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Book cover of The Woman Who Fell from the Sky: Poems
Poetry, Native North American People

The Woman Who Fell from the Sky: Poems

by Joy Harjo
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Overview

Joy Harjo, one of this country's foremost Native American voices, combines elements of storytelling, prayer, and song, informed by her interest in jazz and by her North American tribal background, in this, her fourth volume of poetry.

She draws from the Native American tradition of praising the land and the spirit, the realities of American culture, and the concept of feminine individuality.

Synopsis

Joy Harjo, one of this country's foremost Native American voices, combines elements of storytelling, prayer, and song, informed by her interest in jazz and by her North American tribal background, in this, her fourth volume of poetry.

Publishers Weekly

``The leap between the sacred and profane is as thin as fishing line.'' In her seventh book, Harjo (Secrets from the Center of the World), a member of the Creek tribe, makes this leap time after time. Working with a diction and a syntax that seem deliberately plain and declarative, she invokes ancient Native American myth, often from the midst of ordinary contemporary places such as Brooklyn, N.Y.; Washington, D.C.; and Chicago's O'Hare airport (``Chicago rose up as a mechanical giant with soft insides buzzing''). Her myths endow everyday experience with a transformative meaning that rescues Harjo's characters from their sometimes isolating individuality. Yet the myths also heed the details of individual experience as ``the single complicated human becomes a wave of humanness.'' The warmth of her universalizing gift is inclusive, collecting the lives of taxi drivers, an infant granddaughter, and ``an Apache man who is passing by my table in a restaurant.'' Readers may likewise feel swept up in the gentle wave of Harjo's poetry and prose poetry, where ``every day is a reenactment of the creation story.'' (Dec.)

About the Author, Joy Harjo

Joy Harjo lives in Honolulu, Hawaii, and travels the United States playing saxophone with her band.

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Editorials

Sandra Cisneros

β€œI fell in love with these poems, with their clarity and light, their wisdom born somewhere between sky and earth.”

Adrienne Rich

β€œI turn and return to Harjo's poetry for her breathtaking, complex witness and for her world-remaking language: precise, unsentimental, miraculous.”

Publishers Weekly

``The leap between the sacred and profane is as thin as fishing line.'' In her seventh book, Harjo (Secrets from the Center of the World), a member of the Creek tribe, makes this leap time after time. Working with a diction and a syntax that seem deliberately plain and declarative, she invokes ancient Native American myth, often from the midst of ordinary contemporary places such as Brooklyn, N.Y.; Washington, D.C.; and Chicago's O'Hare airport (``Chicago rose up as a mechanical giant with soft insides buzzing''). Her myths endow everyday experience with a transformative meaning that rescues Harjo's characters from their sometimes isolating individuality. Yet the myths also heed the details of individual experience as ``the single complicated human becomes a wave of humanness.'' The warmth of her universalizing gift is inclusive, collecting the lives of taxi drivers, an infant granddaughter, and ``an Apache man who is passing by my table in a restaurant.'' Readers may likewise feel swept up in the gentle wave of Harjo's poetry and prose poetry, where ``every day is a reenactment of the creation story.'' (Dec.)

Library Journal

Harjo (In Mad Love and War, Wesleyan Univ. Pr., 1990), a member of the Muscogee tribe, explores in these transcendent poems the myths imbedded in tribal memory and the spirituality they impart to everyday life.

Book Details

Published
August 1, 1996
Publisher
Norton, W. W. & Company, Inc.
Pages
69
Format
Paperback
ISBN
9780393313628

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