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Overview
"Working within the strict format of the vertical stripe, Tim Bavington explores methods of designing his paintings, from intuition and chance to architectural systems and bar-coding. In recent years his interest has turned to music: He transposes samples--riffs, guitar solos and entire songs--into stripes by combining the 12-tone musical scale with a 12-hue color palette. Notes are assigned colors, and the length each note is held determines stripe widths. He then uses a spray gun to apply paint so that lines blend, bleed and fuse into a continuous field. Tim Bavington surveys the development of his stripe work over eight years, with particular attention to the musical period that opened in 2002.Book Details
Published
August 28, 2006
Publisher
Steidl, Gerhard Druckerei und Verlag
Pages
128
Format
Paperback
ISBN
9783865212856