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Overview
Each discovery disturbs the arrangements of the known world, and it is our job to stay alert to all possibilities.
LaVaughn believes she is keeping alert to all possibilities. She has made it through the projects, she's gotten over heartbreak, she's grown up, and now she's been admitted to the Women in Science program that might finally be her ticket to COLLEGE. But the discoveries she makes during her senior year in high school—two girls pregnant, with very few options—disturb everything in her known world. And in an effort to bring together people who should love each other, she jeopardizes the one prize she has sought her whole life long.
When do you know whether you're doing the right thing? What happens when you can't find a way to make lemonade out of lemons? Virginia Euwer Wolff takes on the biggest questions—about life and love, certainly, but also about girls and women, sacrifice and compassion—and has something quite rev-elatory to say about them in this full house.
Synopsis
We have a multitude of obstacles to overcome here.
We'll begin.
When LaVaughn was little, the obstacles in her life didn't seem so bad. If she had a fight with Myrtle or Annie, it would never last long. If she was mad at her mother, they made up by bedtime. School was simple. Boys were buddies. Everything made sense.
But LaVaughn is fifteen and the obstacles aren't going away anymore. Big questions separate her from her friends. Her mother is distracted by a new man. School could slip away from her so easily. And the boy who's a miracle in her life acts just as if he's in love with her. Only he's not in love with her.
Returning to the characters and language she explored so profoundly in Make Lemonade , Virginia Euwer Wolff rises to the occasion in this astonishing second of three novels about LaVaughn, her family, and her community.
From the Compact Disc...
The Washington Post - Mary Quattlebaum
Author Virginia Euwer Wolff packs punch and poignancy into her poetic lines of choices made and regretted and sometimes forgiven.
Editorials
Mary Quattlebaum
Author Virginia Euwer Wolff packs punch and poignancy into her poetic lines of choices made and regretted and sometimes forgiven.—The Washington Post
Publishers Weekly
Fans of Make Lemonade and True Believer have been eager for the final episode of this verse trilogy, to see where Wolff takes her protagonist, LaVaughn. For a while it seems as if LaVaughn's good heart and tenacity have been cleanly rewarded: she wins a spot in a highly selective program for underprivileged girls planning on careers in medical science. Although focused on her future, she remains acutely aware of others' struggles: her friend Annie gets pregnant; she learns that Jolly, the single mother whose children she babysits, was abandoned in infancy; and she regrets spurning brilliant Patrick ("And I never found out if he forgave me/ for being mean and childish and not noticing I was"). Even Dr. Moore, the inspiring woman who founded the medical science program, turns out to have a blistering secret in her past. Struggling to "act according to your conscience/ even when you don't want to," LaVaughn finds herself in murky ethical waters when Wolff contrives a very big coincidence for her to address. The steady, sympathetic characterizations more than compensate for the unlikely plot twist, however, and the trilogy closes warmly, sagely and, yes, even triumphantly. Ages 14-up. (Jan.)
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.VOYA -
In the third installment of the Make Lemonade trilogy, LaVaughn is now a senior in high school. Responsibilities increase as she juggles doing well in school, working at the children's hospital, supporting her friend Annie through her pregnancy, and babysitting for Jolly's children while Jolly completes her GED. When LaVaughn is chosen to participate in a program for poor girls interested in a career in medicine, she meets the charismatic Dr. Moore. Circumstances lead LaVaughn to suspect that Dr. Moore might be Jolly's mother. After enlisting her friend Patrick to confirm it by DNA samples LaVaughn collects without their knowledge, LaVaughn jeopardizes both her friendship with Jolly and her future in Dr. Moore's program. But the story ends happily with LaVaughn's acceptance into a city college, a new boyfriend, and Jolly's reluctant acceptance of Dr. Moore as her mother. Although the description of how LaVaughn secures a DNA analysis somewhat stretches credibility, this book is definitely a satisfying read. LaVaughn's desire to make a difference in the lives of her friends is the strong voice that carries the story, although the supporting cast is equally well defined, giving readers a better understanding into the plight of the urban poor. Wolff's use of free verse somehow makes the struggles of the characters seem less harsh. Underlying the plot is an exploration on how easy it is to love yet how difficult it can be to forgive. Readers who have come to care about the characters will find a fitting and optimistic end to the trilogy. Reviewer: Chris CarlsonSchool Library Journal
Gr 8 Up
The third verse novel finds narrator LaVaughn in her senior year of high school. She is still determined to have a career in the sciences, despite the fact that her underfunded public school has run-down lab equipment, the teens in her neighborhood never consider higher education, and her subtle but persistent belief that those who succeed are somehow fundamentally better than she is. Characters from the previous books are reintroduced. Jolly, the young mother for whom LaVaughn has become a babysitter and near kin, is working on her GED and dating a man who seems willing to stick around. Annie, LaVaughn's hyperreligious childhood friend, has become pregnant by her hypocritical youth group leader. Awkward Patrick, with whom LaVaughn studied science during the summer, earns her jealousy by attending a new school with access to the university's state-of-the-art facilities. LaVaughn also faces a new challenge when she is accepted into Women in Medical Science, a local hospital's rigorous after-school enrichment program for underprivileged girls. Wolff's language is rich and poetic, using scientific words like "tibia" and "deoxyriboneucleic acid" to both intellectual and aesthetic effect. LaVaughn's emotions, from fear to joy to disbelief, are palpable and realistic. The story falters a bit when a major plot contrivance strains credibility and diminishes what is otherwise an inspiring, relatable tale of perseverance, forgiveness, and family.-Megan Honig, New York Public Library