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Overview
Here is a treat for John Irving addicts and a perfect introduction to his work for the uninitiated. To open this spirited collection, Irving explains how he became a writer. There follow six scintillating stories written over the last twenty years ending with a homage to Charles Dickens. This irresistible collection cannot fail to delight and charm.This gem, a delightful collection of shorter works, both fiction and nonfiction, written by one of the country's finest--and funniest--writers, includes a living portrait of Irving's grandmother, a new, never-before-published essay, six scintillating short stories--including the O. Henry Award-winning "Interior Space"--and two essays on Irving's favorite 19th-century novelist, Charles Dickens. Trying to Save Piggy Sneed is John Irving at the top of his form. Illustrations.
Synopsis
Here is a treat for John Irving addicts and a perfect introduction to his work for the uninitiated. To open this spirited collection, Irving explains how he became a writer. There follow six scintillating stories written over the last twenty years ending with a homage to Charles Dickens. This irresistible collection cannot fail to delight and charm.
The New York Times - Michiko Kakutani
[The novel} offers the reader a representative sample of Mr. Irving's work that highlights both his weaknesses and his strengths. . . .Piggy Sneed is a small gem of writing, [but] it turns out to be less an act of reminiscence than a carefully contrived meditation on what might have happened to the dimwitted garbage collector Mr. Irving knew as a boy in Exeter, N.H., and the transformative powers of art.
Editorials
Michiko Kakutani
[The novel} offers the reader a representative sample of Mr. Irving's work that highlights both his weaknesses and his strengths. . . .Piggy Sneed is a small gem of writing, [but] it turns out to be less an act of reminiscence than a carefully contrived meditation on what might have happened to the dimwitted garbage collector Mr. Irving knew as a boy in Exeter, N.H., and the transformative powers of art.β The New York Times