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British Armed Forces - Biography, British Armed Forces - General & Miscellaneous, World War II - War Narratives, Great Britain - Army, Italian History - 1922 - 1945 (Fascist Era & World War II), World War II - Personal Narratives, European Theater - World
Time at War by Nicholas Mosley β€” book cover

Time at War

by Nicholas Mosley
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Overview

Aged twenty, and with no war experience, Nicholas Mosley found himself in charge of a platoon of men positioned along the Italian front during the Second World War. With his father in prison on charges of treason, he had enlisted primarily in an effort to improve his family image. But the war left Mosley a radically changed man: he had gone in out of personal convenience, and left with a sense of greater purpose. Saved from death by one of his men, holed up in barns and trenches and tents, and marching across Europe, Mosley found in war a certainty that eluded him in peacetime. "War is both senseless and necessary, squalid and fulfilling, terrifying and sometimes jolly," he writes. "This is like life. Humans are at home in war (though they seldom admit this). They feel they know what they have to do."

In an interview conducted between 1977 and 1978, Nicholas Mosley said, "When I was young William Faulkner was my great love, not just because of the density of style, but because he seemed to be dealing with the question not of 'what will happen next' but 'what is happening now.' The first Faulkner novel I read was The Sound and the Fury, which I got hold of when we liberated a POW camp in Italy in 1944 and I liberated the Red Cross Library. I was about twenty. . . . What in god's name, after all, was I doing aged twenty in Italy in a war?"

Synopsis

Aged twenty, and with no war experience, Nicholas Mosley found himself in charge of a platoon of men positioned along the Italian front during the Second World War. With his father in prison on charges of treason, he had enlisted primarily in an effort to improve his family image. But the war left Mosley a radically changed man: he had gone in out of personal convenience, and left with a sense of greater purpose. Saved from death by one of his men, holed up in barns and trenches and tents, and marching across Europe, Mosley found in war a certainty that eluded him in peacetime. "War is both senseless and necessary, squalid and fulfilling, terrifying and sometimes jolly," he writes. "This is like life. Humans are at home in war (though they seldom admit this). They feel they know what they have to do."

In an interview conducted between 1977 and 1978, Nicholas Mosley said, "When I was young William Faulkner was my great love, not just because of the density of style, but because he seemed to be dealing with the question not of 'what will happen next' but 'what is happening now.' The first Faulkner novel I read was The Sound and the Fury, which I got hold of when we liberated a POW camp in Italy in 1944 and I liberated the Red Cross Library. I was about twenty. . . . What in god's name, after all, was I doing aged twenty in Italy in a war?"

Times Literary Supplement

Mosley is always very much himself, and it is the absence of any kind of self-protection, or self-creating, which is finally endearing and rather impressive about the way he writes, and the life he is writing about.

About the Author, Nicholas Mosley

Nicholas Mosley was born in London on June 25, 1923 and was educated at Eton and Oxford. He served in Italy during World War II, and published his first novel, Spaces of the Dark, in 1951. Since then, he has published sixteen works of fiction, including the novels Accident, Impossible Object, and Hopeful Monsters, winner of the 1990 Whitbread Award.

Mosley is also the author of several works of nonfiction, most notably the autobiography Efforts at Truth and a biography of his father, Sir Oswald Mosley, entitled Rules of the Game/Beyond the Pale. He currently resides in London, where he is working on a nonfiction study of war and peace.

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Editorials

Times Literary Supplement

Mosley is always very much himself, and it is the absence of any kind of self-protection, or self-creating, which is finally endearing and rather impressive about the way he writes, and the life he is writing about.

The New York Times

When unmistakably brilliant writing is combined with natural insight, the result is likely to be most impressive. Nicholas Mosley writes realistically, with an admirable craft and surging talent.

Book Details

Published
October 1, 2006
Publisher
Dalkey Archive Press
Pages
185
Format
Paperback
ISBN
9781564784568

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