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Fiction, American Fiction, World Literature
Three Farmers on Their Way to a Dance by Richard Powers β€” book cover

Three Farmers on Their Way to a Dance

by Richard Powers
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Overview

In the spring of 1914, renowned photographer August Sander took a photograph of three young men on their way to a country dance. This haunting image, capturing the last moments of innocence on the brink of World War I, provides the central focus of Powers's brilliant and compelling novel. As the fate of the three farmers is chronicled, two contemporary stories unfold. The young narrator becomes obsessed with the photo, while Peter Mays, a computer writer in Boston, discovers he has a personal link with it. The three stories connect in a surprising way and provide the reader with a mystery that spans a century of brutality and progress.

Synopsis

In the spring of 1914, renowned photographer August Sander took a photograph of three young men on their way to a country dance. This haunting image, capturing the last moments of innocence on the brink of World War I, provides the central focus of Powers's brilliant and compelling novel. As the fate of the three farmers is chronicled, two contemporary stories unfold. The young narrator becomes obsessed with the photo, while Peter Mays, a computer writer in Boston, discovers he has a personal link with it. The three stories connect in a surprising way and provide the reader with a mystery that spans a century of brutality and progress.

New York Times Book Review

His writing engages . . . Sentence by sentence and page by page, the work shows Mr. Powers to good advantage.

About the Author, Richard Powers

Having earned a bit of a reputation for being the reclusive genius type -- he didn't give interviews until he had published his third book, and didn't consent to having his photo on the jacket until his fifth -- novelist Richard Powers explains to The New York Times, "I wanted the books to speak for themselves."

Reviews

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Editorials

A. O. Scott

What is most remarkable about...the body of Powers's work so far is how much life is in it, and how much intelligence . . . I can think of no American novelist of his generation who makes a stronger [case] that the writing of novels is a heroic enterprise, and perhaps, even a matter of life and death. β€”New York Review of Books

Chicago Tribune

Bristlingly intelligent . . . Powers is a superb writer.

Chicago Tribune

Bristlingly intelligent . . . Powers is a superb writer.

Chicago Tribune

Powers is a superb writer.

Gerald Howard

One of the few younger American writers who can stake a claim to the legacy of Pynchon, Gaddis, and DeLillo. β€”The Nation

Illinois Times

Fiercely original, formally brilliant, deeply moving.

Kevin Berger

America's most ambitious novelist . . . No one who becomes immersed in [his] poetry will walk out the way he or she came in. β€”San Francisco Chronicle

Melvin Jules Bukiet

Powers hovers impossibly between extremes with a tightrope walker's perfect balance. He may be at once the smartest and the most warm-hearted novelist in America today. β€”The Chicago Tribune

New York Times Book Review

His writing engages . . . Sentence by sentence and page by page, the work shows Mr. Powers to good advantage.

Newsday

A scintillating, high-octane intellectual flight of fancy.

Philadelphia Inquirer

Dazzling and audacious . . . nothing short of astounding.

Richard Eder

A writer of blistering intellect . . . [Powers is] a novelist of ideas and a novelist of witness, and in both respects, he has few American peers. β€”Los Angeles Times

Sven Birkerts

Powers is a genuine artist, athinker of rare synthetic gifts, maybe the only writer working β€” Pynchon and DeLillo excepted β€” who can render the intricate dazzle of it all and at the same time plumb its philosophical implications... β€”Esquire

Tom Bissell

Richard Powers is America's greatest living novelist. β€”The Boston Review

Library Journal

Three farmers walking along a German road are captured by photographer August Sander on the eve of World War I . Years later this photograph, exhibited in a Detroit museum, so haunts the narrator that he embarks on an exhaustive search for any information that will help interpret it and account for its extraordinary impact on him. This same picture is uncovered by a young computer magazine editor in his own search for the identity of a woman he has glimpsed in an Armistice Day parade. As the stories intersect, the photograph unveils the interconnectedness of individuals that is history and demonstrates that the individual's search for self through the past is likely to pose more questions than it answers. Because of its complex plot, this first novel will appeal mainly to sophisticated readers. But Powers delicately meshes contemporary problems and preoccupations, and his style is wonderful. Highly recommended for modern fiction collections. Cynthia Johnson Whealler, Cary Memorial Lib., Lexington, Mass.

Book Details

Published
September 1, 1992
Publisher
HarperCollins Publishers
Pages
352
Format
Paperback
ISBN
9780060975098

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