Synopsis
Meet Edward, a twenty-six year old self-proclaimed genius, and peddler of the modern scientific history of nothing. Edward leaves graduate school with his theories in tow, and lands an entry-level job at an innovative new company. Although he’s not sure exactly what the company does, Edward believes that with his keen mind and original ideas he will revolutionize everything from cubicle culture to the global marketplace. Comically unaware of his own irrelevance, Edward spends long hours thinking too much, contributing too little, and falling asleep at his desk with alarming frequency until a raucous confrontation alters his life forever. Told in Edward’s endearing, delusional voice, The Wages of Genius is a hilarious and touching portrait of a hapless young man with poor judgment, bad luck, and the best of intentions. Gregory Mone's debut novel about the pursuit of Einsteinian greatness is seriously funny and curiously heartwarming at the same time.
Publishers Weekly
Mone's sardonic debut novel is a curious hybrid, a coming-of-age-cum-business novel that begins when a young man who believes himself to be the second coming of Albert Einstein takes a job with a high-flying dot-com at the height of the Internet boom. Edward is the naive first-person narrator and would-be genius who tracks his intellectual development by comparing his ideas to Einstein's in a series of cheeky opening chapters. After bypassing the traditional educational system, Edward lands a job with an e-business company called Global Leading Edge E-Business Solutions, or Gleebs for short. Never mind his lack of discernible skills-the company's entrepreneurial CEO quickly gives Edward the title of general analyst and charges him to help "advance our study of nothing." Edward succeeds remarkably well, coming up with several fluffy, conceptual projects that mirror Einstein's ideas but do next to nothing for the company. When the dot-com bubble begins to deflate, Edward's lack of productivity is noticed by his fellow employees and the company's venture capitalist, who does a one-on-one interview with Edward that reveals his total lack of tangible duties. The combination of the business parody and Edward's sly Einstein parallels make for a heady blend in the early going, but unfortunately Mone is hard-pressed to maintain his inventive conceit in the second half as the prose unravels into a patchwork of hackneyed, clumsy scenes when the company begins to bottom out. Mone is a solid writer with a flair for satire and a nice touch in his understated characterizations, but like the dot-com boom that frames his narrative, he lacks the staying power here to close out a promising idea. (May) Copyright 2003 Reed Business Information.