The Los Angeles Times
Where Chevalier shines is in her clean prose and her descriptions of rural French and Swiss life, then and now. — Michael Harris
People
As she did in her 2000 bestseller Girl With a Pearl Earring, Chevalier brings a distant time and place vividly alive.... Elegantly drawn.
— August 18, 2003
Boston Globe
...a compelling page turner.
— August 18, 2003
Publishers Weekly
Chevalier's clunky first novel, initially published in England in 1997, lacks the graceful literary intimacy of her subsequent runaway hit, Girl with a Pearl Earring. In split-narrative fashion, it follows a transplanted American woman in southwestern France as she connects through dreams with her distant Huguenot ancestors. The primary plot concerns the plight of Ella Turner, an insecure American midwife of French ancestry. Her architect husband, Rick, has been transferred from California to Toulouse, France, with Ella accompanying him. Often left alone, she becomes lonely and isolated, and when she decides it's time to have a baby, she begins dreaming of medieval scenes involving a blue dress. In alternating sections of the novel, these details are developed in a narrative about a 16th-century French farm girl and midwife, Isabelle du Moulin, and her eventual marriage to overbearing tyrant Etienne Tournier. Isabelle and Etienne belong to a vehemently anti-Catholic Calvinist sect that overthrows the village's cult of the Virgin, who is also known as La Rousse and depicted in paintings as red-haired and wearing a blue dress. Because of her own red hair and midwifery practice, Isabelle is suspected by her husband of witchcraft and punished accordingly. Ella, with the help of magnetic local librarian Jean-Paul, researches the lives of Isabelle and Etienne, trying to get to the bottom of her strange dreams. Chevalier tries hard to make Ella sympathetic, but her dissatisfaction with Rick is baffling, as is her attraction to the chauvinistic Jean-Paul. Equally difficult to swallow is the heavy-handed plot, which relies on jarring coincidences as it swerves unsteadily from past to present. (July) Forecast: Chevalier's name will guarantee her an audience, but the publication of this early work in an unassuming paperback edition is a wise choice. Copyright 2003 Reed Business Information.
Library Journal
Written well before her popular Girl with a Pearl Earring and previously published in England, this brilliant hybrid historical novel/contemporary romance/mystery has the signature Chevalier touches of fluid language, strong characters, and imaginative plotting. At loose ends after arriving in France with her architect husband, American midwife Ella Turner decides to research her elusive Huguenot ancestors, the Tourniers. Soon, however, her marriage founders (repeated encounters with an intriguing French librarian don't help), and Ella starts to have troubling dreams featuring the color blue. Flashbacks to the 16th century introduce Isabelle-also a midwife-who married into the Tournier family and is suspected by her rabidly anti-Catholic husband of continuing to worship the Virgin Mary. The punishment he finally exacts for her perceived crime is horrific. Fans of A.S. Byatt's Possession should enjoy this work, though it's Byatt with a soup on of Shirley Jackson's "The Lottery"; the startling ending, when all the (blue) threads are tied together, is not for the squeamish. This marvelous piece of writing firmly establishes Chevalier as a talent who's been worth watching. Highly recommended for both public and academic libraries.-Jo Manning, Miami Beach, FL Copyright 2003 Reed Business Information.
Kirkus Reviews
A rich and quirky Chinese puzzle of sorts: a family saga turns into a mystery, then is finally revealed as a domestic drama about a young American living in France who finds her own life intersecting with the history of her ancestors in palpable and uncanny ways. Chevalier’s first novel (never before published here) is set in Lisle-sur-Tarn, a little French town that’s a long way from California, both geographically and culturally. But when Ella Turner’s husband Rick accepted a job in Toulouse, Ella chose picturesque and sleepy Lisle for their new home. It was an eerie choice, for it turns out that Ella’s ancestors—the Tourniers—had lived in Lisle until the 16th century. Ella tries to settle into her new surroundings with good grace—studying French, introducing herself to the locals, socializing with Rick’s colleagues—but she’s soon at loose ends. To begin with, she starts to have a recurring dream—a wordless image of vivid blue—that leaves her increasingly troubled. She also develops a persistent case of eczema, which her doctor suggests may be brought on by stress. What sort of stress? And she finds herself unable to make friends in Lisle. Her only real confidant is Jean-Paul, the town librarian who helps her to research her family history. With his guidance, Ella pieces together the saga of the Tourniers, Protestant Huguenots who had to flee France during the religious wars of the late 16th century. Their story takes on a personal significance for Ella, who discovers a picture by one of her ancestors in the local museum, painted in exactly the same shade of blue that she sees in her dream. Chevalier (Girl With a Pearl Earring , 2000, etc.) contrasts Ella’sinvestigations with chapters relating the adventures of ancestor Isabelle de Moulin Tournier, whose life parallels Ella’s in many ways. Soon Ella realizes she’s looking into her past out of something more than idle curiosity. A modest work of some skill, told with a minimum of melodrama and some good local color.
