Victorian & Edwardian Art, Modern Aesthetics, British Art, 19th Century British Philosophy
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Overview
This innovative, interdisciplinary study explores the Victorians' attitudes toward sight. It draws on writers as diverse as George Eliot, Elizabeth Barren Browning and Rudyard Kipling as well as pre-Raphaelite and realist painters including Millais, Burne-Jones, William Powell Frith and Whistler, and a host of Victorian scientists, cultural commentators and art critics. Topics discussed include blindness, memory, hallucination, dust, and the importance of the horizon—a dazzling array of subjects linked together by the operations of the eye and brain. This richly illustrated book will appeal to anyone studying Victorian culture.Synopsis
This innovative, interdisciplinary study explores the Victorians' attitudes toward sight. It draws on writers as diverse as George Eliot, Elizabeth Barrett Browning and Rudyard Kipling as well as pre-Raphaelite and realist painters including Millais, Burne-Jones, William Powell Frith and Whistler, and a host of Victorian scientists, cultural commentators and art critics. Topics discussed include blindness, memory, hallucination, dust, and the importance of the horizon--a dazzling array of subjects linked together by the operations of the eye and brain. This richly illustrated book will appeal to anyone studying Victorian culture.Book Details
Published
June 16, 2026
Publisher
Cambridge University Press
Pages
444
Format
Paperback
ISBN
9780521089524