual intense honesty, along with "some fancies of crumbs/ from under love's table." (Sept.) Copyright 2002 Cahners Business Information.

Library Journal

As always, Olds boldly re-creates her life in verse, but here she offers more than surface narrative, cleaning out that unswept room to discover "a time of passion so/ extreme it was almost calm." A finalist for the National Book Award and the National Book Critics Circle Award. (LJ 9/15/02) Copyright 2003 Reed Business Information.

Book Details

Published
September 1, 2002
Publisher
Knopf Doubleday Publishing Group
Pages
144
Format
Paperback
ISBN
9780375709982

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