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Classical Composers - Biography, Bach, Johann Sebastian
True Life of J. S. Bach by Klaus Eidam β€” book cover

True Life of J. S. Bach

by Klaus Eidam, Hoyt Rogers
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Overview

In this new biography of Johann Sebastian Bach, Klaus Eidam brings the icon of Baroque music into focus as never before.

Synopsis

This comprehensive biography contrasts 250 years' worth of legend with the real facts of Bach's life as uncovered through the author's extensive research.

Publishers Weekly

Munich-based TV documentary scriptwriter Eidam offers a new interpretation of the great organist and composer, Bach. His writing can be clunky, such as when he refers to his own change of interest: "I had long since distanced myself from the organ as thoroughly as Offenbach had distanced himself from the synagogue." Such pretentious stretches aside, this new book provides a plainspoken reexamination of basic conditions of the composer' s life. Eidam reminds readers repeatedly that Bach, considered today to be a divinely inspired and peerless composer, did not make enough money to pay for his own gravestone. Treated as a lackey by noble employers, Bach was also saddled with lazy and inept musicians who were uninterested in his perfectionist goals: he got into a street brawl with one whom he termed "a prick bassoonist." As an organist, Eidam offers a particularly interesting account of Bach's most famous organ work, the mighty Toccata and Fugue in D Minor, pointing out that it was most likely written for an organ inspection, which explains the work's great instrumental range, and how the very title of the piece is a misnomer, "since the fugue is seamlessly integrated with the toccata." He also praises Bach for controlling his anger on many occasions, while other biographers have found the composer too hot-tempered. A provocative, if sometimes flawed, alternative to standard studies by scholars like Malcolm Boyd and John Butt. (Aug. 1) Copyright 2001 Cahners Business Information.

About the Author, Klaus Eidam

Klaus Eidam has written TV plays about Handel, Haydn, Mendelssohn, and Weber and is the author of a four-part Bach TV series that has been broadcast in forty countries. Hoyt Rogers translations from the French, German, and Spanish have appeared in numerous periodicals. Klaus Eidam has written TV plays about Handel, Haydn, Mendelssohn, and Weber and is the author of a four-part Bach TV series that has been broadcast in forty countries. Hoyt Rogers translations from the French, German, and Spanish have appeared in numerous periodicals.

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Editorials

Publishers Weekly

Munich-based TV documentary scriptwriter Eidam offers a new interpretation of the great organist and composer, Bach. His writing can be clunky, such as when he refers to his own change of interest: "I had long since distanced myself from the organ as thoroughly as Offenbach had distanced himself from the synagogue." Such pretentious stretches aside, this new book provides a plainspoken reexamination of basic conditions of the composer' s life. Eidam reminds readers repeatedly that Bach, considered today to be a divinely inspired and peerless composer, did not make enough money to pay for his own gravestone. Treated as a lackey by noble employers, Bach was also saddled with lazy and inept musicians who were uninterested in his perfectionist goals: he got into a street brawl with one whom he termed "a prick bassoonist." As an organist, Eidam offers a particularly interesting account of Bach's most famous organ work, the mighty Toccata and Fugue in D Minor, pointing out that it was most likely written for an organ inspection, which explains the work's great instrumental range, and how the very title of the piece is a misnomer, "since the fugue is seamlessly integrated with the toccata." He also praises Bach for controlling his anger on many occasions, while other biographers have found the composer too hot-tempered. A provocative, if sometimes flawed, alternative to standard studies by scholars like Malcolm Boyd and John Butt. (Aug. 1) Copyright 2001 Cahners Business Information.

Booknews

An organist and Bach scholar presents a close examination of the life of J.S. Bach, primarily based on original sources. Throughout, he wryly challenges the myths which circulate about Bach's temperament, degree of originality, and critical reception. Originally published as , Piper Verlag GmbH, Munich, 1999. Translated by Hoyt Rogers. Annotation c. Book News, Inc., Portland, OR (booknews.com)

Book Details

Published
July 1, 2001
Publisher
Basic Books
Pages
413
Format
Hardcover
ISBN
9780465018611

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