Using Shadows in Art

Children's Literature - Children's Literature

Well-known artworks are used to point out how artists have created certain effects. In Shadows, an excellent example is Claude Lorrain's A Seaport in which the sinking sun casts a glow across the harbor and light shimmers across the water. In another, Norham Castle, Sunrise by J. M. W. Turner, the light of a new day, mist, haze and reflections all create the mood. Richardson points out areas and features in these paintings and tells kids that "Strong light can make colors brighter and shadows deeper." As with the other books in the series there is a good selection of art representing a variety of styles. The last section of the book offers tips and challenges kids to try their hand at painting. Richardson urges them to look at shadows, for example, and to notice how shadows and light can show how things are shaped. The final section offers more information about the paintings used to illustrate the author's points. For example, people loved the way that Lorrain showed light and Turner himself was so fascinated with light that he painted Norham Castle many times under a variety of lighting conditions. There is a glossary, list of web sites and an index. Part of a series of six books entitled "How to Look at Art." 2000 (orig. 1997), Gareth Stevens, Ages 8 up, $19.93. Reviewer: Marilyn Courtot

School Library Journal

Gr 1-4-In simple, succinct phrases, Richardson describes famous paintings by renowned artists. Each two-page spread takes a look at a different work of art; the left-hand pages present a full-color reproduction while on the right a number of details in close-up views are accompanied by questions or comments. For example, when viewing Domenico Ghirlandaio's Portrait of a Girl in Faces, readers are asked to notice the color of the subject's skin, the lines under her eyes, and the light on her hair, and to offer an opinion on whether or not she is smiling. Studies in perspective are featured in Distances. The sky seems to touch the ground in Edgar Degas's Beach Scene, while foreground figures loom dramatically large in Paolo Uccello's The Rout of San Romano. In Shadows, the effectiveness of light, darkness, and their contrast is explored in Geertgen tot Sint Jans's The Nativity, at Night, Jan Vermeer's The Lacemaker, and in many other masterpieces. Observant youngsters will see where the different sources of light originate and how strong light makes colors brighter and shadows deeper. Each title has a few activities. While the questions and suggestions posed by the author will help children become more discerning when examining paintings, they do get somewhat repetitious. However, like a number of other recently published art series, these titles will introduce young students to terms, techniques, and a broad range of styles.-Patricia Mahoney Brown, Benjamin Franklin Elementary School, Kenmore, NY Copyright 2000 Cahners Business Information.