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Are You There God? It's Me, Margaret
Tiger Eyes by Judy Blume — book cover

Tiger Eyes

by Judy Blume
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Overview

Davey has never felt so alone in her life. Her father is dead—shot in a holdup—and now her mother is moving the family to New Mexico to try to recover.

Climbing in the Los Alamos canyon, Davey meets the mysterious Wolf, who can read Davey’s “sad eyes.” Wolf is the only person who seems to understand the rage and fear Davey feels.

Slowly, with Wolf’s help, Davey realizes that she must get on with her life. But when will she be ready to leave the past behind and move toward the future? Will she ever stop hurting?

Resettled in the "Bomb City" with her mother and brother, Davey Wexler recovers from the shock of her father's death during a holdup of his 7-Eleven store in Atlantic City.

About the Author, Judy Blume

Judy Blume is known and loved by millions of readers for her funny, honest, and always believable stories. Among her hugely popular books are Blubber, Freckle Juice, and Are You There God? It’s Me, Margaret. Judy Blume is the recipient of the National Book Foundation’s 2004 Medal for Distinguished Contribution to American Letters. She lives in Key West and New York City. Visit her at www.judyblume.com.

Biography

Before Judy Blume, there may have been a handful of books that spoke to issues teens could identify with; but very few were getting down to nitty-gritty stuff like menstruation, masturbation, parents divorcing, being half-Jewish, or deciding to have sex. Now, these were some issues that adolescents could dig into, and Blume’s ability to address them realistically and responsibly has made her one of the most popular – and most banned – authors for young adults.

Are You There God? It’s Me, Margaret, published in 1970, was Blume’s third book and the one that established her fan base. Drawing on some of the same things she faced as a sixth grader growing up in Elizabeth, New Jersey, Blume created a sympathetic, first-person portrait of a girl whose family moves to the suburbs as she struggles with puberty and religion. In subsequent classics such as Then Again, Maybe I Won’t, Deenie, Blubber, and Tiger Eyes, Blume wrote about the pain of being different, falling in love, and figuring out one's identity. Usually written in a confessional/diary style, Blume’s books feel like letters from friends who just happen to be going through a very interesting version of the same tortures suffered by their audience.

Blume has also accumulated a great following among the 12-and-under set with her Fudge series, centering on the lives of preteen Peter Hatcher and his hilariously troublesome younger brother, Farley (a.k.a. Fudge). Blume’s books in this category are particularly adept at portraying the travails of siblings, making both sides sympathetic. Her 2002 entry, Double Fudge, takes a somewhat surreal turn, providing the Hatchers with a doppelganger of Fudge when they meet some distant relatives on a trip.

Blume has also had success writing for adults, again applying her ability to turn some of her own sensations into compelling stories. Wifey in 1978 was the raunchy chronicle of a bored suburban housewife’s infidelities, both real and imagined. She followed this up five years later with Smart Women, a novel about friendship between two divorced women living in Colorado; and 1998’s Summer Sisters, also about two female friends.

Blume has said she continually struggles with her writing, often sure that each book will be the last, that she’ll never get another idea. She keeps proving herself wrong with more than 20 books to her credit; hopefully she will continue to do so.

Good To Know

Tales of a Fourth Grade Nothing was inspired by an article given to Blume by her babysitter about a toddler who swallowed a small pet turtle. She wrote a picture book introducing Fudge (based on her own then-toddler son), the turtle, and older brother Peter; but it was rejected. A few years later, E. P. Dutton editor Ann Durell suggested that Blume turn the story into a longer book about the Hatcher family. Blume did, and the Fudge legacy was born.

Blume is not an author without conflict about her station in life. She says on her web site that, as part of her "fantasy about having a regular job," she has a morning routine that involves getting fully dressed and starting at 9 a.m. She has also getting out of writing altogether."After I had written more than ten books I thought seriously about quitting," she writes. "I felt I couldn't take the loneliness anymore. I thought I would rather be anything but a writer. But I've finally come to appreciate the freedom of writing. I accept the fact that it's hard and solitary work."

Blume's book about divorce, It's Not the End of the World, proved ultimately to be closer to her own experience than she originally imagined. Her own marriage was in trouble at the time, but she couldn't quite face it. "In the hope that it would get better I dedicated this book to my husband," she writes in an essay. "But a few years later, we, too, divorced. It was hard on all of us, more painful than I could have imagined, but somehow we muddled through and it wasn't the end of any of our worlds, though on some days it might have felt like it."

Her most autobiographical book is Starring Sally J. Friedman as Herself, says Blume. "Sally is the kind of kid I was at ten," Blume says on her web site.

Blume keeps setting Fudge aside, readers keep bringing him back. The sequel Superfudge was written after tons of fans wrote in asking for more of Farley Hatcher; again more begging led to Fudge-a-Mania ten years later. Blume planned never to write about Fudge again, but grandson Elliott was a persistent pesterer (just like Fudge), and got his way with 2002's Double Fudge.

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Editorials

School Library Journal

Gr 7 Up—The most remarkable thing about Judy Blume's book (Atheneum, 1982) is how well it has stood the test of time-it's as relevant today as it was 30 years ago. This is the story of 15-year-old Davey who finds her father shot during a hold-up in his store. Davey and her mother have trouble coping with their violent loss, but when Davey begins to have panic attacks in school, her mother decides to move the family temporarily to Los Alamos, New Mexico, to stay with relatives. Living with her overly strict aunt and uncle makes Davey angry. When her mother starts dating, Davey is furious that her father could be forgotten so swiftly. Davey and her mother are both deep in the grieving process but working through it in very different ways. Too young to work, Davey volunteers at the hospital where she meets an elderly man dying of cancer. When she meets the man's son, their friendship and common sense of loss helps Davey begin to heal. Emma Galvin's narration perfectly voices Davey's escalating emotions and teen angst. A well-told and well-performed story.—Joan Kindig, James Madison University, Harrisonburg, VA

Book Details

Published
June 11, 2013
Publisher
Random House Children's Books
Pages
240
Format
Paperback
ISBN
9780449816462

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