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Book cover of The Wayward Nun of Amherst: Emily Dickinson and Medieval Mystical Women (Studies in Major Literary Authors Series)
U.S. & Canadian Poetry - 19th Century - Literary Criticism, Medievalism, Mysticism - History, 19th Century American Literature - Literary Criticism, Mysticism - General & Miscellaneous, General & Miscellaneous Medieval History, Religion & Literature, Wome

The Wayward Nun of Amherst: Emily Dickinson and Medieval Mystical Women (Studies in Major Literary Authors Series)

by Angela Conrad
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Overview

This study explores the intriguing correspondences between Emily Dickinson's life and work and those of visionary women of the Middle Ages. Though she could not have been influenced directly by these women's largely "lost" works, her choices about her life and themes are remarkably similar, suggesting that personal circumstances and cultural context directed her in the same way as these earlier female writers. This comparison helps explain why Dickinson would choose reclusion and white clothes, and explains the literary advantages that accrue by pursuing mystical union. Following strategies set down by the medieval women that equate their voices with the revelation of the Divine, Dickinson transforms enclosure to freedom, chastity into eroticism, and total obedience into literary license.

Synopsis

This study explores the intriguing correspondences between Emily Dickinson's life and work and those of visionary women of the Middle Ages. Though she could not have been influenced directly by these women's largely "lost" works, her choices about her life and themes are remarkably similar, suggesting that personal circumstances and cultural context directed her in the same way as these earlier female writers. This comparison helps explain why Dickinson would choose reclusion and white clothes, and explains the literary advantages that accrue by pursuing mystical union. Following strategies set down by the medieval women that equate their voices with the revelation of the Divine, Dickinson transforms enclosure to freedom, chastity into eroticism, and total obedience into literary license.

Booknews

The 19th-century American poet was not directly influenced by the writings of Medieval women mystical writers such as Hildegard of Bingen and Catherine of Siena, says Conrad, which makes the similarity between them all the more compelling. In addition to parallels in their lives<-->seclusion, reluctance to marry, white dresses<-->she finds common themes in their writings, such as renunciation, espousal to Christ, the struggle to maintain faith, and the power of the ecstatic experience. Annotation c. Book News, Inc., Portland, OR (booknews.com)

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Editorials

Booknews

The 19th-century American poet was not directly influenced by the writings of Medieval women mystical writers such as Hildegard of Bingen and Catherine of Siena, says Conrad, which makes the similarity between them all the more compelling. In addition to parallels in their lives<-->seclusion, reluctance to marry, white dresses<-->she finds common themes in their writings, such as renunciation, espousal to Christ, the struggle to maintain faith, and the power of the ecstatic experience. Annotation c. Book News, Inc., Portland, OR (booknews.com)

Book Details

Published
June 1, 2000
Publisher
Taylor & Francis, Inc.
Pages
208
Format
Hardcover
ISBN
9780815339137

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